Post Intellectual Protectionism

Copyleft regulates

Tuesday, January 31st, 2012

Copyleft as a pro-software-freedom regulatory mechanism, of which more are needed.

Existing copyleft licenses include conditions that would not exist (unless otherwise implemented) if copyright were abolished. In other words, copyleft does not merely neutralize copyright. But I occasionally1 see claims that copyleft merely neutralizes copyright.

A copyleft license which only neutralized copyright would remove all copyright restrictions on only one condition: that works building upon a copyleft licensed work (usually as “adaptations” or “derivative works”, though other scopes are possible) be released under terms granting the same freedoms. Existing copyleft licenses have additional conditions. Here is a summary of some of those added by the most important (and some not so important) copyleft licenses:

License Provide modifiable form2 Limit DRM Attribution Notify upstream3
BY-SA y y
FDL y y y
EPL y y
EUPL y y
GPL (including LGPL and AGPL) y y
LAL y
MPL (and derivatives) y y
ODbL y y y
OFL y
OSL y y
OHL y y y

I’ve read each of the above licenses at some point, but could easily misremember or misunderstand; please correct me.

There’s a lot more variation among them than is captured above, including how each condition is implemented. But my point is just that these coarse conditions would not be present in a purely copyright neutralizing license. To answer two obvious objections: “attribution”4 in each license above goes beyond the bare minimum license notice that would be required to satisfy the condition of releasing under sufficient terms, and “limit DRM” refers only to conditions prohibiting DRM or requiring parallel distribution (which all of those requiring modifiable form do in a way, indirectly; I’ve only called out those that explicitly mention DRM), not permissions5 granted to circumvent.

I’m not sure there’s a source for the idea that copyleft only neutralizes copyright. Probably it is just an intuitive reading of the term that has been arrived at independently many times. The English Wikipedia article on copyleft doesn’t mention it, and probably more to the point, none of the main FSF articles on copyleft do either. The last includes the following:

Proprietary software developers use copyright to take away the users’ freedom; we use copyright to guarantee their freedom. That’s why we reverse the name, changing “copyright” into “copyleft.”

Copyleft is a way of using of the copyright on the program. It doesn’t mean abandoning the copyright; in fact, doing so would make copyleft impossible. The “left” in “copyleft” is not a reference to the verb “to leave”—only to the direction which is the inverse of “right”.

Copyleft is a general concept, and you can’t use a general concept directly; you can only use a specific implementation of the concept.

This is very clear — the point of copyleft is to promote and protect (“guarantee” is an exaggeration) users’ freedom, and that includes their access to source. The major reason I like to frame copyleft as regulation6 is that if access to source is important to software freedom (or otherwise socially valuable), it probably makes sense to look for additional regulatory mechanisms which might (and appreciate ones that do) contribute to promoting and protecting access to source, as well as other aspects of software freedom. Such mechanisms mostly aren’t/wouldn’t be “copyleft” (though at this point, some of them would simply mandate a copyleft license), but the point is not a relationship with copyright, but promoting and protecting software freedom.

If software freedom is important, surely it makes sense to look for additional mechanisms to promote and protect it. As others have said, licenses are difficult to enforce and/or few people are interested in doing it, and copyleft can be made irrelevant through independent non-copyleft implementation, given enough desire and resources (which the largest corporations have), not to mention the vast universe of cases in which there is no free software alternative, copyleft or not. I leave description and speculation about such mechanisms for a future post.


1For example, yesterday Rob Myers wrote:

Copyleft is a general neutralization of copyright (rather than a local neutralization, like permissive licences). Nothing more.

Only slightly more ambiguously, late last year Jason Self wrote:

Copyright gives power to restrict what other people can do with their own copies of things. Copyleft is about restoring those rights: It takes this oppressive law, which normally restricts people and takes their rights away, and make those rights inalienable.

Well said…but not exactly. I point these out merely as examples, not to make fun of Myers, who is one of the sharpest libre thinkers there is, or Self, who as far as I can tell is an excellent free software advocate.

