Archive for the ‘Intellectual Protectionism’ Category

Outsourcing charity … to Wikipedia

Friday, December 30th, 2005

Giving and asking for recommendations for worthy charitable donations seems to be popular this time of year, so I’ll do both, following my earlier unsolicited financial advice.

Excepting the very laws of nature (see arch anarchy), aging and its resulting suffering and death is the greatest oppressor of humanity. As far as I know Aubrey de Grey’s Methuselah Mouse Prize/Foundation is the only organization making a direct assault on aging, so I advise giving generously. Fight Aging! is the place to watch for new anti-aging philanthropy.

The most important human-on-human oppression to end, in the U.S. at least, is the drug war (which directly causes oppression in other jurisdictions as well). I’ve only mentioned this in passing here. There’s too much to say. The Drug Reform Coordination Network is saying some of it. The seems to be spearheading state level liberalization initiatives. See MPP’s 2006 plan. I met MPP founder Rob Kampia a year or so ago and was left with a good impression of the organization.

is the current exemplar of the anti-authoritarian age and I love their .

Finally, you could help pay my salary at Creative Commons, more in these letters.

I’d really prefer to give entirely outside the U.S. and other wealthy jurisdictions. However, I’m not interested in any organization that gives direct aid (reactionary, low long term impact), supports education (feel good, low long term impact), exhibits economic neanderthalism, has religious or social conservative ties, or is a shill for U.S. foreign policy in the areas of drugs, terror, or intellectual property. I am looking for organizations that support autonomous liberalization or any of the goals exemplified by the organizations I already support above. Suggestions?

I suppose supporting prizes is one means of donating without respect to jurisdiction. In cases were low cost is important, researchers in cheap areas will tend to win.

I’d also prefer to give via some innovative mechanism. We’ll see what the new year brings.

Wikipedia chief considers taking ads (via Boing Boing) says that at current traffic levels, Wikipedia could generate hundreds of millions of dollars a year by running ads. There are strong objections to running ads from the community, but that is a staggering number for a tiny nonprofit, an annual amount that would be surpassed only by the wealthiest foundations. It could fund a staggering Wikimedia Foundation bureaucracy, or it could fund additional free knowledge projects. Wikipedia founder Jimmy Wales has asked what will be free. Would an annual hundred million dollar budget increase the odds of those predictions? One way to find out before actually trying.

Of course I expect all of my donations to have imperceptible impact, almost as imperceptible as voting. But it’s all about expression. I’ve increased my expressive value by including a donor comment — “in loving memory of Άναξιμένης” — with my Wikipedia donation. I got an expressive boost when my comment was chosen for highlighting.

( was a pupil or contemporary of and has a cooler sounding name. As a kid I’d dedicate donations to Alexander the Great, but I now know better.)

Redefining light and dark

Monday, November 28th, 2005

The wily Lucas Gonze is at it again, defining ‘lightnet’ and ‘darknet’ by example, without explanation. The explanation is so simple that it probably only subtracts from Gonze’s [re]definition, but I’ll play the fool anyhow.

Usually darknet refers to (largely unstoppable) friend-to-friend information sharing. As the name implies, a darknet is underground, or at least under the radar of those who want to prohibit certain kinds of information sharing. (A BlackNet doesn’t require friends and the radar doesn’t work, to horribly abuse that analogy.)

Lightnet, as far as I know, is undefined in this context.*

Anyway, Lucas’ definition-by-example lumps prohibited sharing (friend to friend as well as over filesharing networks) and together as Darknet. Such content is dark to the web. It can’t be linked to, or if it can be, the link will be to a name,** not a location, thus you may not be able to obtain the content (filesharing), or you won’t be able to view the content (DRM).

Lightnet contnet is light to the web. It can be linked to, retrieved, and viewed in the ways you expect (and by extension, searched for in the way you expect), no law breaking or bad law making required.

