Post Creative Commons

dx/dt Healthspan/Lifespan > 0

Wednesday, November 17th, 2004

This afternoon I attended a lecture in Berkeley by Nobel prize winning economist Robert Fogel titled “Changes in the Disparities in Chronic Diseases During the Course of the Twentieth Century.” After writing most of this post I discovered a paper (PDF) of the same name that contains all of the slides presented during the lecture. Some interesting points:

Male life expectancy at age 50 from ~1900 to ~1990 increased 6.6 years (life expectancy at birth increased by decades over the same time period), while onset of disabling conditions occur roughly 10 years later in life, meaning that we not only live longer, we spend less total time in a state of ill health. To put it another way, healthspan (not a word used by Fogel) is increasing faster than lifespan, contrary to the popular fear that longer life only means more time spent bedridden. I believe the way that Fogel did put it is that decline in morbidity has paralleled and actually exceeded decline in mortality. When questioned Fogel confirmed that this is the idea he intended to convey, and added somewhat jokingly that we should not dismiss the possibility that younger people today would be healthy until they finally all drop dead together.

Drawing on the Early Indicators Project and other data Fogel stated that chronic disease in mid and late life is heavily influenced by infection and other “insults” to health in early life. He indicated data from Dutch Famine survivors may indicate that the effect may be multi-generational — the children of mothers who were themselves fetuses during the famine may be less healthy than expected. This claim seemed tentative.

Before the twentieth century human lives really fit the description of nasty, brutish, and short. Fogel cited much data from Union army recruits and pensioners. One item: in 1861, one sixth of recruits aged 16-19 were rejected for a litany of medical conditions almost unknown to today’s youth. Over half of those aged 35-39 were rejected.

Concerning the lecture’s title, Fogel said that the health of the poorest has improved far more markedly than the health of the most wealthy.

Life expectancy at birth
1875 1993
British elite 58 78
British average 41 74

Over a similar time period the gap in average height between British elites and the average Briton shrunk from four inches to less than one.

Perhaps the most stunning figure cited concerned homelessness. In the past (I’m not certain I heard the year correctly, perhaps circa 1750) 10-20% of Europe’s population was classified as vagrant or pauper. Now, less than 0.4% of the population in wealthy countries is homeless. The stunning bit however, is Fogel’s contention as to why vagrancy was so widespread in centuries past: severe malnutrition. Large segments of the population simply didn’t get enough calories to do useful work.

Regarding increasing healthcare expenditures, Fogel made several pithy comments:

Poor people live through pain, wealthy people go to the doctor.

In poorer times people spent most of their incomes on necessities. Now we spend an increasing amount on entertainment and healthcare. Why not spend our wealth on healthcare?

Somewhat jokingly: Going to the doctor and chatting in the waiting room is a favorite activity of many elderly. It’s difficult to factor out what is entertainment and what is healthcare.

A woman once told Fogel that she had a Mercedes in her mouth — that’s how much her dental work had cost. A young person may prefer a fancy car, and older person, if they must choose, may prefer teeth, or a knee.

Improvements in health outcomes from say 1970 to 2000 are not due only to improvements in medical technology during that time, but also due to improved “pysiological capital” built up over decades (recall that health in early life heavily impacts health in later life). Future cost estimates typically completely ignore this factor.

Unfortunately, the same factor may make the problem of an aging population worse than expected in countries like China, whose current middle aged population suffered “terrible insult” in early life.

Today’s lecture was the first of a two-part series titled “Changes in the Process of Aging During the Twethieth Century.” A paper ($5 — unless you’re a subscriber or in a poor country — much like what the Creative Commons developing nations license allows) of the same name is cited here with some data. Tomorrow’s lecture on “Common Analytical Errors in Explanations for Improvements in Health and Longevity.” Supposedly both will be available online at some point.

MusicBrainz Discovery (II)

Friday, October 15th, 2004

Continuation of MusicBrainz Discovery (I).

One notable thing about MusicBrainz is that Rob Kaye and a small number of core developers and supporters have pursued a consistent vision for roughly six years with very little funding or even understanding outside this small group. It isn’t easy to really “get” MusicBrainz (I think it took me two years), though I think that at some point in the next few years everyone will “get” MusicBrainz more or less all at once.

If you’re a geek it’s hard not to get hung up on MusicBrainz use of acoustic fingerprint-based technology. Acoustic fingerprinting is fragile in three ways — it is subject to false positives and false negatives, there is no open source implementation of the concept, and the technology MusicBrainz uses, Relatable TRM, is proprietary and requires a centralized server. Indeed, many of the technology questions at Tuesday’s music metadata panel concerned acoustic fingerprints.

