Archive for the ‘Music’ Category

Paying to create

Thursday, January 25th, 2007

Lucas Gonze writes the musician industry has never been better, citing a LA Times story:

While the U.S. recording industry continues to slide [...], the other side of the music world businesses catering to those who create the music has nearly doubled over the last decade to become a $7.5-billion industry.

My emphasis. Read Gonze’s explanation of the ellipsis.

This highlights how backwards it is to cripple technology and law, ostensibly to ensure creators can get paid — creators eagerly pay to create.

Another quote from the article:

“We are looking at the first creative generation,” Henry Juszkiewicz, co-owner of Gibson Guitars, said last week as he was surrounded by instruments in his firm’s display room at the convention, which ended Sunday. “The cost of creative tools has gone down. And now you have the ability to share with other people your creation. These two fundamental, solid changes are allowing the younger generation to be actively creative.”

The NAMM musical industry group, which sponsored the convention, contracts with the Gallup Organization for a poll every three years. The most recent found that the number of instrument players ages 18 to 34 grew from 24% in 1997 to 32% in 2006.

It also found that last year about half of American households had at least one person who owned a musical instrument, up from 43% in 1997.

Note what the Gibson Guitars guy did not say — that people are buying more instruments in hopes of making money.

Jamendo ad revenue share with artists

Tuesday, January 16th, 2007

is one of the most interesting music sites on the net (in terms business, community, and technology — there’s no competition yet for the vastness and bizarreness to be found on archive.org, yet). They’re trying every Web 2.0 trick and have somehow managed to avoid becoming overwhelmed with crap. I’ve listened to dozens of the 2,100 albums on Jamendo. While only a small fraction of these have strongly agreed with my taste, just about everything (weighted toward electronica and French rock) sounds professional.

Now Jamendo has introduced an advertising revenue sharing program with participating artists.

jamendo revenue share

Several video sites are attempting variations on this theme (among them , Lulu.tv, and ), but as far as I know Jamendo’s is the first attempt in the audio space. One might think an audio site would have a harder time making web advertising work than a video site (videos are usually watched within a web page and can have clickable ad areas or bumpers even if not), but I gather that listening via (usually Flash-based) audio players embedded in web pages is increasingly common (and Jamendo upgraded theirs recently), as will be media players that “play” a web page in a browser interface.

One data point: although Jamendo heavily promotes download of high quality copies, primarily via BitTorrent, their statistics indicate that low quality http “streaming” has accounted for more bandwidth. There are many obvious caveats here, but I think all points above indicate that advertising-supported web audio should not be ruled out, even if it is granted that web video has more potential.

Digg Jamendo’s revenue share page.

iHandcuffs for primitives

Saturday, January 13th, 2007

Via Luis Villa, tomorrow’s New York Times has a decent article headlined Want an iPhone? Beware the iHandcuffs. The article title is right (Villa’s summary is a better description, if not a better headline: “iTunes and DRM hurts perfectly innocent customers, fails to stop piracy, and reduces competition”), but it leads off wrong:

like its slimmer iPod siblings, the iPhone’s music-playing function will be limited by factory-installed “crippleware.”

Wrong, the objects of lust can play any MP3 file that is not itself crippled. The (the handcuffs to avoid) is not factory-installed, but purchased from the — tracks crippled by DRM.

Perhaps (the media player and ITunes Store browser), some version of which I assume is factory-installed on the , is perhaps more akin to . Not the type that takes over your computer without your knowledge, but the type that presents you with many opportunities to download and perhaps pay for software and porn that will cripple your computer. It’s a fine line.

The NYT article has a great closing:

IN the long view, Mr. Goldberg said he believes that today’s copy-protection battles will prove short-lived. Eventually, perhaps in 5 or 10 years, he predicts, all portable players will have wireless broadband capability and will provide direct access, anytime, anywhere, to every song ever released for a low monthly subscription fee.

It’s a prediction that has a high probability of realization because such a system is already found in South Korea, where three million subscribers enjoy direct, wireless access to a virtually limitless music catalog for only $5 a month. He noted, however, that music companies in South Korea did not agree to such a radically different business model until sales of physical CDs had collapsed.

