Post Open Source

Empathy for the Gooseberry

Sunday, March 23rd, 2014

You’ve almost certainly seen at least snippets of the Blender Foundation’s four short animated films Elephants Dream (2006), Big Buck Bunny (2008), Sintel (2010) and Tears of Steel (2012; my blog post riffing on a memorable scene) — because they’re high quality and freely licensed for any use (CC-BY) they’re frequently used in demos.

Now Blender Foundation (who primarily make the free software Blender 3D modeling, animation, video editing, and more program; they use open movie projects to push the software forward) is working on a feature-length animated film, Gooseberry, which would mark a new milestone (Sita Sings the Blues will surely remain the best feature length free film of any sort, but was made with non-free software and is 2D).

They have an ambitious crowdfunding goal of €500,000 to support the project. I pledged and hope you’ll join me. A few interesting bits from the campaign FAQ:

What quality can we expect? Like, compared to Sintel, or a Pixar movie?

As magic number for budget calculations, I use the “Months of work per minute of film”. This is including writing, coders, art, production.

For Big Buck Bunny that was 6. For Sintel it was 10. For Gooseberry we daringly want to go to 15 even. For a Disney or Pixar film, this number is easily 300 to 500. Go figure! But our film will be better than Sintel or BBB for sure.

What is this “exploitation window”

Even though everything will be free/open source, we will reserve for the final movie (renders, final edit, grade) a short period of exploitation. That ‘window’ is 3 months, starting at the official premiere (our own, or on film festival). Film distributors can pay us for the exclusive rights to show the film in theaters during that period. Or TV stations, or Netflix! After that, all gates go open and we release it as CC-BY for everyone.

I can’t complain about the non-free “exploitation window”, as there’s zero infrastructure for marketing and distributing free-as-in-freedom films; in the short term, the window might get the film to a wider audience and thus build its cultural relevance and value as a free film after the window. The existence of free and culturally relevant films will be a huge help to any eventual such marketing and distribution infrastructure, so best of luck to the Gooseberry team in all respects.

There’s another short made with Blender in progress called Wires For Empathy:

A 3D animated short film based in free/libre software, Tube is also a new experiment in distributed collaboration. It plays on the ancient Gilgamesh poem, in a variant of the hero’s progress that becomes the animation’s own frames.

The trailer looks great:

Sympathy for the Strawberry is not one of my favorite Sonic Youth tracks, but the above titles made me think of it. I would heavily contribute to a crowdfunded free-as-in-freedom album by a reunited band sans Thurston Moore, call it Free Sonic Youth. Which part (free or Thurston-free) is most unlikely?

WWW next 25: Universal, Secure, Resilient?

Wednesday, March 12th, 2014

Today folks seem to be celebrating the 25th anniversary of a 1989 proposal for what is now the web — implementation released to the public in August, 1991.

Q&A with web inventor Timothy Berners-Lee: 25 years on, the Web still needs work.

The web is pretty great, much better than easily imagined alternatives. Three broad categories it could improve in:

  • Universality. All humans should be able to access the web, and this should be taken to include being able to publish, collaborate, do business, and run software on the web, in any manner, in any language or other interface. Presently, billions aren’t on the net at all, activity outside of a handful of large services is very expensive (in money, expertise, or marketing), and machine translation and accessibility are very limited.
  • Security. All of the above, securely, without having to understand anything technical about security, and with lots of technical and cultural guards against technical and non-technical attacks of all kinds.
  • Resilience. All of the above, with minimal interruption and maximal recovery from disaster, from individual to planetary scale.

Three pet outcomes I wish for:

  • Collective wisdom. The web helps make better decisions, at all scales.
  • Commons dominance. Most top sites are free-as-in-freedom. Presently, only Wikipedia (#5) is.
  • Freedom, equality, etc.

Two quotes from the Berners-Lee Q&A that are on the right track:

Getting a nice user interface to a secure system is the art of the century.

Copyright law is terrible.

Gov[ernance]Lab impressions

Friday, March 7th, 2014

First, two excerpts of my previous posts to explain my rationale for this one. 10 months ago:

I wonder the extent to which reform of any institution, dominant or otherwise, away from capture and enclosure, toward the benefit and participation of all its constituents, might be characterized as commoning?

Whatever the scope of commoning, we don’t know how to do it very well. How to provision and govern resources, even knowledge, without exclusivity and control, can boggle the mind. I suspect there is tremendous room to increase the freedom and equality of all humans through learning-by-doing (and researching) more activities in a commons-orientated way. One might say our lack of knowledge about the commons is a tragedy.

