Archive for the ‘Peeves’ Category

SXSW: Some aggregate figures behind some web apps

Friday, March 16th, 2007

Monday morning’s Barenaked App: The Figures Behind the Top Web Apps featured representatives of five companies that run five or so web apps, but not “the top web apps” by any form of wild exaggeration.

I’ll give you an overview of the overview: The five apps cost (in terms of money spent anyway) to build ranged from $20k to $200k and monthly ongoing costs range from $3k to $150k.

You could read the slides for a bit more detail, but you’d miss out on the folk wisdom dispensed. Guess you’ll have to wait for the podcast.

SXSW: Web business anecdotes

Saturday, March 10th, 2007

Web App Autopsy description:

There’s a lot you can learn from just looking at your own code line by line. Join us as we dissect a live web application that uses modern web technologies and see how the code can show us what it took to create a web app from idea to launch.

Instead the panel consisted of random anecdotes from four people who run web businesses, each of which has tweaked something or other. Oh, and look, conversion ratios!

A panel such as this desperately needs focus, and probably a moderator who has deep and varied experience in whatever the focus is, probably a consultant or academic.

Update 20070313: On the other hand, Sean Ammirati has a very postive writeup of this panel.

SXSW: Art, like, inspires me to design

Saturday, March 10th, 2007

The nearest The Influence of Art in Design came to its topic was showing a couple web sites that use color schemes to match fine art visuals incorporated in the site. Otherwise, it was all about “inspiration.” You should really try listening to some different music and see how that changes your creative process. Or maybe go to a museum and think about what you like about the pieces you see. Yeah.

The best quote I’ve heard attempting to relate art and design is “Art is the experimental end of design” from Caleb Chung, designer of the Furby. Sounds nice to me, but I don’t know how much water it holds. Is there a website or book that explores this using concrete examples?

SXSW: Why XSLT is Hello World

Saturday, March 10th, 2007

Arrived about half an hour into Why XSLT is sexy to see in on the projector. What the heck were they talking about for the previous half hour? Left.

I have long wondered about using XSLT as an (untrusted) code distribution mechanism (e.g., acquire and run XSLT as an alternative to invoking a web service), but I suppose performance and functionality constraints make it a really niche case.

Nerd neanderthalism

Tuesday, February 27th, 2007

Tim Lee on geek protectionism:

I have to say that as a guy with a CS degree myself, I find it unseemly when computer geeks whine about unfair competition from foreigners who have the nerve to be willing to do their jobs for less pay than them. If there’s anything “unfair” about the world labor market, it’s the fact that there are millions of competent engineers who, due to the accident of birth and Western countries’ restrictive immigration policies, are not able to utilize their engineering talents to the fullest. It’s far more “unfair” to an Indian engineer to force him to stay in India, where programming jobs are few and far between, then it is to allow him into the United States and “force” an American engineer to compete with him on a level playing field.

Read the entire post, which makes lots of other good points.

Gratis unencumbered MP3 download is not news

Monday, February 26th, 2007

, a moderately successful band with one top 40 hit in 1997, has released their latest (2005) album as an unencumbered MP3 download with an essay explaining “why we’re releasing our latest album for free on the Internet,” covered by Cory Doctorow, Tim O’Reilly and many others.

Big deal. In 2007 re-releasing an old album as a DRM-free gratis download with no explicit rights granted to share or remix, should not be news, unless a major label is involved.

Jamendo is my current favorite example of 2,500 reasons (albums) why this is not news, but there are thousands of others.

If you need an essay to go with your music, teleport back to 1998 or earlier (I recall reading a version of Ram Samudrala’s essay in 1995).

Update 20070227: The Harvey Danger album has been available for download since September 2005 (when Doctorow wrote about it in Boing Boing, link above). It shouldn’t have been newsworthy then either, but I’m a fool for not noticing that now it is old non-news. A commenter at Techdirt pointed this out.

Perils of a too cool name

Wednesday, February 14th, 2007

I’ve seen lots of confusion about microformats, but Jon Udell takes the cake in describing XMP:

It’s a bit of a mish-mash, to say the least. There’s RDF (Resource Description Framework) syntax, Adobe-style metadata syntax, and Microsoft-style metadata syntax. But it works. And when I look at this it strikes me that here, finally, is a microformat that has a shot at reaching critical mass.

How someone as massively clued-in as Jon Udell could be so misled as to describe XMP as a microformat is beyond me.