Pointing to South Korea, where copy protection has disappeared, Mr. Goldberg invoked the pithy aphorism attributed to the author William Gibson: “The future is here; it’s just not widely distributed yet.”

I’m skeptical that the emphasized (by me) portion above is not exaggerated, though I’ll grant that South Korea is probably some years ahead of music businesses in the U.S. and other places similarly primitive in this respect, which may undergo a transition similar to South Korea’s. But we can also look to markets that started from a very different place, e.g., China.

We could beneficially spend more time looking for examples that may be ahead of the pack or simply different, and not just in the music business.

BoCon

Monday, January 1st, 2007

Last October I attended BoCon, an “open source arts” conference held in . I enjoyed BoCon, probably as much as any conference since CodeCon. Good mix of talks and performance, great space, and the first-time organizers (Joseph Coffland & co.) pulled it off without a hitch as far as I could tell.

I gave the first talk, covering as much open source, arts, and business related to Creative Commons as possible, slides here.

Boise musician and jack of all trades James Stevens gave a talk on “open source for musicians” based on research done for the talk. I was pleased to see that he discovered most of the major sites and tools I know of and presented them accurately.

Alex Feldman gave a talk on the history of open source, including much pre-history I was not aware of, e.g., a source clearinghouse within NASA called COSMIC, about which I could find nothing on the web. Feldman’s talk made me hope someone is documenting this pre-history.

Caleb Chung and John Sosoka of gave talks on , , and making stuff with electronics that moves generally. Animal pets only have a few generations before they are replaced by artificial pets that perform utilitarian functions in addition to providing companionship and don’t eat or produce feces.

Chung is hyper, and the world is probably a better place for it. “Art is the experimental end of design” is perhaps the most memorable quote from his talk. On the other hand, his slogan for pitching some sort of multimedia institute to Boise State is “I[daho] is for innovation.”

On that note, I have never before encountered the level of boosterism from locals that I did in Boise. They are very convinced that Boise is a place with great promise, reflected in everything from several ethnic restaurants doing well in downtown this decade to white supremicists being sued out of northern Idaho to Californians moving in. Boise does feel like a nice place. Reno sans tawdriness was my initial impression.

Friday and Saturday evenings concluded with music, including performances from Beefy, MC Router, and MC Plus+ with DJ Lord Illingworth. They seemed to really enjoy the camaraderie of physical proximity. Whoever did the programming had a very good idea.

Zune vs. Turntable

Monday, November 20th, 2006

Out of morbid curiosity I was looking at how is (not) selling (#56 in Amazon electronics, beneath 13 iPod models, 4 other mp3 players, and at least one iPod accessory).

At #47 I noticed a turntable (something you play vinyl records on) with USB out. I didn’t know such a thing existed, but if I didn’t want to avoid collecting more junk, I’d buy one right now.

My only question is why anyone is buying a Zune given reviews so bad they’re hard to read or watch.

Disclaimer: I’m no fan of Apple.

Update 20061127: In the Chicago Sun-Times Avoid the loony Zune, another painful review via Tim Lee. In the meatime, the best-selling Zune model as fallen to #75 at Amazon electronics, but the Ion iTTUSB Turntable with USB Record has fallen to #116. Zune turns the table on this ferocious competitor!

Defixiones

Friday, October 20th, 2006

Last night I saw perform Defixiones: Orders from the Dead, about the , and genocides carried out by the 1914-1923.

The music was in vintage Galás style: her voice (three and a half octaves and very dark), undulating drones, hints of jazz piano. Most of the words were not English, which is a good thing — one could focus on the music rather than reel in horror. Most of the time images from the genocides were projected on a backdrop, and matching the sound, were usually mercifully undulating and distorted.

A brilliant success.