26:

Other than envious destruction of power (the relevant definition and causes of which being tenuous, making effective action much harder) and gradual construction of alternatives, how can one be a democrat? I suspect more accurate information and more randomness are important — I’ll sometimes express this very specifically as enthusiasm for futarchy and sortition — but I’m also interested in whatever small increases in accurate information and randomness might be feasible, at every scale and granularity — global governance to small organizations, event probabilities to empirically validated practices.

I read about the Governance Lab @ NYU (GovLab) in a forward of a press release:

Combining empirical research with real-world experiments, the Research Network will study what happens when governments and institutions open themselves to diverse participation, pursue collaborative problem-solving, and seek input and expertise from a range of people.

That sounded interesting, perhaps not deceivingly — as I browsed the site, open tabs accumulated. Notes on some of those follow.

GovLab’s hypothesis:

When institutions open themselves to diverse participation and collaborative problem solving, they become more effective and the decisions they make are more legitimate.

I like this coupling of effectiveness and legitimacy. Another way of saying politics isn’t about policy is that governance isn’t about effectiveness, but about legitimizing power. I used to scoff at the concept of legitimacy, and my mind still boggles at arrangements passing as “legitimate” that enable mass murder, torture, and incarceration. But our arrangements are incredibly path dependent and hard to improve; now I try to charitably consider legitimacy a very useful shorthand for arrangements that have some widely understood and accepted level of effectiveness. Somewhat less charitably: at least they’ve survived, and one can do a lot worse than copying survivors. Arrangements based on open and diverse participation and collaborative problem solving are hard to legitimate: not only do they undermine what legitimacy is often really about, it is hard to see how they can work in theory or practice, relative to hierarchical command and control. Explicitly tackling effectiveness and legitimacy separately and together might be more useful than assuming one implies the other, or ignoring one of them. Refutation of the hypothesis would also be useful: many people could refocus on increasing the effectiveness and legitimacy of hierarchical, closed systems.

If We Only Knew:

What are the essential questions that if answered could help accelerate the transformation of how we solve public problems and provide for public goods?

The list of questions isn’t that impressive, but not bad either. The idea that such a list should be articulated is great. Every project ought maintain such a list of essential questions pertinent to the project’s ends!

Proposal 13 for ICANN: Provide an Adjudication Function by Establishing “Citizen” Juries (emphasis in original):

As one means to enhance accountability – through greater engagement with the global public during decision-making and through increased oversight of ICANN officials after the fact – ICANN could pilot the use of randomly assigned small public groups of individuals to whom staff and volunteer officials would be required to report over a given time period (i.e. “citizen” juries). The Panel proposes citizen juries rather than a court system, namely because these juries are lightweight, highly democratic and require limited bureaucracy. It is not to the exclusion of other proposals for adjudicatory mechanisms.

Anyone interested in random selection and juries has to be at least a little interesting, and on the right track. Or so I’ve thought since hearing about the idea of science courts and whatever my first encounter with sortition advocacy was (forgotten, but see most recent), both long ago.

Quote in a quote:

“The largest factor in predicting group intelligence was the equality of conversational turn-taking.”

What does that say about:

  • Mailing lists and similar fora used by projects and organizations, often dominated by loudmouths (to say nothing of meetings dominated by high-status talkers);
  • Mass media, including social media dominated by power law winners?

Surely it isn’t pretty for the intelligence of relevant groups. But perhaps impetus to actually implement measures often discussed when a forum gets out of control (e.g., volume or flamewars) such as automated throttling, among many other things. On the bright side, there could be lots of low hanging fruit. On the dim side, I’m surely making extrapolations (second bullet especially) unsupported by research I haven’t read!

Coordinating the Commons: Diversity & Dynamics in Open Collaborations, excerpt from a dissertation:

Learning from Wikipedia’s successes and failures can help researchers and designers understand how to support open collaborations in other domains — such as Free/Libre Open Source Software, Citizen Science, and Citizen Journalism. […] To inquire further, I have designed a new editor peer support space, the Wikipedia Teahouse, based on the findings from my empirical studies. The Teahouse is a volunteer-driven project that provides a welcoming and engaging environment in which new editors can learn how to be productive members of the Wikipedia community, with the goal of increasing the number and diversity of newcomers who go on to make substantial contributions to Wikipedia.