* Ross Mayfield called iTunes a lightnet back in 2003. Lucas includes iTunes on the dark side. I agree with Lucas’ categorization, though Ross had a good point, and in a slightly different way was contrasting iTunes with both darknets and hidebound content owners.

** Among other things, I like to think of magnet links and as attempting to bridge the gap between the web and otherwise shared content. Obviously that work is unfinished. As is making multimedia work on the web. I think that’s the last time I linked to Lucas Gonze, but he’s had plently of crafty posts between then and now that I highly recommend following.

Most Rights Denied

Saturday, November 5th, 2005

Ryan King has created a funny spoof of Creative Commons licenses–the Uncreative Uncommons
Humor Link Back Don’t Repeat 0.1beta3 license–compare to the Creative Commons Attribution-NonCommercial-ShareAlike 2.5 license. Can you use hu-lb-dr? Nope:

The UU license is itself availble under the UU license, which means, no. See stipulation #3: “You may not paraphrase, repurpose or in any way retell the content. It is like “telling someone else’s joke” and that’s not cool.”

Ha ha.

Someone ought to create a CC license deed spoof for EULAs and :

See the EFF’s A User’s Guide to EULAs for more ideas.

Imagine a one-year usufruct

Tuesday, October 18th, 2005

It warms my heart to see a column titled Imagine a world without copyright in the International Herald-Tribune, but I’m afraid Joost Smiers and Marieke van Schijndel imagine too much from such a world:

What is interesting about this approach is that this proposal strikes a fatal blow to a few cultural monopolists who, aided by copyright, use their stars, blockbusters and bestsellers to monopolize the market and siphon off attention from every other artistic work produced by artists. That is problematic in our society in which we have a great need for that pluriformity of artistic expression.

I have great sympathy with this hope, indeed it is one of the things that first interested me in copyright. There is some very imperfect evidence from China that without copyright mass culture will still be star-driven and repulsive.

The authors also do not describe a world completely without copyright, offering creators a one-year exclusive right to exploit new works commercially (a one-year usufruct as they say) where the work demands sizeable initial investments. An unfortunate proposal: to protectionists, a ridicuously constrained mononpoly, but one that undermines the authors’ vision. Better to use the paragraph to mention ideas for financing of artistic works that do not require monopoly privilege. Or to mention peer production, open source, or free software, which they do not.

Premium Society

Monday, October 17th, 2005

The Adelphi Charter on Creativity, Innovation and Intellectual Property, released a few days ago, looks like a fairly reasonable set of guidelines for thinking about innovation policy. Their one pager (PDF).

I found the history of the Royal Society for the Arts (sponsor of Adelphi) far more interesting than the charter itself. An excerpt:

The original name of the Society was Society for the encouragement of Arts, Manufactures and Commerce. However, an alternative name quickly emerged - the “Premium Society”. Until the mid 19th century, the Society offered cash premiums to inventors and artists as a means of encouraging new and progressive works. This means of supporting innovation often meant hostility towards patents. The reasons for the conflict are complex.

Read the rest.

Natural copyright?

Friday, September 30th, 2005

In Copyright Natural Law Russ Nelson quickly explains “” (not a particularly useful concept in my opinion, but that’s irrelevant here), then proceeds to make the following bizarre statement:

The natural copyright law is a bargain between the publishers of copyrighted works and the recipients of copyrighted works. The publishers promise to eventually put the work into the public domain, and the recipients promise not to copy.

What in the world makes a limited duration state granted monopoly “natural law”? Is Russ conflating “natural law” with “whatever laws the first U.S. Congress made”?

Wikipedia on the :

The origins of copyright systems are generally placed in the practice of various monarchs in granting “letters patent”, arbitrary grants of monopoly over a particular practice or trade.

That sounds like the very opposite of Russ’s non-legislated (and non-decreed by Kings) “natural law” as do the legislative that created limited duration copyright and have since made it quasi-perpetual.

