Post Creative Commons

creativecommons.opportunities

Monday, March 19th, 2007

If working for a new project of a startup-like nonprofit in San Francisco involving [open] education, [copyright] law, and [semantic web] technology, perhaps you should look into applying for Executive Director of CC Learn. I could imagine an education, legal, or technology person with some expertise and much passion for the other two working out.

Student programmers, Creative Commons is participating in Google Summer of Code as a mentoring organization.

It is too late to apply for a summer technology or “free culture” internship, but keep CC in mind for next summer and (possibly) this fall.

Update 20070409: There are three open positions in addition to CC Learn ED above:

SXSW: Mozilla good bits

Saturday, March 17th, 2007

I missed Tuesday morning’s Browser Wars Retrospective: Past, Present and Future Battlefields for sleep and the Creative Commons moderated Open Knowledge vs. Controlled Knowledge, but noticed two very interesting items from Mozilla CTO Brendan Eich’s blog post:

I am pushing to make add-on installation not require a restart in Firefox 3, and I intend to help improve and promote GreaseMonkey security in the Firefox 3 timeframe too.

Please do! Drop all other Firefox 3 features if necessary.

And from Eich’s sixth slide:

Working with Opera via WHATWG on <video>

  • Unencumbered Ogg Theora decoder in all browsers
  • Ogg Vorbis for <audio>
  • Other formats possible
  • DHTML player controls

I’ve barely thought about <audio> and <video> but if their presence could encourage non-obfuscated media URLs I’m predisposed in their favor, but universal deployment of unencumbered audio and video decoders via browsers would be excellent.

SXSW: Designing for Global Audiences

Sunday, March 11th, 2007

I attended Perspectives on Designing for Global Audiences because the topic is important for Creative Commons — parts of the CC site are translated into many languages, there are many jurisdicton affiliates, some of which run their own sites. I want to do much more and better.

The panel’s focus seemed to be on big budget projects — their advice could be summed up as “hire locally and do lots of research.” This mindset caused them to take an audience question about asking users to help with localization as merely being about how to conduct user research.

One panelist claimed that communication is the first use of the net, then ecommerce, and finally entertainment, where the net is well developed. This sounds to me like a simple extrapolation from development in wealthy regions — I wouldn’t be suprised if entertainment arrives before ecommerce in some places.

Practical tips were interspersed. I’ll assume there’s some truth to these, which included:

  • Chinese don’t like whitespace, pack a page with information.
  • In Latin America “rich media” is hated more than spam. Yay, another argument against Flash.
  • Many audiences don’t like scrolling. Too bad, I don’t like clicking and prefer long pages.

SXSW: Semantic Web 2.0 and Scientific Publishing

Saturday, March 10th, 2007

Web 2.0 and Semantic Web: The Impact on Scientific Publishing, probably the densest panel I attended today (and again expertly moderated by Science Commons’ John Wilbanks), covered , new business models for scientific publishers, and how web technologies can help with these and data problems, but kept coming back to how officious Semantic Web technologies and controlled ontologies (which are not the same at all, but are often lumped together) and microformats and tagging (also distinct) complement each other (all four of ’em!), even within a single application. I agree.

Nearly on point, this comment elsewhere by Denny Vrandecic of the Semantic MediaWiki project:

You are supposed to change the vocabulary in a wiki-way, just as well as the data itself. Need a new relation? Invent it. Figured out it’s wrong? Rename. Want a new category of things? Make it.

Via Danny Ayers, oringal posted to O’Reilly Radar, which doesn’t offer permalinks for comments. This just needs a catchy name. Web 2.0 ontology engineering? Fonktology?

SXSW: Commercialization of Wikis

Saturday, March 10th, 2007

Evan Prodromou gave an excellent presentation on Commercialization of Wikis: Open Community That Pays the Bills. Check out his slides.

