Archive for the ‘Peeves’ Category

Namecheap’s savvy anti-SOPA marketing

Thursday, December 29th, 2011

I’m impressed by how much gratis publicity and advertising has gotten via its anti-SOPA marketing (including the Wikipedia article I linked to; it didn’t exist 3 days ago), and completely unimpressed by the failure of approximately every other company to take advantage of the opportunity, which strikes me as easy social media gold. Communications department heads ought roll.

* pro-SOPA marketing failures made Namecheap’s action straightforward relative to companies not directly competing with Go Daddy. However, there are lots of other domain name registrars, none of which has done anything with Namecheap’s marketing savvy. Another registrar, (which I’ve used and recommended for some time, and has supported Creative Commons and other good causes), like Namecheap is donating a portion of domain transfers to the Electronic Frontier Foundation, but doesn’t seem to be making a big deal of it, and their anti-SOPA blog post is rather tepid. Compare to Namecheap’s anti-SOPA blog post, which isn’t all that much stronger in terms of substance (contains genuflection to “intellectual property”), it is much more strongly worded and simply more effectively written.

One other company has a support-EFF-against-SOPA tie-in. That company, Zopim, provides website chat services, and doesn’t seem to compete with Go Daddy at all. I’m not interested, but never would have heard of them otherwise. Any company could do that.

(I see that sometime today two other small domain registrars have added support-EFF-against-SOPA deals. Good for Suspicious Networks and Centuric.)

What inspired to me write this post is that Namecheap isn’t only taking gratis publicity. They’re also running presumably paid ads as part of their anti-SOPA marketing campaign:

While trying to get the above ad to load again (noticed out of the corner of my eye but didn’t register until sometime after — I’m oddly trying to recover from ad blindness), I noticed another Namecheap ad, which if you’re already really tuned in, illustrates nicely the imperfect options available from a software freedom perspective for domain registration and other nearly commodity services.

Check out more anti-SOPA and pro-freedom actions.

*Isn’t the name “Go Daddy” ridiculous? That, coupled with a super cheesy website and company logo led me to disregard them long before they started shooting sexy elephants at gladiator events, or whatever got people upset before they supported SOPA.

Tiresome rearguard actions

Wednesday, November 16th, 2011

Watch out 2024!


Incorporates North Korea Mass Games by Peter Crowcroft and Hollywood Sign by Oreos, available under BY-SA (questionably in former case), but I’m claiming fair use. Result dedicated to the public domain.

No more child veterans

Saturday, November 12th, 2011

Yesterday was Veteran’s Day. In support of that, I donated to the Coalition to Stop the Use of Child Soldiers.

In the U.S. (as in most jurisdictions), people have an odd attitude toward military veterans. Even those who generally condemn the activities and costs of the (especially U.S.) military as stupid and counterproductive, or much worse, fall into the grip of nationalist religion and “honor” people who directly participated in mass murder. Those who generally support the activities and costs of nationalist armies go out of their way to signal how much they honor and support mass murderers. But, apart for the most compassionate of the former, most zealous of the latter, and some veterans and their lobbyists, generally military veterans are kicked the the curb — thanks for murdering for the nation-state; good luck on the streets and in our fine institutions!

Fortunately, there is a way out of this hero/murderer/reject paradox (other than ceasing U.S. military interventions; yes I want that, but I’m not that ambitious today) — recognize that most U.S. soldiers are children. As such, they should be pitied and rehabilitated. Furthermore, the minimum age for joining the U.S. military ought be raised to at least 21, and a 4 year college degree required (up from 17 and high school, with caveats). Never again should a child be forced to choose between murder and no money for college.

Commons experts to develop version 4.0 of the CC licenses

Thursday, November 3rd, 2011

As described on the Creative Commons blog some initial discussions were had at the CC Global Summit about 6 weeks ago in Warsaw. I’m looking forward to the start of in depth discovery, analysis, and debate of pertinent issues on the cc-licenses list, the CC wiki, and elsewhere over the coming months. Please join in, commons experts.☺

I gave a brief presentation on one of those issues at the summit, on the “NonCommercial” term of some CC licenses (odp, pdf, slideshare). [Addendum 20111104: This talk was not recorded. Only slides are available. Don't watch the videos below if you're only looking for a talk on NC!]