Russ’s conclusion that current copyright policy breeds disrespect for and disobediance of the law is correct, though I wouldn’t put it in terms of natural law, and suspect that the costs and benefits of use and enforcement given technology are far more relevant than any broken bargain for limited duration copyright, “natural” or not.

Perpetual copyright ends, 1774

Sunday, September 18th, 2005

Tyler Cowen writes:

I am learning just how much early British copyright law kept the price of literature high, and kept books out of public hands.

The curious story of how perpetual copyright survived until 1774, 64 years after the Statute of Anne limited the duration of monopoly publishing rights to 14 years with one optional renewal is told in chapter 6, “Founders” of Lawrence Lessig’s Free Culture. (Failing to obtain legislative copyright extension, publishers argued that common law copyright was perpetual, obviating the statute.)

Modern U.S. publishers, since at least 1976 succeeded politically where their English predecessors failed, obtaining effectively perpetual protection through legislation, obviating the U.S. constitution’s “limited time” clause (nevermind the redefinition of “science and useful arts“). Should publishers fail to obtain another extension by 2019, what alternative methods for controlling pre-1923 works will publishers pursue?

Free Culture needs Free Software

Friday, August 12th, 2005

Fred von Lohmann explains Why Would MS Do Hollywood’s Bidding?:

In sum, it’s classical economics — on one side you have a supplier cartel with market power (Hollywood), on the other side you have several competing technology platform providers (Microsoft, the major CE companies, etc) each eager to get picked by the cartel (and thereby gain competitive advantage over those not picked).

Unmentioned, there is a technology platform (broadly speaking) that is incapable of doing the intellectual protectionist lobby’s bidding: free software.

Fred says “consumers will inevitably lose.” Not if we demand free software.

Get started with Firefox and OpenOffice right now.

EFF15

Monday, August 1st, 2005

The Electronic Frontient Foundation is 15 and wants “to hear about your ‘click moment’–the very first step you took to stand up for your digital rights.

I don’t remember. It musn’t have been a figurative “click moment.” Probably not a literal “click moment” either–I doubt I used a mouse.

A frequent theme of other EFF15 posts seems to be “how I become a copyfighter” or “how I became a digital freedom activist.” I’ve done embarrassingly little (the occasional letter to a government officeholder, Sklyarov protests, the odd mailing list or blog post, running non-infringing P2P nodes, a more often lapsed than not EFF membership), but that’s the tack I’ll take here.

As a free speech absolutist I’ve always found the concept of “digital rights” superfluous. Though knowledge of computers may have helped me understand “the issues,” I needed none to oppose crypto export laws, the clipper chip, CDA, DMCA, perpetual copyright extension and the like. Still, I hold “ditigal rights,” for lack of a better term, near and dear. So how I became a copyfighter of sorts: four “click themes,” one with a “click moment.” All coalesced around 1988-1992, happily matching my college years, which otherwise were a complete waste of time.

First, earliest, and most important, I’d had an ear for “experimental” music since before college. At college I scheduled and skipped classes and missed sleep around WEFT schedule. Nothing was better than great music, and from my perspective, big record companies provided none of it. There was and is more mind-blowingly escastic music made for peanuts than I could hope to experience in many lifetimes. I didn’t have the terms just yet, but it was intuitively obvious that there was no public goods provisioning problem for art, at least not for anything I appreciated, while there was a massive oversupply of abominable anti-art.

Second, somewhere between reading libertarian tracts and studying economics, I hit upon the idea that “intellectual property” may be neither. Those are likely sources anyway–I don’t remember where I first came across the idea. I kept an eye out for confirmation and somewhere, also forgotten, I found a reference to Tom Palmer’s Intellectual Property: A Non-Posnerian Law and Economics Approach. Finding and reading the article, which describes intellectual property as a state-granted monopoly privilege developed through rent seeking by publishers and non-monopoly means of producing intangible goods, at my university’s law library was my “click moment.”