A few points:

  • Other stuff will be recognized as having wiki nature, e.g., .
  • Four categories of wiki businesses: service provider (Wikispaces, Wetpaint, PBWiki), content hosting (wikiHow, Wikitravel, Wikia), consulting (SocialText), content development (WikiBiz). My comment: at first blush Wikia would seem to be a service provider, but they are also deeply involved in content creation and community management.
  • Down with and the notion that wiki contributors are suckers or sharecroppers. Better to think of wikis (and wiki businesses) as platforms for knowledge. Contributors use your wiki to help each other, not to give you free content. My comment: I’m not so down on crowdsourcing. Yes, it is MBA language, but the usually involve compensating contributors. Crowdsourcing shouldn’t be conflated with sharecropping, nor confused with community purpose.
  • For wikis purpose more important than friends or ego for blogs (cf. blogs and social networking).

Seven rules for commercial wikis:

  1. Have a noble purpose — e.g., shared knowledge (use a free license), help a community.
  2. Demonstrate value — most interesting example is “carry the torch”; wiki communities can be transient, an entity that keeps focus helps.
  3. Be Transparent.
  4. Extract value where you provide value — most obviously, advertising for hosting.
  5. Set boundaries.
  6. Be personally involved.
  7. Run with the right crowd — e.g., open source and open content, or you will be suspect of being a crowdsourcer.

It appears that Prodromou’s Wikitravel lives by these rules and has succeeded.

Update 20070317: Prodromou has a roundup of blog responses to his presentation. It was great indeed catching up with him.

Gratis unencumbered MP3 download is not news

Monday, February 26th, 2007

, a moderately successful band with one top 40 hit in 1997, has released their latest (2005) album as an unencumbered MP3 download with an essay explaining “why we’re releasing our latest album for free on the Internet,” covered by Cory Doctorow, Tim O’Reilly and many others.

Big deal. In 2007 re-releasing an old album as a DRM-free gratis download with no explicit rights granted to share or remix, should not be news, unless a major label is involved.

Jamendo is my current favorite example of 2,500 reasons (albums) why this is not news, but there are thousands of others.

If you need an essay to go with your music, teleport back to 1998 or earlier (I recall reading a version of Ram Samudrala’s essay in 1995).

Update 20070227: The Harvey Danger album has been available for download since September 2005 (when Doctorow wrote about it in Boing Boing, link above). It shouldn’t have been newsworthy then either, but I’m a fool for not noticing that now it is old non-news. A commenter at Techdirt pointed this out.

Perils of a too cool name

Wednesday, February 14th, 2007

I’ve seen lots of confusion about microformats, but Jon Udell takes the cake in describing XMP:

It’s a bit of a mish-mash, to say the least. There’s RDF (Resource Description Framework) syntax, Adobe-style metadata syntax, and Microsoft-style metadata syntax. But it works. And when I look at this it strikes me that here, finally, is a microformat that has a shot at reaching critical mass.

How someone as massively clued-in as Jon Udell could be so misled as to describe XMP as a microformat is beyond me.

, which is basically a constrained RDF/XML serialization following super-ugly conventions that may be embedded in a number of file formats (most prominently PDF and JPEG, but potentially almost anything), is about as far from a as one could possibly get. Off the top:

  • XMP is RDF/XML and as such is arbitrarily extensible; each microformat covers a specific use case and goes through great lengths to favor interoperability among publishers of each microformat (sometime I will write about how microformat and RDF people mean completely different things by “interoperability”) at the expense of extensibility.
  • XMP is embedded in a binary file, completely opaque to nearly all users; microformats put a premium on (practically require) colocation of metadata with human-visible HTML.
  • XMP would be extremely painful to write by hand and there are very few tools that support publishing it; microformats, to a fault, put a premium on publisher ease–anyone with a passing familiarity with HTML could be writing microformats.

I don’t agree with everything the microformats folk have done, but they do have a pretty self-consistent approach, if one bothers to try to understand it. XMP ain’t it.

XMP is by far the most promising embedded metadata format for “media” files — which is mostly a testament to how terribly useless to non-existent the alternatives are (by some definitions there are none).