2Note it is possible to have copyleft that doesn’t require source. As far as I know, such only exists in licenses not intended for software. But I think source for non-software is very interesting. The other obvious permutations — a copyleft license for software that does not include a source requirement, and a non-copyleft license that does include a source requirement, are curiosities that do not seem to exist at all — probably for the better, although one can imagine questionable use cases (e.g., self-modifying object code and transparency as only objective).

3As I’ve mentioned previously, requiring upstream notification likely makes the TAPR OHL non-free/open. But I list the license and condition here because it is an interesting regulation.

4One could further object that one ought to consider so-called “economic” and “moral” aspects of copyright separately, and only neutralize the former; attribution perhaps being the best known and least problematic of the former.

5Although existing copyleft licenses don’t only neutralize restrictions (one that did would be another curiosity; perhaps the License Art Libre/Free Art License currently comes closest), it is important that copyright and other restrictions are adequately neutralized — in particular modern public software licenses include patent grants, and GPLv3 permits DRM circumvention (made illegal by some copyright-related legislation such as the DMCA), while version 4.0 of CC licenses will probably grant permissions around “sui generis” restrictions on databases. Such neutralization is only counter-regulatory (if one sees copyright as a regulation), not pro-regulatory, as are source and other conditions discussed above.

6Regulation in the broadest sense, including at a minimum typical “government” and “market” regulation, as I’ve said before. By the way, it could be said that those who advocate only permissive licenses are anti-regulatory, and I imagine that if lots of people thought about copyleft as regulation, this claim would be made — but it would be a problematic claim, as permissive licenses don’t do much (or only do so “locally”, as Myers obliquely put it in the quote above) against the background regulation of copyright restrictions.

Someday knowing the ins and outs of copyright will be like knowing the intricate rules of internal passports in Communist East Germany

Thursday, January 26th, 2012

Said Evan Prodromou, who I keep quoting.

I repeat Evan as a reminder and apology. I’ve blogged many times about copyright licenses in the past, and will have a few detailed posts on the subject soon in preparation for a short talk at FOSDEM.

Given current malgovernance of the intellectual commons, public copyright licenses are important for freedom. They’re probably also important trials for post-copyright regulation (meant in the broadest sense, including at least “market” and “government” regulatory mechanisms), eg of ability to inspect and modify complete and corresponding source.

At the same time, the totemic and contentious role copyright licenses (and sometimes assignment or contributor agreements, and sometimes covering related wrongs and patents) play in free/libre/open works, projects, and communities often seems an unfortunate misdirection of energy at best, and probably looks utterly ridiculous to casual observers. I suspect copyright also takes at least some deserved limelight, and perhaps much more, from other aspects of governance, plain old getting things done, and activism around other issues (regarding the first, some good recent writings includes those by Simon Phipps and Bradley Kuhn, but the prominence of copyright arrangements therein reinforces my point). But this all amounts to an additional reason it is important to get the details of public copyright licenses right, in particular compatibility between them where it can be achieved — so as to minimize the amount of time and energy projects put into considering and arguing about the options.

Obviously the energy put into public licenses is utterly insignificant against that spent on other copyright/patent/trademark complex activities. But I’m not going to write about that in the near future, so it isn’t part of my apology and rationalization.

Someday I hope that knowing the ins and outs of both Internal Passports of the mind and international passports will be like knowing the rules of internal passports in Communist East Germany (presumably intricate; I did not look for details, but hopefully they exist not many hops from a Wikipedia article on Eastern Bloc emigration and defection).

Counterfeiting against inequality and addiction

Tuesday, January 24th, 2012

When I read articles blaming advertisers for the bad behavior of (especially relatively poor) people who want advertised products (quoted material below mostly from linked story) I tend to think:

  1. To the extent “corporate pushers have made us addicts”:
    1. As a letter-to-the-editor from Michael Slembrouck says “You can ask your dealer to stop selling you dope because you have a problem, but if you keep giving him money he’s going to keep giving you the same dope.”
    2. It seems to me that being able to ignore/forgo potentially addictive messages/products is an important survival skill.
  2. More [free] speech (broadly speaking) is the answer:
    1. What is the hidden role of patent and trademark? In other words, what is the role of lack of cheap copies? Cheap copies would reduce incentive to advertise in the first place, and also reduce “the dreary feeling many get from walking by store windows knowing society offers no legal path for them to ever possess what is inside.” Is bad behavior supposedly related to lack of access to fashionable items reduced where counterfeit goods are plentiful? That’s a serious question, though of course answers will largely be swamped by cross cultural confounders.
    2. Regarding addiction and other adverse things characterized as such, I still think one of the best messages trusted figures (friends, ministers, the famous, etc) can convey is how totally unacceptable it is to follow spam — and I consider advertising to include a continuum from spam to useful information, with that critiqued as solely “manufacturing desire” tending toward the spam end.
    3. If advertising is so powerful, why not use it more for counter-addiction-and-other-adverse-messages? In the link above, I wished for the Ad Council to run a don’t-click-on-spam campaign. Maybe too close to its membership for comfort. Fortunately, access to media has improved greatly, including access to organizing for access to media. Hopefully things like LoudSauce (crowdfunded advertising) will help make that happen.

As indicated by the title, I mostly blogged this for 2(a). I think the contribution of intellectual protectionism to inequality is woefully underexplored and underexploited. I made a new category on this blog, Inequality Promotion, to remind me to attempt further exploration and exploitation.

SOPA/PIPA protests on-message or artless?

Wednesday, January 18th, 2012

Go Internet! Instantly message the U.S. Congress! (Tell them to kill the so-called Research Works Act too!)

Another, much bigger, tiresome rearguard action. I’m impressed by protesters’ nearly universal and exclusive focus on encouraging readers to contact U.S. Congresspeople. I hope it works. SOPA and PIPA really, really deserve to die.

But the protest also bums me out.

1) Self-censorship (in the case of sites completely blacked out, as opposed to those prominently displaying anti-SOPA messages) is not the Internet at its best. If that claim weren’t totally ridiculous, the net wouldn’t be worth defending. It isn’t even the net at its political best — that would be creating systems which disrupt and obviate power — long term offensives, not short-term defenses.

2) Near exclusive focus on supplication before 535 [Update: 536] ultra-powerful individuals is kinda disgusting. But it needs to be done, as effectively as possible.

3) I haven’t looked at a huge number of sites, but I haven’t seen much creativity in the protest. Next time it would be fun to see an appropriate site (Wikipedia? Internet Archive?) take what Flickr has done and add bidding for the “right” to darken particular articles or media as a fundraiser. Art would be nice too — I’d love to hear about anything really great (and preferably libre) from this round.

4) While some prominent bloggers have made the point that “piracy” is not a legitimate problem, overwhelmingly the protest has stuck to defense — SOPA and PIPA would do bad things to the net, and wouldn’t “work” anyway. Google goes much further, saying “End Piracy, Not Liberty” and “Fighting online piracy is important.” Not possible, wrong, and gives away the farm.

5) Nobody making the point that everyone can help with long-term offensives which will ultimately stop ratcheting protectionism, if it is to be stopped. Well, this nobody has attempted:

[I]magine a world in which most software and culture are free as in freedom. Software, culture, and innovation would be abundant, there would be plenty of money in it (just not based on threat of censorship), and there would be no constituency for attacking the Internet. (Well, apart from dictatorships and militarized law enforcement of supposed democracies; that’s a fight intertwined with SOPA, but those aren’t the primary constituencies for the bill.) Now, world dominationliberation by free software and culture isn’t feasible now. But every little bit helps reduce the constituency that wishes to attack the Internet to possibly protect their censorship-based revenue streams, and to increase the constituency whose desire to protect the Internet is perfectly aligned with their business interests and personal expression.

I’d hope that at least some messages tested convey not only the threat SOPA poses to Wikimedia, but the long-term threat the Wikimedia movement poses to censorship.

Also:

Bad legislation needs to be stopped now, but over the long term, we won’t stop getting new bad legislation until policymakers see broad support and amazing results from culture and other forms of knowledge that work with the Internet, rather than against it. Each work or project released under a CC license signals such support, and is an input for such results.