Included in the program is this atavistic screed, “published by the large circulation Turkish newspaper on 18 July 1974, just 48 hours before the Turkish invastion of Cyprus by order of the Bulent Ecevit government”, titled HATRED:

As long as the vulgar Greek exists in this world
By Allah, my hatred won’t leave me
As long as I see him there like a dog
By Allah, this hatred won’t leave me
A thousand heads of infidel cannot wash away this hatred.

My only aim is revenge
When my turn comes to go to battle
In one day I’ll butcher a thousand Giours
By Allah, this hatred won’t leave me
A thousand heads of Giaours cannot wash away this hatred.

Even if I crush thirty thousand of their heads with a stone
Even if I wrench out the teeth of ten thousand
And throw a hundred thousand of their corpses into the river
By Allah, this hatred won’t leave me

A thousand heads of Giaours cannot wash away this hatred.
The whole world knows how superior the Turk is
Who crashed the Greek’s fucked world over his head
Even if I burn in stokeholes the heads of five thousand of them
By Allah, this hatred won’t leave me

A thousand heads of Giaours cannot wash away this hatred
Even if I slash forty thousand of them with my bayonet
And send eighty thousand of them to the devil
And hang a hundred thousand of them
By Allah, this hatred won’t leave me

A thousand heads of Giaours cannot wash away this hatred.

A one minute excerpt of The Desert Part I from Defixiones, a list of recordings by Galás with audio excerpts. I especially recommend Let’s Not Chat About Despair and Wild Women With Steak Knives, but you really have to listen to the entire tracks, especially the latter.

AOL of yore : web browser :: iTunes : Songbird

Thursday, October 19th, 2006

Someone mentioned to me today that if the web were like you could only connect to msn.com, which reminded me of speculation that earlier aggressive intellectual protectionism online could have led to a proprietary cul de sac in online services. In that post I said without explanation that aggressive protectionism is being allowed to kill or stunt online music.

People have been noting for awhile that protectionism enabled iTunes’ dominance, or as Techdirt put it “How The Recording Industry’s Obsession On DRM Made Apple So Powerful.”

iTunes’ dominant lock-in will end soon enough, that is unless we get some additional very bad copyright rulings and laws.

A nice quote that brings the general web and online music analogy full circle is this from Ross Karchner commenting on Songbird:

It’s like taking iTunes, ripping out the music store, and replacing it with the rest of the internet.

I’ll take the rest of the internet.

Check out the just released Songbird 0.2, which despite the low version number I find very usable.

Addendum 20061020: Ironically for me the company behind Songbird is called Pioneers of the Inevitable.

Play the web

Saturday, October 14th, 2006

I finally tried out the (I noticed that it is now available for Linux and that the developers were throwing a party, which I attended). The killer feature is web integration. Browse (Songbird is built on the same as Firefox) to a page that links to music or video files or a podcast feed, Songbird displays all available media and allows you to play, subscribe, or add to your media library immediately.

It feels as if there’s no distinction between files on your computer and those on the web. In fact the only gripe I have is that once a file is added to your library from the web, there’s no facility for getting back to the web page you obtained the file from.

Check out the , which does a good job of demonstrating Songbird’s web features (Songbird is also a good all-around media player).


Screenshot of Songbird 0.2rc3/Linux browsing ccMixter.

Nathan, I see a for Songbird in the future. :)

Day against DRM

Tuesday, October 3rd, 2006

Today is ‘s “day against DRM.” Defectivebydesign.org says:

There is no more important cause for electronic freedoms and privacy than the call for action to stop DRM from crippling our digital future. The time is now.

The first bit is hyperbole, but you could cover fighting DRM and several related causes by taking the opportunity to join the EFF or FSF.

I don’t have anything new to say about DRM, so see Digital Rent-a-Center Management from June.

Download DRM-free music.

When supply exceeds demand

Sunday, September 10th, 2006

Tim Lee has a wonderful take on Chris Anderson’s The Long Tail. The punchline, in my estimation:

When supply exceeds demand, as it seems to for both music and punditry, the equilibrium price is zero.

I think to be technically correct “at p=0″ needs to be inserted before the first comma, but nevermind, read the whole thing.