More relevantly (to 4.0; yes, NC is pretty relevant, becoming less so, the commons is super relevant, indeed all important) though more abstractly, I also organized a session on “CC’s role in the global commons movement”. I’m very happy with how that turned out, but it is only a tentative beginning, about which I will write further. For now you can read Silke Helfrich’s summary post and slides, Tyng-Ruey Chuang’s presentation text, Leonhard Dobusch’s slides, and Kat Walsh’s presentation text and download or watch at archive.org or YouTube:

Because I may never get around to blogging it separately, I also gave a presentation on “what’s happened in Creative Commons and the open community over the last 3 years.” You may recognize one slide from an earlier post. View slides (odp, pdf, slideshare) or video at archive.org or YouTube:

Novakick

Wednesday, July 27th, 2011

I backed Novacut’s first, unsuccessful, Kickstarter campaign last year because I think that new tools for distributed collaborative creation and curation are important to the success of free culture (which I just said is a lame name for intellectual freedom, but I digress) and Novacut’s description seemed to fit the bill:

We’re developing a free open-source video editor with a unique distributed design:

  • Distributed workflow – collaboratively edit video with other artists over the Internet
  • Distributed storage – seamlessly store and synchronize video files across multiple computers and the cloud
  • Distributed rendering – seamlessly spread rendering and encoding across multiple computers and the cloud

I didn’t investigate whether Novacut had a feasible plan. My pledge was an expressive vote for the concept of new tools for distributed collaboration.

Novacut is making another go of it at Kickstarter, and it looks like they’ll succeed. I just pledged again.

However, I’m saddened by how much of philanthropy is not also carefully instrumental. The only low barrier way to move in this direction (I’d prefer futarchist charity) that I know of is criticism, so hats off to Danny Piccirillo for his criticism of Novacut fundraising. I’m further saddened that such criticism is not welcomed. I would be honored that someone found a project I am involved in or a fan of worth the time to criticize and thankful for the free publicity.

Now, I’m looking forward to see what Novacut delivers, and/or what Novacut ideas other video editor projects implement.

Speaking of delivery, I noticed today a new crowdfunding site targeting free software and Brazil, makeITopen. According to a writeup, it appears to have a couple interesting twists. Projects that do not reach their thresholds have donations not fully returned to donors, but only as credits within the system (unlike Kickstarter and others, where pledges are not collected until a project has reached its threshold). More interestingly, there is a process for donors to approve (or not) the software delivered by the project. This sort of thing is probably hard to get right, and I fully expect makeITopen to fail, but I hope it is hugely successful, and think that getting approval right could be very useful. At least for donors who wish to be instrumental.

Addendum 20110730: The best two comments on the Novacut criticism kerfuffle: Jono Bacon saying be calm, but onus is on Novacut to explain, and Jason Gerard DeRose (Novacut lead), explaining how Novacut’s intended high-end userbase demands a different program than do casual video editors, and that there’s plenty of scope for cooperation on underlying components. Congratulations to Novacut for meeting its Kickstarter threshold, and good luck to Novacut, (the working editor many critics advocated directing resources toward), and and Gnonlin (two underlying components in common). Onward to killing King Kong with FLOSS.

DATABASE at Postmasters, March 2009
Gulliver and the Liliputans, trade card for J. & P. Coats spool cotton, late 19th c by Donaldson Brothers, Five Points, N.Y. / Public Domain.

NYT digital subscription plans as Kickstarter project backer levels

Saturday, March 19th, 2011

Apart from curiosity about what the New York Times forecasts for the project and how they arrived at same, I really don’t care one way or the other about the upcoming New York Times paywall.