Third, I saw great promise in the nascent free software movement, and I wanted to run UNIX on my computer. I awaited 386BSD with baited breath and remember when Torvalds announced Linux on Usenet. I prematurely predicted world domination a few times, but regardless, free software was and is the most concrete, compelling and hopeful sign that large scale non-monopoly production of non-rivalrous goods is possible and good, and that the net facilitates such production, and that freedom on the net and free software together render each other more useful, imporant, and defensible.

Fourth, last, and least important, I followed the cypherpunks list for some time, where the ideas of crypto anarchy and BlackNet were developed. In the ten years or so since the net has not turned inside out nor overturned governments and corporations, yet we are very early in its history. Cypherpunk outcomes may remain vaporware indefinitely, but nonetheless are evocative of the transformational potential of the net. I do not know what ends will occur, but I’ll gladly place my bets on, and defend, the means of freedom and decentralization rather than control and protectionism.

The EFF has done an immense amount of great work over the past 15 years. You should join, and I will update my membership. However, my very favorite thing about the EFF is indirect–I’ve seen co-founder and board member John Gilmore at both drug war and DMCA protests. If you care about digital rights or any rights at all and do not understand descruction of individuals, rights, and societies wreaked by the drug war, there’s no time like the present to learn–the first step needed in order to stand up for your rights.


Blog-a-thon tag:

Autonomous Liberalization

Thursday, June 23rd, 2005

Tyler Cowen gives CAFTA a very qualified endorsement which I mostly agree with. The clincher:

Failure of the treaty would be a disaster, again for symbolic reasons. Trade negotiations would slow down significantly, and the age of trade agreements might be over.

What age of trade agreements? According to the World Bank’s World Economic Prospects: Trade, Regionalism, and Development unilateral trade liberalization accounts for two thirds of tariff reductions over the past twenty years. Regional agreements like CAFTA only accounted for ten percent.

Downgrade symbolism and upgrade strategy: unilateral free trade is the way forward, followed by worldwide agreements, the latter spurred by the former. And drop the non-trade stuff, like exporting intellectual protectionism.

Still, I find it hard to not root for CAFTA, if only because the economic neanderthals on the other side are so ugly.

(CAFTA is doubtless a very ugly treaty too, with payoffs and exceptions galore. Dare I say that those pursuing treaties rather than unilateral liberalization overestimate public good problems and underestimate rent seeking problems?)

Public Goods Rent Seeking

Wednesday, June 1st, 2005

Bryan Caplan points to a fascinating paper on the economics of extreme religious groups which explains the relationship of public goods produced by such groups and sacrifice demanded by the same. Caplan writes:

The upshot is that economists overestimate the severity of public goods problems but underestimate the severity of rent-seeking.

I think Caplan probably has the upshot of this particular paper wrong (I haven’t read the whole paper carefully yet, more later perhaps) but I suspect he’s correct about a bias to overestimate public goods problems and underestimate rent seeking. I wonder if anyone has attempted to detect such a bias either experimentally (in an economics lab) or through painful survey of various popular and academic literatures?

I’m pleased that Ernest Miller made the connection to copyright, though he riffs off the weaker part of Caplan’s post.

Copyright is (should be) the textbook case of wildly overestimating the public goods problem while ignoring rent seeking problems (NB “how can an artist make a full time living doing only art” is not a public goods problem). Witness massive production of art where expected profit from sales of copies and licensing is nil, both outside the content industry and where restrictions on copying are not enforced. Consider who benefits from perpetual copyright — not the public.

Evidence-free Policy

Saturday, April 23rd, 2005

James Boyle’s Deconstructing Stupidity column in the Financial Times has gotten lots of well-deserved linkage. Unfortunately that linkage is almost completely devoid of analysis, perhaps excepting posts from Karl-Friedrich Lenz and Donna Wentworth.