It is important to understand that while MusicBrainz uses acoustic fingerprints, it does not rely on them. TRM matching is just one mechanism for track identification. File metadata included in (e.g., ID3 tags) or with (filename) the file can and I believe are used to match existing records, as could track duration and file hashes (see if Bitzi or a P2P network has any metadata for the file in question). Additionally, file identification is only one component of MusicBrainz.

If you’re not a geek, you won’t notice acoustic fingerprints, because you wouldn’t, and because you’re not likely to get that far. So what the heck does MusicBrainz do? Here’s an attempt:

  • MusicBrainz can organize your music collection. Download the tagger.
  • MusicBrainz uniquely identifies artists, albums, and songs, facilitating rich and precise music applications, all on a level playing field.
    • Not at all speculative potential: include a MusicBrainz song identifier in a blog post, cover art (with your Amazon referrer of course) automagically appears in blog post, blog aggregator publishes top n lists and personalized recommendations.
    • Another: publish a playlist of MusicBrainz identifiers and others can recreate the experience so defined with no file transfer involved.
    • There are several others, some that could be offered by MusicBrainz itself, outlined in MusicBrainz tomorrow. I have to quote one because it’s fun:

      Music Genealogy: MusicBrainz may keep track of which artists/performers/engineers contributed to a piece of music, and when these contributions took place. Combining this contribution data with data on how artists influenced each other will create a genealogy of modern music. Imagine being able to track Britney Spears back to Beethoven!

  • The MusicBrainz database, created by the community, will remain free, unlike others.

Having been around for awhile, MusicBrainz has run into many of the technical and social problems inherent in music metadata and an evolving community website, and produced much good documentation on solutions, realized and potential. Here’s a sampling:

By the way, as of Wednesday MusicBrainz has a blog.

MusicBrainz Discovery (I)

Wednesday, October 13th, 2004

Earlier this evening I gave a brief introduction (slides PDF) to MusicBrainz at SDForum’s Emerging Technology SIG meeting on music metadata in the stead of MusicBrainz founder and leader Rob Kaye, who couldn’t make it up to Palo Alto. (I’m fairly familiar with MusicBrainz, having worked with Rob at Bitzi and getting updates when we cross paths in this small world.)

If I could pick a theme for the meeting (which included two other very interesting speakers — Stephen Bronstein of the Independent Online Distribution Alliance and David Marks of Loomia), and for recent months in general, it would be that in case you haven’t noticed, it’s clearly now a discovery problem, not a delivery problem.

SIG leader William Grosso led off with some quotes from the much-discussed Wired magazine article The Long Tail, which seems to have captured this zeitgeist. (Grosso also had a novel to me presentation technique — a slideshow of potentially relevant slides plays while he speaks, and if a slide happens to be relevant to the current sentence, he uses the slide to augment the point. Is there a name for this?)

Obviously there was tremendous interest in Creative Commons in this context, and several people seemed to be happy to learn of CC’s search engine and the great services and products offered by the Internet Archive (free hosting for CC-licensed audio and video, built in format conversion), Magnatune (all CC-licensed music label) and more.

Unfortunately in the eleven years I’ve been in the SF bay area I only definitively recall attending two previous SDForum events — a 1994 talk by Atari Jaguar developers in San Jose and in 2001 an evening with Phil Zimmermann in San Francisco (I suspect others who were there would deem the “an evening with” cliche appropriate in this case). This evening’s meeting was a total geekfest. I hung around for well over an hour commiserating on all manner of software development topics (I think that’s what “SD” stands for) with a number of hardcore geeks (no whatever-Dilbert’s-boss’s-name-is there) while two guys were lauging their asses off whiteboarding issues with Unicode encoding (as far as I could tell). I’ll have to go back.

More about what I’ve learned about MusicBrainz over the years and in preparing for the evening in a future post.

Update: part 2

Seybold DRM Roundtable

Tuesday, August 17th, 2004

Tomorrow I’ll be on a DRM panel at the Seybold San Francisco publishing conference. See my Creative Commons weblog post for more info.

No, I will not be talking about porn restriction management.

Fix Web Multimedia

Thursday, June 24th, 2004

Says Lucas Gonze. I decided to post about this on the Creative Commons weblog instead of here. Anyway, +1.

Sloths and Their Slothfulness

Tuesday, June 8th, 2004

Via Elizabeth Rader I discovered Kairosnews criticizing the Creative Commons weblog and others for using non-free weblog software. The CC weblog currently uses the “lars-blogger” package for OpenACS, both GPL.