However, the paywall’s convoluted pricing cries out for taking the form of Kickstarter project backer levels. I haven’t done justice to the NYT plan and have done injustice to well-crafted Kickstarter project backer levels I recently admired. Apologies to all.

NYT Paywall as Kickstarter Levels

Addendum 2011-03-22: Thanks to Kickstarter for appreciating and blogging about this post. I didn’t mean to suggest “the whole thing would work best as a Kickstarter project: funding goal + tiered reward options + the assurance that you will only be charged if they do indeed survive the death of print/revolt of the internet” but that’s certainly correct! For some of the reasons why, extrapolate from Timothy B. Lee’s two recent posts on the paywall, Shoe-Leather Reporting at the New York Times and Misguided Moralism in the Paywall Debate. For a future with good journalism, Kickstarter is of far more relevance than any paywall.

Why a punch in the face* is the appropriate response to use of the phrase “business model”

Saturday, January 8th, 2011
fist
Seiken by Kurmis / CC BY

The utterer of “business model” has attempted to raise their status with a superfluous word and has only confused whatever the issue at hand. The utterer is probably among the confused. The listener obtains only entropy and lower relative status. A punch serves to equalize the situation.

In inappropriate conveyance of status, “business model” bears likeness to beginning a statement with “So, ”:

Starting a sentence with “so” uses the whiff of logic to relay authority.

Ugly stuff.

Vivek Wadhwa, my favorite TechCrunch writer, seeks to educate the confused (strikethrough added):

Developing the right product is hard. But what is harder is building a good business model.

However, this and other uses throughout the article only demonstrate the superfluousness of “model”.


*metaphorically
with scare quotes, or snarky tone, is ok; beware of inadvertent homage

Notability, deletionism, inclusionism, ∞³

Tuesday, January 4th, 2011

For the past couple years there has been an in English Wikipedia (archived version). It is an ok article. Some that I’d include isn’t, and some of what is seems kind of tangential, e.g., talking at a NASA event, that besides a citation, netted spending the day with an unholy mix of the usual social media suspects and entirely retrograde “we gotta put man humans into space because it makes me feel proud to be an American and my daughter might do her math homework!!!” boosters (get real: go robots!) and a sketch. However, overall it is fairly evocative, even the NASA event part. It would be uncool of me to edit it directly, and I’ve been curious to see how it would be improved, translated, vandalized, or deleted, so I haven’t made suggestions. It has mostly just sat there, though it has been curious to see the content copied in various places where Wikipedia content gets copied, and that a fair proportion of the people I meet note that I “have a Wikipedia page” — that’s kind of the wrong way to think about it (Wikipedia articles have subjects, not owners), but good to know that people can use web search (and that I can tend toward the pedantic).

!#@!@^% deletionists are ruining Wikipedia. They’ll be the first against the wall when the revolution comes.
http://memesteading.com/2010/03/15/dialectical-inclusionism/

The one thing that I have said about the article about me on English Wikipedia, until now, has been this, on my (not precisely, but moreso “mine”) user page on English Wikipedia: “I am the subject of Mike Linksvayer, which I would strongly advocate deleting if I were a deletionist (be my guest).” I’ve thought about pulling some kind of stunt around this, for example, setting up a prediction market contract on whether the article about me would be deleted in a given timeframe, but never got around to it. Anyway, last week someone finally added an Articles for Deletion notice to the article, which sets up a process involving discussion of whether the article ought be deleted (crickets so far). When rough consensus is reached, an admin will delete the article, or the notice will be removed.

I’m not a fan of deletionism (more below), but given the current rules around notability, I am either somewhat questionable as an English Wikipedia article subject (using the general, easy to interpret charitably summary of notability: “A person is presumed to be notable if he or she has received significant coverage in reliable secondary sources that are independent of the subject.”) to unquestionably non-notable (any less charitable interpretation, which presumably any “deletionist” would use, thus my user page statement). The person who added the Articles for Deletion notice may not have done any research beyond what is already linked in the article (more on that general case below), but I must admit, his critique of the citations in the article, are fairly evocative, just as the article is:

We have three sources from Creative Commons (primary), a paragraph in a CNET news article where he does his job and encourages scientists to use CC licenses, one IHT article about veganism that mentions him for a couple of paragraphs, and a link to his Wikipedia userpage. That is not enough for notability, in my opinion.