And:

Finally, remember that CC is crucial to keeping the Internet non-broken in the long term. The more free culture is, the less culture has an allergy to and deathwish for the Internet.

Of the five items I list above, the first three are admittedly peevish. Four and five represent not so much problems with the current protest as they do severe deficiencies in movements for intellectual freedom. Actually they are flipsides of the same deficiency: lack of compelling explanation that intellectual freedom, however constructed and protected, really matters, really works, and is really for the good. If such were well enough researched and explained so as to become conventional wisdom, rather than contentious and seemingly radical, net freedom activists could act much more proactively, provocatively, and powerfully, rather than as they do today: with supplication and genuflection.

I am not at all well read, but my weak understanding is that the withdrawal of economists from studying intellectual protectionism in the late 1800s was a great tragedy. To begin the encourage rectification of that century plus of relative neglect, today is a good day to start reading Against Intellectual Monopoly.

In the meantime, the actual and optimal counterfactual drift further apart, without any help from SOPA and PIPA.

MLK’s reliance on “remix” is well-documented; without a strong public domain, where will that leave the next MLK?

Monday, January 16th, 2012

I copied and slightly reworded the title of this post from Joshua Judson Rosen; the body draws heavily from a conversation started by Rosen. Today is .

People have noted for years that the King estate does their best to lock up and profit from his works. I even had a post that touched on this indirectly in 2004 (it appears that since then Eyes on the Prize has been re-aired and DVDs sold, result of an $850,000 grant to acquire the necessary licenses). But the King estate is simply doing what most heirs would do with an uninsured creative legacy. If societal governance of the knowledge commons were anything close to reasonable, all King’s works would now be in the public domain.

Perhaps ironically (but only if one cannot distinguish between King and his estate, and between citation and copyright restrictions), in his academic writing King was a very poor provider of intellectual provenance — in that context, he plagiarized:

I might conclude that none of this was fatal for King’s career as a preacher and powerful public speaker. Had he pursued an academic career, his heavy reliance on the authorities, often without citing them, could have been fatal. But in preaching, perhaps even in most public speech, genuine originality is more often fatal. A congregation, even a public audience, expects to hear and responds to the word once delivered to the fathers [and mothers]. It is the familiar that resonates with us. The original sounds alien and tends to alienate. The familiar, especially the familiar that appeals to the best in us, is what we long to hear. So,”I Have A Dream” was no new vision; it was a recension, quite literally, of his own “An American Dream.” And that dream, as we know, already had a long history. King’s vision was, perhaps, more inclusive than earlier dreams, but it appealed to us because we already believed it.

Indeed, far more interesting is the ubiquity of borrowing in King’s profession. On preachers borrowing liberally from each other and any other available source, listen to this week’s installment of WYNC On the Media, Dr. Martin Luther King Jr. and the Public Imagination (about 15 minutes).

I did not know this about sermons, but upon hearing, it is completely unsurprising. But now I have questions:

  • Do preachers now continue to borrow as heavily and as liberally as they did in King’s day and before? What about public speakers generally?
  • Should preaching be added to magic, fashion, food, and comedy as examples of professions relying heavily on borrowing, and not so much on censorship?
  • The development of King’s speeches, and of preacher’s sermons* generally, highlight that in some contexts borrowing without citation is valuable, nevermind that it would be called plagiarism in other contexts. Should schools teach how to be a great artist in some classes? Doing so might help their anti-plagiarism rhetoric sink in better, as it would then appear contextually appropriate, rather than fanatic.


* Daniel Dennet approvingly says that TED talks are secular sermons, pinpointing another reason I find them annoying (for being sermons, not for being secular). But I don’t want to censor any sermons.

Penumbra of Provenance

Thursday, January 12th, 2012

W3C PROV

Yesterday the W3C’s Provenance Working Group posted a call for feedback on a family of documents members of that group have been working on. Provenance is an important issue for the info commons, as I’ve sketched elsewhere. I hope some people quickly flesh out examples of application of the draft ontology to practical use cases.