Too bad, as Boyle makes a couple of interesting claims. The first is that for intellectual property “our policy-process is almost evidence-free.” Or worse, decisions run contrary to available evidence, as Boyle explored in more depth in a column on database rights last November. However, Boyle implies that there is something special about intellectual property policy (emphasis added):

Since only about 4 per cent of copyrighted works more than 20 years old are commercially available, this locks up 96 per cent of 20th century culture to benefit 4 per cent. The harm to the public is huge, the benefit to authors, tiny. In any other field, the officials responsible would be fired. Not here.

I wish IP policymakers were particularly stupid and immune to the consequences of their decisions as compared to policymakers in other fields. Unfortunately the same bad decisions get made again and again, regardless of contrary evidence, in field after field, at least in those where decisions are political. Three examples off the top of my head:

I could make this list very long and I’m sure you can think of many other cases.

What to do about it? The Journal of the American Planning Association paper linked directly above wants malpractice for planners:

The policy implications of our findings are clear. First, the findings show that a major planning and policy problem—namely misinformation—exists for this highly expensive field of public policy. Second, the size and perseverance over time of the problem of misinformation indicate that it will not go away by merely pointing out its existence and appealing to the good will of project promoters and planners to make more accurate forecasts. The problem of misinformation is an issue of power and profit and must be dealt with as such, using the mechanisms of transparency and accountability we commonly use in liberal democracies to mitigate rent-seeking behavior and the misuse of power. To the extent that planners partake in rent-seeking behavior and misuse of power, this may be seen as a violation of their code of ethics—that is, malpractice. Such malpractice should be taken seriously by the responsible institutions.

Failing to do so amounts to not taking the profession of planning seriously.

Many of the authors’ suggestions may improve the situation and some could be applied to other areas of political decisionmaking. I’ll also take the opportunity to flog yet again policy markets. See the last paragraph of this post for more links and explanation.

Another suggestion is to simply reduce the scope of political decisionmaking. However, this is rarely a popular strategy. “Do something” is always the order of the day. Regardless of how ill considered something may be it is always more appealing than doing nothing. In the case of IP (how about Innovation Policy, there’s a non-pejorative repurposing of the acronym we can all agree on–turns out it is already in pretty wide use, though only 123,000 hits on Google versus 70,200,000 for intellectual property) that means extending copyright terms, expanding the scope of patents and of course more draconian enforcement. Who put the government in my bedroomgizmo?

Another interesting claim from Boyle:

To some the answer is obvious: corporate capture of the decision making process. This is a nicely cynical conclusion. But wait. There are economic interests on both sides. The film and music industries are tiny compared the consumer electronics industry. Yet copyright law dances to the tune played by the former, not the latter.

I suspect capture is not a paradoxical explanation of IP. Rights holders have a very concentrated interest in innovation policy decisions, the consumer electronics industry, much less so. A thought experiment demonstrates this: If tomorrow all works older than twenty years fell into the public domain, some rights holders of the freed works (a subset of the 4% available commercially!) would experience sharply reduced income as licensing revenues disappeared and very cheap copies came onto the market. Would you run out and buy more consumer electronics as a result? Eventually you might increase consumption of consumer electronics as a result of the availability of more and cheaper content, but I doubt it is something consumer electronics companies would count on.

Although I suspect capture is an important part of the explanation for the current dreadful state of innovation policy, Boyle does an excellent job of explaining some additional factors, including maximalism, roughly equivalent to the “do something” political imperative, authorial romance, and changes in the composition of those directly affected by IP law.

I believe that like maximalism, various romances (delusions) are at the heart of public acceptance of demonstrably failed policies. Boyle mentions in passing that many delusions are honestly held rather than being the result of corruption. I fear that this only makes positive change via politics more difficult.

Imperial Public License

Friday, April 8th, 2005

This is too stupid to blog, but I’m going to go ahead and expose my inability to exercise self restraint on my moron level intelligence.