I would’ve posted a comment to Kairosnews, but that would’ve required registering and logging in. Trackback is great for sloths.

Sort of apropos: I didn’t switch to WordPress, but I did delay starting a public blog for ages while waiting for simple libre blog software that supports pretty URLs, comments, trackbacks, pings, syndication, etc. Other reason for delay: slothfulness.

Will weblog software will disappear as a category? I want to manage an entire site with one application (up til now: “vi”, more or less). It isn’t hard for a CMS to include a nice weblog feature. It is kind of a pain for users to force weblog applications to serve as a whole-site CMS, though many people do that.

Creative Commons 2.0 Licenses

Tuesday, May 25th, 2004

Turned on last night. See the CC weblog for a thorough explanation of the versioning.

No upgrade required here: this weblog is dedicated to the public domain.

WikiTravel vs. World66: WikiTravel wins more

Wednesday, March 24th, 2004

Per Evan Prodromou’s request I shared a tiny bit of my knowledge at WikiTravel:Austin. Because I could do so without asking permission, I also copied some text between WikiTravel:Austin and World66:Austin. Due to both having wisely chosen to use the Creative Commons Attribution-ShareAlike License, WikiTravel and World66 each now have slightly more and better information about Austin, Texas.

WikiTravel benefitted slightly more from the exchange, as it is easier to add useful content to. World66 content is split into more individual pages, requiring multiple page edits where a single operation suffices for adding the same content to WikiTravel. At some point a page does get too long, but my preference is for much longer pages than most sites present — less clicking, more effective in-page searching, and less of a pain to print. More importantly World66 segregates links to external sites from other content. C’mon, this is the web!

Walking Austin

Tuesday, March 23rd, 2004

I spent much of last week in Austin, attending SXSW Interactive with Creative Commons and hearing two nights of good music at SXSW music showcases.

I found time to do some of what I always do when I’m in a new place. First walk around as much as possible. Second, while I’m doing that eat at the local vegetarian restaurants. Third, visit the largest local library.

I think I crisscrossed most of the neighborhoods adjacent to or nearby downtown, about 30 miles total. I enjoyed Travis Heights the most, though admittedly many of my other walks were during the wee morning hours when I couldn’t take in as much visually. Mansions to the west. To the east the Tenth Ward, apparently a predominantly Mexican district, very different feel from San Franicsco’s Mission. Not at all urban. Are drug stores few in Austin, or is it odd to have them every other block, only a slight exaggeration for some areas of San Franicsco? Pleasant surprise: almost no barking dogs.

Mr. Natural (east) is all vegetarian with many vegan options and served some of the best Mexican food I’ve had (however, I’m not a huge fan). I had Tofu Pipian, “Tofu cooked with a rich sauce made of pumpkin and sesame seeds, peanuts, and peppers.” The tofu was very tasty.

Magnolia Caf� (south) does have many vegetarian options, but almost none vegan. I had Magnolia Stir Fry, “Ginger, garlic, carrots, broccoli, onion, mushroom, red bells and yellow squash sauteed in honey-lime teriyaki. Served over brown rice. With Tofu.” Surprisingly tasty (I’m really not a fan of American diner fare). The place was packed with a short wait for a seat at 3PM.

The Austin Central Library isn’t shiny, but it was quiet, aroma-free, and seemed to have a good collection. Too bad the San Francisco main library mostly has the opposite traits.

I look forward to visiting Austin again. The place started to grow on me.

CC-Austin

Tuesday, March 23rd, 2004

Last week was a busy one for Creative Commons at SXSW, though perhaps not as busy as the week leading up to it.

The CC music panel attracted an if-you-don’t-use-DRM-you-hate-artists troll and hosted at least two interesting announcements: the CC Music Sharing “License” (actually a mere branding-for-music-people of the CC Attribution-NonCommercial-NoDerivs license, not a fragmentation) and physical artifacts from Opsound. Also check out Opsound’s Remix Ready logo/campaign:

Remix Ready
When you see this symbol it means that the artist has offered to provide uncompressed source material for remixing. If the files are available for download on a website, there will be a link you can follow, otherwise contact the artist by email to request the material you’d like to use. Please do be patient and allow the artist some time to respond. Obviously some specific materials may not be available. Have fun.

Great idea, and good segue to the CC film panel, at which the 4th Wall Films project was announced. The idea is to make film “source” — scripts, uncut footage, director’s notes — available for remixing. The panel engendered much excitement, and not just for 4th Wall. Film people seem to have a substantially different attitude than music people.

Heather Ford has a good writeup of both panels.

CC also hosted two parties with Magnatune and EFF-Austin. Jon Lebkowsky has many pictures of the first.