The IHT (actually first in the NYT) article was about calorie restriction, not veganism, but that’s a nitpick. Most of the “media” items my name has appeared in are indeed about Creative Commons, i.e., me doing my job, not me as primary subject, or in a few cases, about calorie restriction, with me as a prop. Or they’re blogs — ok that one is even less notable than most blogs, but at least it’s funny, and relevant — and podcasts. The only item (apart from silly blog posts) that I’ve appeared in that I’m fond of and would be tickled if added as a reference if the current article about me squeaks by or some future article in the event I as a subject become a no-brainer (clearly I aim to, e.g., “[make] a widely recognized contribution that is part of the enduring historical record in his or her specific field”, but even more clearly I haven’t achieved this) is in Swedish (and is still about me doing my job, though perhaps going off-message): check out an English machine translation.

I’m not a fan of deletionism, largely because, as I’ve stated many times, thinking of Wikipedias as encyclopedias doesn’t do the former justice — Wikipedia has exploded the “encyclopedia” category, and that’s a wonderful thing. Wikipedias (and other Wikimedia projects, and projects elsewhere with WikiNature) need to go much further if freedom is to win — but I’m partisan in this, and can appreciate that others appreciate the idea that Wikipedias stick close to the category defined by print encyclopedias, including strong limits on what might be considered encyclopedic.

It also strikes me that if Wikimedia movement priorities include increasing readership and participation that inclusionism is the way to go — greatly increase the scope of material people can find and participate in building. However, I’m not saying anything remotely new — see Deletionism and inclusionism in Wikipedia.

Although I’m “not a fan” I don’t really know how big of a problem deletionism is. In my limited experience, dealing with an Articles for Deletion notice on an article I’ve contributed to is a pain, sometimes motivates substantially improving the article in question, and is generally a bummer when a useful, factual article is deleted — but it isn’t a huge part of the English Wikipedia editing experience.

Furthermore, reading guidelines on notability closely again, they’re more reasonable than I recall — that is, very reasonable, just not the radical inclusionism I prefer. To the extent that deletionism is a problem, my guess now is that it could be mitigated by following the guidelines more closely, not loosening them — start with adding a {{notability}} tag, not an Articles for Deletion notice, ask for advice on finding good sources, and make a good faith effort to find good sources — especially for contemporary subjects, it’s really simple with news/web/scholar/book/video search from Google and near peers. I’m sure this is done in the vast majority of cases — still, in the occasional case when it isn’t done, and initial attempts to find sources and improve an article are being made during an Articles for Deletion discussion, is kind of annoying.

I also wrote some time ago when thinking about notability the not-to-be-taken-very-seriously Article of the Unknown Notable, which I should probably move elsewhere.

The delicious “dialectical inclusionism” quote above is from Gordon Mohr. Coincidentally, today he announced ∞³, a project “to create an avowedly inclusionist complement to Wikipedia”. There’s much smartness in his post, and this one is already long, so I’m going to quote the entire thing:

Introducing Infinithree (“∞³”)

Wikipedia deletionism is like the weather: people complain, but nobody is doing anything about it. 

I’d like to change that, working with others to create an avowedly inclusionist complement to Wikipedia, launching in 2011. My code name for this project is ‘Infinithree’ (‘∞³’), and this blog exists to collaborate on its creation.

Why, you may ask?

I’ll explain more in future posts – but in a nutshell, I believe deletionism erases true & useful reference knowledge, drives away contributors, and surrenders key topics to cynical spammy web content mills.

If you can already appreciate the value and urgency of this sort of project, I’m looking for you. Here are the broad outlines of my working assumptions:

Infinithree will use the same open license and a similar anyone-can-edit wiki model as Wikipedia, but will discard ‘notability’ and other ‘encyclopedic’ standards in favor of ‘true and useful’.