CNET reports on Sun executive Jonathan Schwartz critisizing the GPL as a tool of U.S. imperialism:

The GPL purports to have freedom at its core, but it imposes on its users “a rather predatory obligation to disgorge all their IP back to the wealthiest nation in the world,” the United States, where the GPL originated, Schwartz said. “If you look at the difference between the license we elected to use and GPL, there are no obligations to economies or universities or manufacturers that take the source code and embed it in (their own) code.”

This has got to be one of the more wrongheaded statements by software executives about free software (though I haven’t followed SCO in a long time).

Should one choose to incorporate GPL’d code in their software, there is an obligation to release the derived software’s code under the GPL. Anyone in the world may use the code under the GPL’s terms. Only in the sense that the U.S. is part of the world is there a requirement to “disgorge” relevant IP (the derived software’s code) to the U.S.

This is predatory and imperialistic in approximately the same manner that trade between people in different nations is considered by some to be predatory and imperialistic — it isn’t, except in the clouded heads of Schwartz and economic neanderthals.

Oh, and the geographic origin of the GPL is completely irrelevant.

Reported in the same story, Schwartz makes another wrongheaded argument. At least this one isn’t a complete non sequitur:

“Economies and nations need intellectual property (IP) to pull themselves up by their own bootstraps. I’ve talked to developing nations, representatives from academia and manufacturing companies that had begun to incorporate GPL software into their products, then…found they had an obligation to deliver their IP back into the world,” Schwartz said.

To the contrary, ignoring IP has proven a great way to develop quickly. The U.S. did not enforce European claims until the 1890s. More recently all of the Asian tigers have engaged in copycat development. Imitation is simply a great way to quickly close the technology gap with the most advanced economies. IP owners in the U.S. and other advanced economies want governments of developing economies to enforce strong IP — becuase that is in the IP owners’ interest, not because it is a reasonable development strategy.

By the way, ignoring IP can mean ignoring the requirements of the (copyright dependent) GPL as well.

Via Dana Blankenhorn.

Also today, read about Jonathan Schwartz, visionary.

H C

Wednesday, March 23rd, 2005

This music had every cell and fiber in my body on heavy sizzle mode.

Thurston Moore on mixtapes, could be describing me listening to early Sonic Youth or one of my many ecstasy-inducing 120 minute cassettes that I’m mostly afraid to touch, really need to digitize. Yes, Moore relates it all to MP3, P2P, etc., sounding like he’s from the EFF:

Once again, we’re being told that home taping (in the form of ripping and burning) is killing music. But it’s not: It simply exists as a nod to the true love and ego involved in sharing music with friends and lovers. Trying to control music sharing - by shutting down P2P sites or MP3 blogs or BitTorrent or whatever other technology comes along - is like trying to control an affair of the heart. Nothing will stop it.

[Via Lucas Gonze.]

I’d like little more right now than to have Sonic Youth or one of Moore’s many avant projects to release some crack under a Creative Commons license. Had they already you could maybe find it via the just released Yahoo! Search for Creative Commons. (How’s that for a lame segue?)

Shallow thinking about filesharing

Monday, February 7th, 2005

Tyler Cowen “cannot accept the radical anti-copyright position” and so proffers apologia for the radical intellectual protectionist position. (NB no anti-copyright position is being argued in MGM v. Grokster.) Regarding Cowen’s three arguments:

1. In ten year’s time, what will happen to the DVD and pay-for-view trades? BitTorrent allows people to download movies very quickly.

BitTorrent downloads tend to be faster than those on typical file sharing networks but still very slow. Netflix is a far superior option unless you place a very low value on your time (in addition to waiting many hours in the case of BitTorrent to weeks in the case of eDonkey for a download to complete you also need to spend time finding active torrents or hash links and dealing with low quality, mislabled and overdubbed copies, which often means starting over, even after you’ve learned how to deal with all of these. I pity the computer semi-literate who just wants to snag some “free” movies) .