Interesting for a few reasons:

  • I like the title, cf. commons coordination (though I was primarily thinking of inter-project/movement coordination);
  • OpenHatchy;
  • I like the further inquiry’s usefulness for research and the researched community;
  • Improving the effectiveness of mass collaboration is important, including for its policy effects.

Back to the press release:

Support for the Network from Google.org will be used to build technology platforms to solve problems more openly and to run agile, real-world, empirical experiments with institutional partners such as governments and NGOs to discover what can enhance collaboration and decision-making in the public interest.

I hope those technology platforms will be open to audit and improvement by the public, i.e., free/open source software. GovLab’s site being under an open license (CC-BY-SA) could be a small positive indicator (perhaps not rising to the level of an essential question for anyone, but I do wonder how release and use of “content” or “data” under an open license correlates with release and use of open source software, if there’s causality in either direction, and if there could be interventions that would usefully reinforce any such).

I’m glad that NGOs are a target. Seems it ought be easier to adopt and spread governance innovation among NGOs (and businesses) than among governments, if only because there’s more turnover. But I’m not impressed. I imagine this could be due, among other things, to my ignorance: perhaps over a reasonable time period non-state governance has improved more rapidly than state governance, or to non-state governance being even less about effectiveness and more about power than is state governance, or to governance being really unimportant for survival, thus a random walk.

Something related I’ll never get around to blogging separately: the 2 year old New Ambiguity of ‘Open Government’ (summary), concerning the danger of allowing term to denote a government that publishes data, even merely politically insensitive data around service provision, rather than politically sensitive transparency and ability to demand accountability. I agree about the danger. The authors recommend maintaining distinctions between accountability, service provision, and adaptability of data. I find these distinctions aren’t often made explicit, and perhaps they shouldn’t be: it’d be a pain. But on the activist side, I think most really are pushing for politically sensitive transparency (and some focused on data about service provision might fairly argue such is often deeply political); certainly none want open data to be a means of openwashing. For one data point, I recommend the Oakland chapter of Beyond Transparency. Finally, Stop Secret Contracts seems like a new campaign entirely oriented toward politically sensitive transparency and accountability rather than data release. I hope they get beyond petitions, but I signed.

Unlock federated MediaGoblin hosting revolution game

Saturday, March 1st, 2014

About 16 months after raising $42k to feed the programmers (my post about that campaign), the MediaGoblin team is asking again, with promised features dependent on the total amount raised.

I’m pretty excited about three features. First, at $35k:

Federation: Connect and share with friends and family even if you’re on different MediaGoblin sites! We’ll be adding federation support via the Pump API.

Mostly because this would be a boost to the so far disappointing and fractured federated social web.

Second:

[UNLOCK] Premium hosting reward! If we hit 60k, we’ll add a new reward option: premium hosting!

Doesn’t federation make hosting superfluous? Everyone should run their own server, right? No, those are extremely delusional or elitist claims. I don’t want to run my own server, nor do 7 billion others. Federation (preferably in conjunction with free software, data and identifier portability) enables interoperation and competition among individual-, community-, and commercially-run services. At this stage there seem to be very significant economies of scale (inclusive of marketing!) in running servers. Hopefully someone (the developers would be natural) will realize the necessity of mass hosting of federated services for federation to win.

Third:

[statement] After watching the new MediaGoblin video, i want to play their video game.

[response] I’ve joked about putting a goblin video game as a 500k feature unlock

Here I just wanted to point out how much of MediaGoblin lead developer Christopher Webber’s personality and vision is in the campaign video, assets, and overall scheme. That vision goes pretty far beyond federated media hosting. Free games and art are part of it. But a MediaGoblin game would be a great marketing tie-in solely for the goal of promoting MediaGoblin. I hope this happens; $500k this campaign would be great, but under other circumstances if not.

Shaver: Copyright and Inequality

Thursday, February 27th, 2014

copyright inequality iconI really enjoyed Copyright and Inequality, a new paper by Lea Shaver forthcoming in the Washington University Law Review — enough to attempt a summary on first read, and to read a second time, aloud, in hope that some people who would never read a 52 page paper might still hear its message.

The paper is highly readable, a large part of it (“A Case Study in Book Hunger”, numbered pages 9-22, about books, languages, and the socio-economics of South Africa) of general interest, barely mentioning copyright at all — though if you start by reading that section, hopefully you’ll then read the rest of the paper to find out how copyright is implicated. May the remainder of this post be a complement.

