Public Goods Rent Seeking
Bryan Caplan points to a fascinating paper on the economics of extreme religious groups which explains the relationship of public goods produced by such groups and sacrifice demanded by the same. Caplan writes:
The upshot is that economists overestimate the severity of public goods problems but underestimate the severity of rent-seeking.
I think Caplan probably has the upshot of this particular paper wrong (I haven’t read the whole paper carefully yet, more later perhaps) but I suspect he’s correct about a bias to overestimate public goods problems and underestimate rent seeking. I wonder if anyone has attempted to detect such a bias either experimentally (in an economics lab) or through painful survey of various popular and academic literatures?
I’m pleased that Ernest Miller made the connection to copyright, though he riffs off the weaker part of Caplan’s post.
Copyright is (should be) the textbook case of wildly overestimating the public goods problem while ignoring rent seeking problems (NB “how can an artist make a full time living doing only art” is not a public goods problem). Witness massive production of art where expected profit from sales of copies and licensing is nil, both outside the content industry and where restrictions on copying are not enforced. Consider who benefits from perpetual copyright — not the public.

June 11th, 2005 at 19:36
[...] h their lens) gets far more time (possibly this has something to do with the phenomenon of overestimating market failure and underestimating political failure). Perhaps [...]
June 23rd, 2005 at 20:58
[...] ions galore. Dare I say that those pursuing treaties rather than unilateral liberalization overestimate public good problems and underestimate rent seeking problems?) [...]
December 25th, 2007 at 18:44
[...] While I’m complaining, enforcement costs aren’t the only often forgotten problem. [...]
February 23rd, 2008 at 22:38
[...] 1: Witness massive production of art where expected profit from sales of copies and licensing is nil, both outside the content industry and where restrictions on copying are not enforced. [...]