Note that DVDs already account for more than half of Hollywood domestic revenue. Furthermore the process will be eased when TVs and computers can “talk” to each other more readily. Yes, I am familiar with Koleman Strumpf’s excellent work showing that illegal file-sharing has not hurt music sales. But a song download can be a loss leader for an entire CD or a concert tour. Downloading an entire movie does not prompt a person to spend money in comparable fashion.

Radical protectionists said made similar arguments about the VCR, as have those in countless businesses faced with new technology. In the case of the VCR, entrepreneurs figured out how to use the new technology to make billions. Similarly, it should be up to entrepreneurs to figure out how to thrive in the environment of ubiquitous networking, rather than up to lawmakers to ensure existing businesses survive technological change.

2. Perhaps we can make file-sharing services identify (and block) illegally traded files. After all, the listeners can find the illegal files and verify they have what they wanted. Grokster, sooner or later, will be able to do the same. Yes, fully decentralized and “foreign rogue” systems may proliferate, and any identification system will be imperfect. But this is one way to heed legitimate copyright suits without passing the notorious “Induce Act.”

Fully decentralized filesharing systems have proliferated. LimeWire is #2 at download.com and several other decentralized filesharing clients make the top 50 downloads list.

The imperfections of an identification and blocking system will include invasion of privacy and censorship.

3. I question the almost universal disdain for the “Micky Mouse” copyright extension act. OK, lengthening the copyright extension does not provide much in the way of favorable incentives. Who innovates with the expectation of reaping copyright revenues seventy-five years from now? But this is a corporate rather than an individual issue. Furthermore economic research indicates that current cash flow is a very good predictor of investment. So the revenue in fact stimulates additional investment in creative outputs. If I had my finger on the button, I still would have pushed “no” on the Mickey Mouse extension, if only because of the rule of law. Privileges of this kind should not be extended repeatedly due to special interest pressures. But we are fooling ourselves if we deny that the extension will benefit artistic output, at least in the United States.

The paper Cowen links to above (Cash Flow and Outcomes: How the Availability of Cash Impacts the Likelihood of Investing Wisely) is hardly encouraging regarding the efficacy of additional investments correlated with increased cash flow.

Eric Rescorla points out that subsidizing organizations that happen to hold copyright to work created 70 years ago is hardly the best way to subsidize new content creation, should one wish to do that.

Mass Destruction of Software Patents

Thursday, February 3rd, 2005

Is there something in the ether? Two people “near” me declare software patents potential “Weapons of Mass Destruction” yesterday and today, apparently having been struck by the idea independently: Patents as WMD’s from Mitch Kapor (Creative Commons is housed in his office space) and On Software Patents and WMDs from Ben Adida (who represents Creative Commons at the W3c).

Kapor and Adida have different scenarios in mind. Very roughly North Korea and Al Qaeda respectively.

See also Wikipedia on the software patent debate.

Infoanarchy, DRM and Celestial Jukebox

Monday, January 10th, 2005

On the brouhaha over Bill Gates’ interview with CNET at CES. The relevant bit:

[D]o you think intellectual-property laws need to be reformed?

No, I’d say that of the world’s economies, there’s more that believe in intellectual property today than ever. There are fewer communists in the world today than there were. There are some new modern-day sort of communists who want to get rid of the incentive for musicians and moviemakers and software makers under various guises. They don’t think that those incentives should exist.

And this debate will always be there. I’d be the first to say that the patent system can always be tuned–including the U.S. patent system. There are some goals to cap some reform elements. But the idea that the United States has led in creating companies, creating jobs, because we’ve had the best intellectual-property system–there’s no doubt about that in my mind, and when people say they want to be the most competitive economy, they’ve got to have the incentive system. Intellectual property is the incentive system for the products of the future.

The “communists” bit is the part that has gotten so many people worked up.

The Response. I enjoy calling out Gates’ idiocies as much as the next person, though much of the response I’ve seen has been a tad ebullient. Microsoft fans don’t create fascist art knockoffs when that company’s detractors incorrectly call it fascist. Glenn Otis Brown has the best response I’ve seen, posted on the Creative Commons weblog.