, which is basically a constrained RDF/XML serialization following super-ugly conventions that may be embedded in a number of file formats (most prominently PDF and JPEG, but potentially almost anything), is about as far from a as one could possibly get. Off the top:

  • XMP is RDF/XML and as such is arbitrarily extensible; each microformat covers a specific use case and goes through great lengths to favor interoperability among publishers of each microformat (sometime I will write about how microformat and RDF people mean completely different things by “interoperability”) at the expense of extensibility.
  • XMP is embedded in a binary file, completely opaque to nearly all users; microformats put a premium on (practically require) colocation of metadata with human-visible HTML.
  • XMP would be extremely painful to write by hand and there are very few tools that support publishing it; microformats, to a fault, put a premium on publisher ease–anyone with a passing familiarity with HTML could be writing microformats.

I don’t agree with everything the microformats folk have done, but they do have a pretty self-consistent approach, if one bothers to try to understand it. XMP ain’t it.

XMP is by far the most promising embedded metadata format for “media” files — which is mostly a testament to how terribly useless to non-existent the alternatives are (by some definitions there are none).

Addendum: I’m really only picking on one word from Udell’s post, the remainder of which is recommended. It is to learn that “There’s also good support in .NET Framework 3.0 for reading and writing XMP metadata.”

Update 20070215: Udell explains:

Now there is, as Mike points out, a big philosophical difference between XMP, which aims for arbitrary extensibility, and fixed-function microformats that target specific things like calendar events. But in practice, from the programmer’s perspective, here’s what I observe.

Hand me an HTML document containing a microformat instance and I will cast about in search of tools to parse it, find a variety of ones that sort of work, and then wrestle with the details.

Hand me an image file containing an XMP fragment and, lo and behold, it’s the same story!

Yes, for 99% of the .01% of the world that cares at all, microformats and XMP are the same: metadata, embedded data, or even just data. That’s what I was hinting at in the title of this post — in the minds of 99% of the .01%, microformats are becoming synonymous with metadata, i.e., genericized. This is either a marketing and naming coup or disaster, depending on one’s perspective (I don’t particularly care).

I considered this headline: If XMP is a microformat, RDFa sure the heck is a microformat.

Commercial use outrage!

Tuesday, February 13th, 2007

Seth Godin and those who worry about republishing of (freely licensed) bloggy material, please watch this video by Lucas Gonze.

Republishers, if they add only noise or worse (in the case of sploggers) are primarily a problem for aggregators (Amazon can be thought of one, as can search engines), not creators.

That said, if Godin really hates the idea of a republisher using the license granted by Godin, that license does allow the licensor to request the removal of attribution from derivative or collective works. If this was requested eventually one couldn’t find the commercial outrage version of Godin’s book by searching for Godin’s name on Amazon. (But I have no idea if that provision could apply in this case, am not a lawyer, generally don’t know what I’m talking about, etc.).

Mal engineering awareness

Saturday, February 10th, 2007

appeared on the wiki a couple weeks ago. It closes with very brief calls for capability security and agoric computing, unsurpsingly, considering the source.

But I wanted to point out the article’s proposal for mitigating social engineering:

The best place to defeat the hoax is in the mind of the intended victim. How? With educational tools shipped on the OLPC itself. Suppose the computer had a training course that taught each student-owner how to run the hoax himself.

This strikes a chord with me because I already think “we” (artists, bloggers, programmers, preachers, friends — see friends don’t let friends click spam) should promote not engaging spammers and scammers and because I’m annoyed by the practice of computer vendors (HP/Compaq anyway) pre-loading consumer Windows machines with scads of “special offer” programs that are annoyances at best and would fairly be considered malware if they didn’t come preinstalled.

Instead of bombarding a new user with vendor-approved spam the first time a computer is turned on an enlightened consumer PC vendor (I include OLPC here) would show a brief safe computing video. Support costs may even be reduced through such a move.

On the technical side OLPC posted a summary of their security platform. While much is left to the imagination at this point (there’s an annoying lack of references or even buzzwords in the specification), it sounds like OLPC programs could get a whole lot less authority than those on any mass platform so far.

Disingenuous Rhetorical Manipulation

Saturday, February 10th, 2007

Copyright (DRM in particular) turns us into technology idots and makes us disingenuous too. Consider Leonardo Chiariglione’s reply (”A simple way to skin the DRM cat”) to Steve Jobs’ DRM bashing.