Intellectual Provenance

Apart from some degree of necessity for current functioning of some info commons (obviously where some certainty about freedoms from copyright restriction is needed, but conceivably even moreso to outgrow copyright industries), provenance can also play an important symbolic role. Unlike “intellectual property”, intellectual provenance is of keen interest to both readers and writers. Furthermore, copyright and other restrictions make provenance harder, in both practical (barriers to curation) and attitudinal — the primacy of “rights” (as in rents, and grab all that your power allows) deprecates the actual intellectual provenance of things.

Postmodern Provenance

The umbra of provenance seems infinite. As we preserve scratches of information (or not) incomparably vast amounts disappear. But why should we only care for what we can record that led to current configurations? Consider independent invention and convergent evolution. Who cares what configurations and events led to current configurations: what are the recorded configurations that could have led to the current configuration, what are all of the configurations that could have led to the current configuration; what configurations are most similar (including history, or not) to a configuration in question?

.prov

In order to highlight the exposure of provenance information on the internet and provide added impetus for organizations to expose in a way that can efficiently be found and accessed, I am exploring the possibility of a .prov TLD.

Which counterfactual public domain day?

Sunday, January 1st, 2012

1. Each January 1, many people note a number of interesting works that become free of copyright restrictions in many jurisdictions, but a 1998 act means none will in the U.S. until at least 2019.

2. The Center for the Study of the Public Domain provides another counterfactual, imagining policy not pre-1998, but pre-1976 (act; effective 1978), which at the top states (repeated at Boing Boing, which inspired this post’s title) works from 1955 or before would be free of copyright restrictions.

3. But as the CSPD page points out further down (see “the public domain snatchers”), the pre-1976 policy also would’ve meant many works from 1983 or before would now be free of copyright restrictions, as the policy allowed for 28 years of restriction, with an optional renewal of 28 years. Historically copyright holders did not bother renewing 85% of works.

4. The aforementioned CSPD page doesn’t note, but their FAQ does, that prior to 1989 a copyright notice was required in order for a work to be restricted. The FAQ says “By some estimates, 90% of works did not include this copyright notice and immediately entered the public domain.” A counterfactual taking this into account would have not only a robust January 1, but every day would be public domain day.

(Of course as I noted last year, every day is public domain day to the extent you make it so, no counterfactual required. But defaults really matter.)

5. Any of the above counterfactuals would be tremendous improvements over society’s current malgovernance of the intellectual commons. But they’re all boring. They are much more difficult to conceive, but the counterfactuals I’d prefer to look are not ones with recent rent seeking undone, but ones attempting to characterize worlds with optimal copyright restriction, which is itself under-explored: no extensions? 15 years? 1 year? Maybe 0? The thing about this sort of counterfactual is not the precise duration, nature, or existence of restriction, but in changing how we think about the public domain — not some old works that it is cool that we can now cooperate around to preserve and breathe new life into without legal threat (or uncool if we can’t) — but about how the world would be changed in a dynamic way with much better policy. I bet we wouldn’t even miss that 9-figure Hollywood dreck if such disappeared (I really doubt it would, but here’s to hoping) that most writers in this field must genuflect to and that are used as the excuse to destroy, because whatever would exist would be our culture, and everyone loves their culture (which of course may be subculture built on superficial or even real rejection of such, etc). It would just also be our culture in another way as well, one compatible with free speech and more equal distribution of wealth, in addition to practical things like a non-broken Internet.

Namecheap’s savvy anti-SOPA marketing

Thursday, December 29th, 2011

I’m impressed by how much gratis publicity and advertising has gotten via its anti-SOPA marketing (including the Wikipedia article I linked to; it didn’t exist 3 days ago), and completely unimpressed by the failure of approximately every other company to take advantage of the opportunity, which strikes me as easy social media gold. Communications department heads ought roll.