Infinithree is not a fork and won’t simply redeploy MediaWiki software with inclusionist groundrules. That’s been tried a few times, and has been moribund each time. Negative allelopathy from Wikipedia itself dooms any almost-but-not-quite-Wikipedia; a new effort must set down its roots farther afield.

Infinithree will use participatory designs from the social web, rather than wikibureacracy, to accrete reliable knowledge. Think StackOverflow or Quora, but creating declarative reference content, rather than interrogative transcripts.

Sound interesting? Can you help? Please let me know what you think, retweet liberally, and refer others who may be interested.

For updates, follow @_infinithree on Twitter (note the leading underscore) or @infinithree on Identi.ca.

Infinithree is already very interesting as a concept, and I’m confident in Gordon’s ability to make it non-vapor and extremely interesting (I was one of his co-founders at the early open content/data/mass collaboration service Bitzi — 10 years ago, hard to believe). There is ample opportunity to try different mass collaboration arrangements to create free knowledge. Many have thought about how to tweak Wikipedia culture or software to produce different outcomes, or merely to experiment (I admit that too much of my plodding pondering on the matter involves the public domain↔strong copyleft dimension). I’m glad that Gordon intends ∞³ to be different enough from Wikipedia such that more of the vast unexplored terrain gets mapped, and hopefully exploited. As far as I know is probably the most relevant attempt so far. May there be many more.

Retaining the right to censor is an act of hate

Tuesday, December 14th, 2010

Nina Paley (I highly recommend all her animations and appreciate her free culture activism) has an idea called the copyheart:

Use it wherever you would use the ©copyright symbol. Instead of

© Copyright 2010 by Author/Artist. All Rights Reserved.

you could write

♡2010 by Author/Artist. Copying is an act of love. Please copy.

I love the sentiment. Mike Masnick thinks the copyheart is cool. Unsurprising, since he doesn’t appreciate public copyright tools. That’s a problem, since cool without the aid of rigorous public copyright tools fails to build a commons that everyone can use. We don’t need help with materials that can be used by those with a low level of legal exposure: that’s everything that isn’t held in secret.

Expanding on the problem: unfortunately one automatically obtains copyright the moment one produces an original expression in a fixed form (e.g., this blog post). Copyright is a poor name, for it isn’t the right to copy; rather it is the exclusive right to restrict others from making copies (including altered copies, performances, and an ever-growing list of nearby uses, essentially forever). Copyrestriction would be better. However, others aren’t restricted automagically (and when attempts are made to do so, restrictions are usually massively over-applied); the copyright holder must take action, must play the role of the censor. Censorright would be even more apt. Not granting rights to the public in advance means one is retaining the right to censor.

Why would Paley want something that grants the public no rights in advance, while complaining loudly about some Creative Commons licenses for not granting enough rights in advance? Probably because she’s skeptical of public licenses, period, claiming they legitimize copyright. I almost completely disagree: copyright exists, is automatic, and is ever-increasing in scope and restrictiveness; public copyright tools are just a reality-based response that allow opting out of some or all of one’s right to censor, can offer limited protection (in the case of copyleft) from downstream censors, and also signal that some or all of a censor’s right is not desired, and most importantly help build substantial projects and bodies of work that do not rely on censorship (eventually evidence has to matter).

Now Paley is well aware of these arguments, and addresses some of them in the Copyheart Manifesto (which is more like a FAQ) and elsewhere. She says that free licenses “aren’t solving the problems of copyright restrictions.” That’s something that needs debate. I’d argue they’re one of the few rays of light against censorship, and they are creating space for “solutions” to be developed (see “most importantly” previous paragraph). She even almost directly addresses the problem that copyheart-like mechanisms (Kopimi is very similar; “all rights reversed” is more opaque simple statement that has been used occasionally for decades that Paley notes):

Q.Is the ♡Copyheart legally binding?

A. Probably not, although you could test it:

Mark your work with the ♡Copyheart message.
Sue someone for copying it.
See what the judge says.