Chiariglione goes out of his way to muddy the waters by

  • Including rights expression or rights description (including Creative Commons) under the rubric of DRM. This is not what anyone, including Jobs, is talking about when they dismiss DRM.
  • Conflating standards generally and standards with security components in particular, with DRM.
  • Pretending there is a non-zero chance of any “interoperable DRM” (where we’re talking about , not mere description or expression) scheme gaining any traction.

Clue: a skinned cat is dead.

Via Slashdot.

Addendum: Some never learn, see Chiariglione’s , spawned late 1998, dead since early 2001.

Digital Rights Managements

Tuesday, February 6th, 2007

Even I have to admit Steve Jobs’ DRM-bashing letter is pretty good:

The third alternative is to abolish DRMs entirely. Imagine a world where every online store sells DRM-free music encoded in open licensable formats. In such a world, any player can play music purchased from any store, and any store can sell music which is playable on all players. This is clearly the best alternative for consumers, and Apple would embrace it in a heartbeat. If the big four music companies would license Apple their music without the requirement that it be protected with a DRM, we would switch to selling only DRM-free music on our iTunes store. Every iPod ever made will play this DRM-free music.

But what’s up with DRMs?

Via Tim Lee.

Addendum: Lots of people want to sell their music DRM-free at the iTunes store.

Myth Dad, Pyramid Son

Monday, January 29th, 2007

On a recent road trip I listened to four audiobooks. One is overrated, another poorly written and ignorant (conflation of mathematical proof and statistical confidence was most galling to me, but there’s plenty to go around), another well written and wrongheaded. The fourth isn’t exactly any of those things (apart from overrated), but then it didn’t feel much like a book. More like a book adaptation of an infomercial, read aloud.

That would be , a garrulous stream of self-help cliches, financial pep talks, tall tales, and pitches for other books and products. (I may have listened to another book in the series–I gather they’re all pretty similar, and I heard tiresome stories of “Rich Dad” in any case.) Author has the annoying habit of presenting the obvious as deep wisdom (e.g., “everything has a price”, now that was new to me) along with obvious lies (I completely lost respect for the enterprise when Kiyosaki quoted “Rich Dad” as saying that one can consistently obtain 20% to 50% returns at low risk).

It turns out that “Rich Dad” is probably made up. Apparently the most specific answer (and telling) answer Kiyosaki has given regarding the identity of Rich Dad is “Is Harry Potter real? Why don’t you let Rich Dad be a myth, like Harry Potter?”

So that covers myth, what about pyramid? Apparently Kiyosaki got his start with pyramid organization . He seems to have learned well, for Kiyosaki’s franchise of selling products that offer little more than selling Kiyosaki and his products would (do?) make perfect fodder for network sales.

It is possible a liar and network marketer could have valuable and unique insights, but Kiyosaki doesn’t seem to present any. I don’t hold being an excellent salesperson against him, indeed I think selling is undersold, but then he doesn’t advise people to learn or earn by selling, as far as I can tell.

I wasn’t going to write about Kiyosaki, but was inspired to by reading links posted by Jim Lippard on Kiyosaki today (I did not previously know that “Rich Dad” is a fabrication).

My theory is that Kiyosaki is an excellent salesperson and many who read his books and perhaps have never thought about money before or have, and are dense or frustrated, take his cliches as amazing insight. Take this from a commenter on one of the posts Lippard links to:

As mentioned, defining wealth as how long you can live without working was a new way of thinking of things for me. In 10 years of Money Magazine subscriptions, I’ve read a billion different mutual funds articles, but nothing about generating or even measuring passive income.

Think of things in terms of assets vs. liabilities was a new concept to me.

Helloooo!

I don’t have a theory explaining why anyone smarter than me would find anything valuable in Kiyosaki.

I wrote a distantly related post on real restate returns in September, 2005.

Paying to create

Thursday, January 25th, 2007

Lucas Gonze writes the musician industry has never been better, citing a LA Times story:

While the U.S. recording industry continues to slide [...], the other side of the music world businesses catering to those who create the music has nearly doubled over the last decade to become a $7.5-billion industry.

My emphasis. Read Gonze’s explanation of the ellipsis.

This highlights how backwards it is to cripple technology and law, ostensibly to ensure creators can get paid — creators eagerly pay to create.

Another quote from the article:

“We are looking at the first creative generation,” Henry Juszkiewicz, co-owner of Gibson Guitars, said last week as he was surrounded by instruments in his firm’s display room at the convention, which ended Sunday. “The cost of creative tools has gone down. And now you have the ability to share with other people your creation. These two fundamental, solid changes are allowing the younger generation to be actively creative.”