* pro-SOPA marketing failures made Namecheap’s action straightforward relative to companies not directly competing with Go Daddy. However, there are lots of other domain name registrars, none of which has done anything with Namecheap’s marketing savvy. Another registrar, (which I’ve used and recommended for some time, and has supported Creative Commons and other good causes), like Namecheap is donating a portion of domain transfers to the Electronic Frontier Foundation, but doesn’t seem to be making a big deal of it, and their anti-SOPA blog post is rather tepid. Compare to Namecheap’s anti-SOPA blog post, which isn’t all that much stronger in terms of substance (contains genuflection to “intellectual property”), it is much more strongly worded and simply more effectively written.

One other company has a support-EFF-against-SOPA tie-in. That company, Zopim, provides website chat services, and doesn’t seem to compete with Go Daddy at all. I’m not interested, but never would have heard of them otherwise. Any company could do that.

(I see that sometime today two other small domain registrars have added support-EFF-against-SOPA deals. Good for Suspicious Networks and Centuric.)

What inspired to me write this post is that Namecheap isn’t only taking gratis publicity. They’re also running presumably paid ads as part of their anti-SOPA marketing campaign:

While trying to get the above ad to load again (noticed out of the corner of my eye but didn’t register until sometime after — I’m oddly trying to recover from ad blindness), I noticed another Namecheap ad, which if you’re already really tuned in, illustrates nicely the imperfect options available from a software freedom perspective for domain registration and other nearly commodity services.

Check out more anti-SOPA and pro-freedom actions.

*Isn’t the name “Go Daddy” ridiculous? That, coupled with a super cheesy website and company logo led me to disregard them long before they started shooting sexy elephants at gladiator events, or whatever got people upset before they supported SOPA.

A Toolkit for Anti-SOPA Activism: #13 (or #0?)

Monday, December 12th, 2011

The Electronic Frontier Foundation has an excellent checklist of 12 things you can do to fight the U.S. Congress’ attack on the Internet. Most of them are tiresome rearguard actions against this particular legislation (though most can have secondary long-term effects of educating policymakers and the public about the harm of attacking the Internet). All this is necessary, please take action now.

Action #12 is long-term: contribute financially to the EFF so they can continue “leading the fight to defend civil liberties online, so that future generations will enjoy an Internet free of censorship.” Indeed, please do this too. I’ve recommended becoming an EFF member in the past, and will continue to do so. Actually I’m even more enthusiastic about donating to the EFF in 2011 than I was in 2005. In addition to playing an absolutely critical role in fighting SOPA, PIPA, and their ilk, the EFF’s small technical staff is working on some of the most important technical challenges to keeping the Internet open and secure. They are awesome!

There’s one more item that needs to be in every responsible digital freedom activist’s toolkit: the digital commons, meaning free and open source software and their analogues in culture, knowledge, and beyond. Using and consuming free software and culture is crucial to maintaining a free society. There are many reasons, some of which I mentioned recently at OWF, and with a bit more focus in a FSCONS 2008 presentation (slideshare, .pdf, .odp), but here’s one: imagine a world in which most software and culture are free as in freedom. Software, culture, and innovation would be abundant, there would be plenty of money in it (just not based on threat of censorship), and there would be no constituency for attacking the Internet. (Well, apart from dictatorships and militarized law enforcement of supposed democracies; that’s a fight intertwined with SOPA, but those aren’t the primary constituencies for the bill.) Now, world dominationliberation by free software and culture isn’t feasible now. But every little bit helps reduce the constituency that wishes to attack the Internet to possibly protect their censorship-based revenue streams, and to increase the constituency whose desire to protect the Internet is perfectly aligned with their business interests and personal expression.

Am I crazy? Seriously, I’d like to make the case for the commons as crucial to the future of free society more compellingly. Or, if I’m wrong, stop making it. Feedback wanted.