What Would Brezhnev Do? In a communist state would there be no financial incentives for artists? No, they’d simply be employed by the state. The Soviet Union took information control to extremes, including prohibiting use of photocopiers by scientists. I suspect that had the USSR survived to this day, the KGB would now be furiously trying to make Digital Restrictions Management work so as to gain access to a few of the wonders of computing without permitting open communication.

Advice to Gates. Call reformers anarchists rather than communists. For most people “anarchist” is derogatory and you wouldn’t be telling quite as much of a bald-faced lie.

The Real Issue. Forget labels. Gates’ substantial claim is that strong intellectual protectionism drives economic growth. Gates believes this. He isn’t simply shilling for MSFT’s latest strategy. It is on this point that Gates must be rebutted.

Apologies to you the reader and to Robert Nozick for this post’s overwrought title.

Individual Rights Management

Wednesday, December 29th, 2004

Cory Doctorow correctly lambastes those soft on DRM for the umpteenth time. The following excerpt sparked a thought:

DRM isn’t protection from piracy. DRM is protection from competition.

Reminds me of airport “security” and similar. In the essay IDs and the illusion of security Bruce Schneier makes a case (not nearly as forcefully as can be done) that

Identification and profiling don’t provide very good security, and they do so at an enormous cost.

I’d argue that most measures justified by “security” actually make us less secure, in part because of their enormous cost. Another time.

Anyway, I think there’s a nice (ugly) symmetry in the arguments of apologists for Digital Restrictions Management and the national security state. Both are really much about restricting competition.

[Schneier link via Anton Sherwood.]

Lexus, Mercedes, Porsche

Wednesday, December 29th, 2004

Tyler Cowen cites a Harper’s Index factoid:

Number of American five-year-olds named Lexus: 353

One of them works at Raisins, featured in the first South Park episode I ever watched and still my sentimental favorite. Every kid should watch this episode. If it is available on DVD I can’t find it, but search for “South Park 714″ or “South Park Raisins” on any filesharing network — South Park episodes are among the most shared content.

Also see Christian Hard Rock, which tackles filesharing. Almost every episode is well worth watching for kids and adults. Skip the movie, it sucks ass.

Speculate on Creators

Wednesday, November 17th, 2004

Alex Tabarrok writes about An Auction Market for Journal Articles (PDF). Publishers bid for the right to publish a paper. The amount of the winning bid is divided by the authors and publishers of papers cited by the paper just auctioned. Unless I’m missing something all participating journals taken together lose money unless the share of cited authors is zero and transaction costs are nil. Still, the system could increase incentives to publish quality papers, where “subsequent authors will want to cite this” is a proxy for quality.

I’m reminded a tiny bit of BlogShares (”Blogs are valued by their incoming links and add value to other blogs by linking to them”), but especially of Ian Clarke’s FairShare, which is a proposal for speculative donations:

Anybody can “invest” in an artist, and if that artist goes on to be a success, then the person is reward in proportion to their investment and how early they made it. But where does this return on investment come from? The answer is that it comes from subsequent investors. For example, lets say that you invest $10. $4.50 might go straight to the band, $1 might go to the operator of the system, and the remaining $4.50 would be distributed among previous investors in the band, those who invested more early would get a bigger proportion than those who invested less, later-on. Of course, most people will not make a profit, but they are rewarded by knowing that they contributed towards an artist that they liked, and helped reward others who believed in that artist, and who may have brought the artist to their attention.

Under FairShare participating creators taken together and individually would make money, as payments are from without the system, driven by the generosity and greed of fans and speculators.

A system in the spirit of one or both of these proposals could perhaps help fund a voluntary collective licensing scheme of the sort contemplated for digital music, but conceivably applicable to other types of work.

If the journal market idea really could foster a self-sustaining business model it could be a boon to the open access movement. Restricting access is rather pointless when your main business concern is to get your articles cited.

I’ve rambled about open access models elsewhere.