The NAMM musical industry group, which sponsored the convention, contracts with the Gallup Organization for a poll every three years. The most recent found that the number of instrument players ages 18 to 34 grew from 24% in 1997 to 32% in 2006.

It also found that last year about half of American households had at least one person who owned a musical instrument, up from 43% in 1997.

Note what the Gibson Guitars guy did not say — that people are buying more instruments in hopes of making money.

Don’t let (potential) rioters set policy

Friday, January 19th, 2007

Via a comment from author Philippe Legrain, a positive Financial Times review (copy) of his book Immigratns: Your Country Needs Them. I want to comment on two short excerpts:

Workers raise their own - and the world’s - income levels by moving from a low-productivity job in a poor country to more productive employment in a rich one.

Which should be enough to win over any modern human (non-neanderthal) to open borders. The ethical argument for open borders is even better.

Policymakers must take account of the many voters who disagree with Legrain, even if this is based on ignorance and prejudice. It is surely better to admit 500,000 immigrants annually and have social peace than 1m and riots.

The reviewer would deny 500,000 people opportunity every year in order to maintain “social peace”. I say let the skinheads and fellow travellers riot — and bring them to justice for any crimes committed. Neanderthalic potential rioters must not be allowed to stall the elimination of apartheid.

Wiki search advertising

Tuesday, January 16th, 2007

has launched. It’s a reasonable idea, searching Wikipedia and sites Wikipedia links to (recalling search engines that have used to seed crawls). It’s much faster than Wikipedia’s built in search, but doesn’t satisfy me, as its Wikipedia results are out of date and imcomplete (indicators of the former include turning up deleted articles and finding nothing for ‘wikiseek’).

I find it interesting that Wikiseek’s footer says:

The majority of the revenue generated by Wikiseek advertising is donated to the Wikimedia Foundation.

That’s nice — apparently Searchme, Inc., intends to use Wikisearch to demonstrate its vertical search prowess — and it inspires a potential non-intrusive revenue model for Wikipedia that precisely copies Mozilla’s: sell inclusion in the search box/search page.

This wouldn’t be worth the hundreds of millions annually that tasteful text ads on articles could be (and the ability to fully fund* the Wikimedia Foundation’s mission), but it would surely obviate the need for begging to cover the costs of running Wikipedia.

* If politicians can use that vacuous phrase to indicate they “support education” I can use it in support of funding free knowledge projects.

Your jurisdiction should open its borders

Saturday, January 13th, 2007

The January 13-19 Economist has a review of (and my first encounter with) ’s book Immigrants: Your Country Needs Them. The title and the review make the book sound a bit wishy-washy, but a review in the Guardian, reprinted on Legrain’s site makes it sound much better.

The central thrust is that immigration is economically beneficial. Fluid migration is as dynamic as every other form of free trade. “If you believe that the world is an unequal place and that the rich should do more to help the poor,” he writes, “then freer international migration should be the next front in the battle for global economic justice.”

Ironically, the book appears to not yet be available in the U.S. Amazon Canada will have it January 30.

Bogotá, as with the world

Saturday, January 13th, 2007

I have never visited , this is not a commentary on a city I do not know. I want to point out that Tyler Cowen’s thoughts on Bogota serve as a (presumably unintentional) metaphorical description of the entire world (sure, what you’re thinking, I just happened to notice this time).

How can such a nice place be in the midst of a civil war and guerrilla uprising? Why do leaders in the highest reaches of government secretly work with the paramilitaries? Does every radio station in the country play Juanes, and how long will their Tower branches last?

That excerpt is gratuitous, some of the rest requires just a bit more imagination.

Worse than crippleware

Saturday, January 13th, 2007

Last post I went along with a NYT article (and apparently recent court case) in describing Digital Restrictions Management as . Bad call on my part.

Traditionally crippleware is free and its aim is to get you to buy a non-crippled version. With DRM you pay for crippled media and its aim to ensure the media stays crippled. Is there any widely deployed DRM that offers to turn itself off completely for the right price?

Perhaps a better term, if not from the customer’s perspective then that of certain businesses, is suicideware. Case in point, Windows Vista. I was reminded of this when Boing Boing just pointed (again) to A Cost Analysis of Windows Vista Content Protection, the “executive executive summary” of which is “The Vista Content Protection specification could very well constitute the longest suicide note in history.”