Relatedly, the English Wikipedia community is considering a blackout to protest SOPA. Here’s the comment I left at the request for comment:

Support doing something powerful. I blackout would be that. I do have some reticence though. Making the knowledge in English Wikipedia and maybe other sites inaccessible feels a bit like protestors who destroy their own neighborhood. Sometimes necessary to gain attention and perhaps justice in the long run, but always painful and with collateral victims. Sure, visitors to Wikipedia sites can come back later or find a mirror, but just as surely, the neighborhood will recover. Maybe. Admittedly the analogy is far from perfect, but I wish there were something the Wikimedia movement could do that would have power analogous to a mass physical action, but avoid costs analogous to the same. Long term, I think fulfilling the Wikimedia vision is exactly that. In the short term, maybe a total blackout is necessary, though if there’s a a way to equally powerfully present to viewers what SOPA means, then let them access the knowledge, I’d prefer that. UI challenge? Surely some A:B testing is in order for this important action. I’d hope that at least some messages tested convey not only the threat SOPA poses to Wikimedia, but the long-term threat the Wikimedia movement poses to censorship.

Mozilla Public License 2.0 and increasing public copyright license compatibility

Tuesday, December 6th, 2011

Incompatibility among public copyright licenses dampens their potential for reducing underlying friction caused by copyright. Increasing compatibility among public copyright licenses is one of the successes of the free/libre/open source community, or so I think. Without long-term, distributed collaboration among license stewards and projects released under public licenses, it would have been easy to obtain a world in which it usually isn’t legally possible to use code from one project in another. (A shared understanding of what constitutes “free” and “open” really helps — the scope for incompatible-in-spirit licenses is greatly reduced, and distributed collaboration facilitated by everyone sharing broad premises.)

I’ve been watching from afar development of the Mozilla Public License version 2 (going for nearly 2 years, I believe about the right amount of time to version a widely used public license) almost exclusively because I was eager to see it become GPL compatible, and how it would achieve this.

Luis Villa explained most of the “how” three months ago. To make sure I understand, here’s my summary:

  • MPL 1.1 is not GPL-compatible. MPL 2.0 will be, but with a few caveats to ensure that projects released under the MPL won’t become GPL-compatible unintentionally, and that there’s a way for new projects under MPL 2.0 that really, really don’t want to be GPL compatible, don’t have to be.
  • Code from a project is released under MPL 2.0 (and not multi-licensed), it can only be made available under the GPL* when incorporated into a larger project that is already GPL licensed, i.e., there has to be a good reason.
  • The entity doing such incorporation in the point above has to offer the MPL code under the MPL and additionally the GPL. A downstream entity can choose to only use the GPL. In other words, people who want to use the original project’s code line under the MPL have ample opportunity to do so, until it is truly forked into a GPL-only version.
  • MPL 1.1 projects (1.1 has a “future versions” clause) modified and released under MPL 2.0 are not GPL-compatible in the manner above unless the project was already multi-licensed under the MPL and GPL (the most important MPL 1.1 licensed projects are multi-licensed), i.e., the intent to allow for use under the GPL is already established.
  • Projects that want to use MPL 2.0 and really don’t want to be GPL compatible can include an “Incompatible With Secondary Licenses” notice.

I think the last point is an unfortunate complication (such projects could stick with MPL 1.1, for instance), but I trust that there are good stakeholder use cases for it. But that’s a minor nit. Villa and other people who worked on MPL 2.0 did a great job and get congratulations and thanks from me.

One of my dreams for Creative Commons Attribution-ShareAlike 4.0 is that it be one-way GPL compatible, as MPL 2.0 will be. MPL 2.0 demonstrates mechanisms for achieving GPL compatibility without upsetting current licensor expectations, which ought be a useful perspective from which to evaluate options for CC BY-SA 4.0. Though CC licenses should not be used for code, it’s easy to see a future in which most “culture” includes “code” and it is an unnecessary pain to keep their licenses separate in all cases. Also, there is some demand for a source-requiring copyleft license for non-software works (BY-SA does not require adaptations to provide source, which is often OK for cultural works, but not always) and it doesn’t make sense to create another source-requiring copyleft license in addition to the GPL.

*Actually LGPL 2.1 or greater, GPL 2.0 or greater, or AGPL 3.0 or greater. MPL has a weaker copyleft than any of the GPL-family licenses — MPL’s copyleft is scoped by file, LGPL’s by library, GPL’s by any linked code, AGPL adds requirement for source distribution to network services.

Addendum 20120103: MPL 2.0 is released today. FSF has added MPL 2.0 to their free licenses page with a GPL compatibility explanation.