Addendum: I’m really only picking on one word from Udell’s post, the remainder of which is recommended. It is to learn that “There’s also good support in .NET Framework 3.0 for reading and writing XMP metadata.”

Update 20070215: Udell explains:

Now there is, as Mike points out, a big philosophical difference between XMP, which aims for arbitrary extensibility, and fixed-function microformats that target specific things like calendar events. But in practice, from the programmer’s perspective, here’s what I observe.

Hand me an HTML document containing a microformat instance and I will cast about in search of tools to parse it, find a variety of ones that sort of work, and then wrestle with the details.

Hand me an image file containing an XMP fragment and, lo and behold, it’s the same story!

Yes, for 99% of the .01% of the world that cares at all, microformats and XMP are the same: metadata, embedded data, or even just data. That’s what I was hinting at in the title of this post — in the minds of 99% of the .01%, microformats are becoming synonymous with metadata, i.e., genericized. This is either a marketing and naming coup or disaster, depending on one’s perspective (I don’t particularly care).

I considered this headline: If XMP is a microformat, RDFa sure the heck is a microformat.

Commercial use outrage!

Tuesday, February 13th, 2007

Seth Godin and those who worry about republishing of (freely licensed) bloggy material, please watch this video by Lucas Gonze.

Republishers, if they add only noise or worse (in the case of sploggers) are primarily a problem for aggregators (Amazon can be thought of one, as can search engines), not creators.

That said, if Godin really hates the idea of a republisher using the license granted by Godin, that license does allow the licensor to request the removal of attribution from derivative or collective works. If this was requested eventually one couldn’t find the commercial outrage version of Godin’s book by searching for Godin’s name on Amazon. (But I have no idea if that provision could apply in this case, am not a lawyer, generally don’t know what I’m talking about, etc.).

Disingenuous Rhetorical Manipulation

Saturday, February 10th, 2007

Copyright (DRM in particular) turns us into technology idots and makes us disingenuous too. Consider Leonardo Chiariglione’s reply (“A simple way to skin the DRM cat”) to Steve Jobs’ DRM bashing.

Chiariglione goes out of his way to muddy the waters by

  • Including rights expression or rights description (including Creative Commons) under the rubric of DRM. This is not what anyone, including Jobs, is talking about when they dismiss DRM.
  • Conflating standards generally and standards with security components in particular, with DRM.
  • Pretending there is a non-zero chance of any “interoperable DRM” (where we’re talking about , not mere description or expression) scheme gaining any traction.

Clue: a skinned cat is dead.

Via Slashdot.

Addendum: Some never learn, see Chiariglione’s , spawned late 1998, dead since early 2001.

Jamendo ad revenue share with artists

Tuesday, January 16th, 2007

is one of the most interesting music sites on the net (in terms business, community, and technology — there’s no competition yet for the vastness and bizarreness to be found on archive.org, yet). They’re trying every Web 2.0 trick and have somehow managed to avoid becoming overwhelmed with crap. I’ve listened to dozens of the 2,100 albums on Jamendo. While only a small fraction of these have strongly agreed with my taste, just about everything (weighted toward electronica and French rock) sounds professional.

Now Jamendo has introduced an advertising revenue sharing program with participating artists.

jamendo revenue share

Several video sites are attempting variations on this theme (among them , Lulu.tv, and ), but as far as I know Jamendo’s is the first attempt in the audio space. One might think an audio site would have a harder time making web advertising work than a video site (videos are usually watched within a web page and can have clickable ad areas or bumpers even if not), but I gather that listening via (usually Flash-based) audio players embedded in web pages is increasingly common (and Jamendo upgraded theirs recently), as will be media players that “play” a web page in a browser interface.

One data point: although Jamendo heavily promotes download of high quality copies, primarily via BitTorrent, their statistics indicate that low quality http “streaming” has accounted for more bandwidth. There are many obvious caveats here, but I think all points above indicate that advertising-supported web audio should not be ruled out, even if it is granted that web video has more potential.

Digg Jamendo’s revenue share page.