From the aforementioned customer’s perspective, traditional suicideware is just temporally crippled-ware. For a software business, perhaps suicideware (I’m making this up) is that which forgets who the customers are, tempting the gods of randomness. Rouletteware? Deathwishware?

iHandcuffs for primitives

Saturday, January 13th, 2007

Via Luis Villa, tomorrow’s New York Times has a decent article headlined Want an iPhone? Beware the iHandcuffs. The article title is right (Villa’s summary is a better description, if not a better headline: “iTunes and DRM hurts perfectly innocent customers, fails to stop piracy, and reduces competition”), but it leads off wrong:

like its slimmer iPod siblings, the iPhone’s music-playing function will be limited by factory-installed “crippleware.”

Wrong, the objects of lust can play any MP3 file that is not itself crippled. The (the handcuffs to avoid) is not factory-installed, but purchased from the — tracks crippled by DRM.

Perhaps (the media player and ITunes Store browser), some version of which I assume is factory-installed on the , is perhaps more akin to . Not the type that takes over your computer without your knowledge, but the type that presents you with many opportunities to download and perhaps pay for software and porn that will cripple your computer. It’s a fine line.

The NYT article has a great closing:

IN the long view, Mr. Goldberg said he believes that today’s copy-protection battles will prove short-lived. Eventually, perhaps in 5 or 10 years, he predicts, all portable players will have wireless broadband capability and will provide direct access, anytime, anywhere, to every song ever released for a low monthly subscription fee.

It’s a prediction that has a high probability of realization because such a system is already found in South Korea, where three million subscribers enjoy direct, wireless access to a virtually limitless music catalog for only $5 a month. He noted, however, that music companies in South Korea did not agree to such a radically different business model until sales of physical CDs had collapsed.

Pointing to South Korea, where copy protection has disappeared, Mr. Goldberg invoked the pithy aphorism attributed to the author William Gibson: “The future is here; it’s just not widely distributed yet.”

I’m skeptical that the emphasized (by me) portion above is not exaggerated, though I’ll grant that South Korea is probably some years ahead of music businesses in the U.S. and other places similarly primitive in this respect, which may undergo a transition similar to South Korea’s. But we can also look to markets that started from a very different place, e.g., China.

We could beneficially spend more time looking for examples that may be ahead of the pack or simply different, and not just in the music business.

iCandy, Patented !

Tuesday, January 9th, 2007

Tom Evslin says Apple Fails to Reinvent Telecommunications Industry:

Steve Jobs claims that iPhone will “reinvent” the telecommunications sector. Wish it were so but it ain’t!

The design of the phone – no hard buttons, all touch on screen, sounds like everything we expect from Steve and from Apple: it’s all about the GUI and that part’ll be fun. But the business relationship is as old school as it can get: exclusive US distributorship through Cingular

Short term this is a good tactic for Apple because it protects the iPod franchise for a while. Long term I think it’s terrible strategy. It invites an endrun from someone who IS willing to reinvent the industry or simply allies themselves with a Cingular competitor.

Remember how wonderful the Mac GUI was? But it only ran on machines from Apple. Remember how crappy Windows was at first? But it ran on machines from everyone and their brother. And now there’s Linux – even less restricted – running on anything that moves. Tell me again why it makes sense to have a phone that runs only on a service from at&t (in the US).

Like other Apple products, the is eye candy (ugly to me), but not revolutionary.

It looks like the FIC Neo1973, showing at CES, due to ship this quarter for US$350, running the platform (presentation), will be more in the right direction — unlocked and open for developers. Andy on the openmoko list has a very early comparison.

The Neo1973’s big missing feature, at least initially, is apparently Wi-Fi, due to a lack of open drivers. As a late adopter of gadgets, I can wait. I acquired my first and only mobile phone in 2003, and it’s easy on the eyes.

That said, I’d really like Portable online by 2010 to be true:

This claim is judged YES if and only if, by January 1, 2010, in any state with more than 5 million inhabitants, at least 25% of the adult population are “portably online”. A “state” can be a country or a member state in a federation.

Read more for how “portably online” is defined (the contract was written in 1995). My current guess (and the market’s; last trade at 30) is that without a more significant revolution than we’re seeing the criteria won’t be met before 2010, but not terribly long after.

OpenMoko via Jon Phillips. Second word in post title refers to a silly slide found at Engadget.