We really don’t think laws and “imaginary property” have any place in peoples’ love or cultural relations. Creating more legally binding licenses and contracts just perpetuates the problem of law – a.k.a. state force – intruding where it doesn’t belong. That ♡copyheart isn’t a legally binding license is not a bug – it’s a feature!

Sadly, when the right to censor is the automatic default, it is not using a legally binding license that perpetuates the problem, but I repeat myself. I appreciate offering the test above, but it is far too easy a test (though I don’t know how it would turn out). Takedown notices, other chilling effects, and just plain avoidance, are far more common than actual suits. A better test would be this:

  1. Mark your work with the ♡Copyheart message.
  2. Have someone else upload the work to Wikimedia Commons, not mentioning that you asked them to.
  3. See if the Wikimedia Commons community is willing to rely on your copyheart message to make and keep available your work.

One reason the work probably won’t remain on Wikimedia Commons (note I’d be very happy to be proved wrong) is that copyheart doesn’t clearly say that altering the copyhearted work is ok with the copyhearter. Permitting adaptation is a requirement for free culture; Paley agrees.

The situation may not be totally hopeless for copyheart. Kopimi started as an equally simple exhortation to copy. There are some works on Wikimedia Commons labeled as Kopimi (though I’m not sure how many if any are only relying on Kopimi; many works on Wikimedia Commons are multi-licensed), though the template used for Kopimi uploads on Wikimedia Commons goes beyond simple exhortation to copy:

This work is labeled as Kopimi, meaning that the copyright holder of this work does not only release it, but specifically requests that this work be used and copied for any purpose, including unlimited commercial use and redistribution. It is believed in good faith that a work classified as Kopimi is free to use in any way, including modification and the creation of derivative works.

Now it would be possible to take copyheart in this direction, say:

♡2010 by Author/Artist. Copying and adaptation are acts of love. Please copy and adapt for any purposes.

One may as well finish the job and back this sentiment with a rigorous legal tool that takes every step possible to rid oneself of the right to censor, worldwide:

♡2010 by Author/Artist. Copying and adaptation are acts of love. Please copy and adapt for any purposes without any restrictions whatsoever.

The link is to the backing legally rigorous tool, CC0.

Speaking of censorship, the EFF has been doing a fantastic job in fighting many of its forms. Please join them in saying no to censorship.

Not only does EFF fight censorship, they also retain almost no right to censor works they produce. They use a Creative Commons Attribution license, which only requires giving credit to make any use (well, any use that doesn’t imply endorsement). You should also join them is saying no to censorship in this way — no to your own ability to be a censor.

You should also make annual donations of $ to both CC and EFF, and send ♡.

Creating a Culture that maximizes welfare gains from Sharing

Sunday, May 2nd, 2010

Web 2.0 Expo San Francisco 2010Thursday I’m on a Web 2.0 Expo panel that should be interesting, as I just wrote on the Creative Commons blog.

I post here because I’m pleased that the Web 2.0 Expo blog asked my fellow panelist Jack Herrick a version of the obvious question (once they went off-topic into copyright policy):

Kaitlin: Let’s imagine a world without copyright or the need to attribute your content source. Do you think artists and writers would be hesitant to create or able to if they can’t make money on it? How do creatives cope in this world?

Jack: There are lots of reasons people create things in this world that don’t include money. People create for personal joy, to share with others, to build reputation and myriad other reasons. I doubt the artists of the beautiful cave drawings in Lascaux, France were paid. I doubt that all artists in our future will be paid. Yet creativity won’t stop. The beauty of what the combination of open licenses and the web brings is that creators who wish to create for non-monetary reasons can now reach a broad audience and a willing body of collaborators. I don’t think we need to fear that non-monetary creation will completely replace paid creative work. But we should all rejoice that the web is offering an venue for non-professional creativity that wasn’t drawing such a large audience before.

Why isn’t this question asked more often? Note this is far from an ideal phrasing — the nut should be global welfare, not how the class we currently deem creators might cope.