Inequality Promotion

To put it crudely, Copyright and Inequality mostly concerns copyright’s role in keeping the poor poor, rather than its role in concentrating wealth. The latter seems even less studied than the former, but the former seems more important, unless you consider rule by plutocracy the most urgent issue in the world.

In the category of keeping the poor poor, the magnitude of copyright’s negative impact on neglected language (cf. neglected disease) populations was new to me — the requirement of permission to translate contributes to almost no books being available in these languages, for pleasure, or for education, the latter creating a bottleneck for further life opportunities (n.b. “everyone should learn English” is a multi-generation strategy only successfully carried out by wealthy countries so far).

The cost issue is obvious, but can hardly be repeated enough. Shaver provides the example of books (when available at all, almost always in English) costing 2x as much in South Africa as in the US or UK, while income is far lower, especially for the poor (about half of the population lives on less than US$50 a month).

Many countries are far poorer than South Africa, and large populations dependent on neglected languages are common. Many wealthy countries, the U.S. in particular, have large populations of poor and neglected language speakers. Copyright is helping keep the poor poor everywhere. (Expensive textbooks are appropriately a priority target in the U.S., but every good that carries a copyright monopoly tax contributes in some combination to material poverty and cultural exclusion.)

Shaver makes a very strong case for including distributive justice in copyright discourse, along the way summarizing well known problems with the dominant romantic authorship + incentive narrative which has sidelined equality. She doesn’t push for any single solution, but the most interesting discussion is of the possibility of a carve out for translation to neglected languages, along the lines of such for braille and audio versions for use by blind users. Shaver says that copyright term extension should be opposed (additionally) for distributive justice concerns, but term reduction is “politically impossible” due to treaty obligation. (In what other fields is scholarly discourse on substantially alternative and obviously superior arrangements — the current regime based on “more fallacy than fact” — so readily discarded?)

Commons

Copyright and Inequality mentions free/open/commons production or distribution briefly in a few places:

  • Another scholar mentioned commons-based peer production in the context of patents.
  • The “more radical” (than providing access at public libraries) solution of “allocating public textbook funds to the production of Open Educational Resources.” (Actually a rapidly growing practice.)
  • “Open business models” meaning very broadly cultural production not dependent on restricting copying.
  • “Limited commons”, e.g., copyright might be relaxed for a neglected language, but translations of new works in that language to non-neglected languages would be fully restricted.

I’m happy that these are included at all, but commons advocates need to make full versions central. A carve out for translation to neglected languages would be better than none, but if it is achieved, will take many years of negotiation, and be riddled with requirements that will limit effectiveness (as Shaver notes is the case with carve outs for disability), and obviously would leave all non-linguistic copyright inequality mechanisms, and the resources of interest groups that support enclosure, fully intact. Commons-based funding mandates and peer production can happen much faster, and are anything but politically impossible, and can make a huge impact, far beyond a “patch”.

This potential huge impact might hold especially for neglected languages, which essentially are not being served at all by proprietary production. For everyone, as I’ve said many times, product competition from the commons both reduces the resources available to enclosure industries to lobby for protectionism and re-imagines the range of desirable policy, in sum shifting what is politically possible.

Buttressed with recognition of copyright inequality, in particular its negative impact on neglected language populations, what might various commons advocates, projects, and movements do? Some off-the-cuff notes:

  • I’ve long admired Wikimedia’s commitment to host its projects (Wikipedia and friends) for any language community capable of maintaining a project, even a very small one, and its enunciation of the importance of this commitment and of Wikimedia’s freedom (as a non-profit) to pursue such a commitment. The result so far includes Wikipedia in 287 languages and much more, with even more in incubation, formal and informal movement communities around the world, a program to make Wikipedia access free of mobile data charges in the developing world, and probably much more I’m not aware of. Should the findings of Copyright and Inequality lead the various parts of the Wikimedia movement to multiply their efforts to support the growth of and access to free knowledge in neglected languages and increase estimates of the Wikimedia movement’s economic values accordingly? The paper’s findings are probably already well known by the staunchest language advocates around Wikimedia, but perhaps they should be taken even more seriously than they already are. I am ignorant of the human side of Wikimedia outreach to neglected language communities, but surely there is now a substantial body of experience which could be leveraged in making further investments and partnerships. On the technical side, perhaps the migration of lots of knowledge into the truly multilingual Wikidata project could enable more projects in more languages to be truly useful, even for very small language communities?
  • The importance of first language availability of texts, especially educational materials, implies that software user interface availability in the user’s first language is probably pretty important too. What would it take to increase popular free/open source software application language support from dozens (Firefox claims over 80, LibreOffice over 30) to hundreds, even thousands of languages, thereby including most neglected languages? More collaboration across program translation efforts? More centralization? Collaboration with governments, educational systems, funders? A higher bar for user interface changes requiring translation updates? Fewer programs?
  • Fund the creation new free knowledge (inclusive of entertainment!) works in neglected languages, e.g., with small grants and prizes, and introduction of collaborative production, e.g., book sprints?
  • Market, sell, distribute, push for adoption of free knowledge works among neglected language populations — this is what publishers do (given a wealthy enough population anyway), and what must be done for the commons. Making works available online, with no promotion, only solves problems for an elite, and doesn’t offer proprietary publishers any competition, where they choose to compete.
  • Could recognition of the value of neglected languages provide an impetus for a new and large effort toward free software machine translation? Little progress has been made thus far, perhaps in part because some proprietary services such as Google Translate are gratis, and work for most non-neglected languages. Could redoubled effort to support neglected languages in Wikimedia projects (Wikisource translations might be especially relevant) and free/open source software projects help provide needed parallel corpora?
  • Awareness of the plight of neglected language populations could buttress arguments for open funding mandates, particularly if it could be demonstrated that some resulting materials were actually translated and used by said populations — neglected language translation and marketing might even be included in some such mandates, or funders and projects working with neglected language populations could specifically target translation and distribution of the “best” of the output of open funding mandates.
  • Awareness of neglected languages could buttress arguments for voluntary release of works under free/open licenses or into the public domain. (A handful of readers might note that translation-only licenses have been proposed, and a “Developing Nations” license briefly offered. The latter got almost no use before it was retired, perhaps in part because it seemed both confusing and paternalistic — and I doubt these very limited commons offer much, including in public license form. I can’t stress enough that sales/marketing/distribution/adoption are very tough and very necessary, and commons projects have largely failed at them to date. Given this, it is insane to cut off entire segments of potential collaborators, e.g., free knowledge projects and diaspora communities.)
  • Increasing commons movements’ self-awareness of their ability to help neglected language populations could buttress these movements’ self-awareness of their own political potency, leading them to act unashamedly as an interest group and to boldly stake a claim for the commons as the central paradigm for information/innovation policy, thereby further increasing their political potency, and ability to help neglected language populations. (Recursion intentional!)

Spectacle

Further excerpts from Copyright and Inequality:

Overall, copyright law works quite well for copyright scholars at leading universities.

Funniest sentence in the paper, presumably unintentional. (One small bit of progress would be for “copyright scholars” to re-imagine themselves as “commons scholars”; cf. copyright experts→commons experts.)

Its protections give us control over our own writings, which we can choose to invoke or to waive, as we believe best suits our own interests. Its incentives help to stimulate the production of an ever-greater variety of informative and entertaining works for our professional and personal development. Its limitations on access and use of copyrighted works only rarely pose significant problems for us. From this perspective, it is easy to miss the more profound problems posed for the 99% of the world that does not enjoy the same privileged position of access.

From this privileged perspective, creative production resembles a constantly expanding buffet of choice laid before us, among which we may select the most appealing options until we are full. Perhaps some of these offerings are being produced in languages we do not speak. No matter, more than enough choices remain. In our affluence of resources and opportunities, we might even choose to acquire fluency in a second language to further expand our choices. Copyright protection promises to raise the quality, the diversity, at the very least the sheer number of offerings placed upon the table. How could this be a bad thing? But can your peripheral vision stretch farther still? If so, you might see, standing back behind you, a hungry crowd. They are the poor. They are a majority of the world. They too admire the buffet. But they realize it is not laid for them. For some of us, the proliferation of new works is a bounty, opening up new worlds of consumer choice, new horizons of creativity to explore. For most of the world’s population, however, the expanding universe of new cultural works is yet another site of social privilege from which they are effectively excluded.

Well and powerfully said regarding the unseen and neglected, but I submit further that our forward vision is profoundly myopic. Relative to the (perhaps two billion?) people who are both poor and only read a neglected language, wealthy people with English fluency are incredibly privileged, and have ready access to an astounding and ever-growing surfeit of culturally relevant educational and entertainment materials. Those employed by wealthy universities have yet more ready access. Just before the humorous sentence:

Located in major research universities, we also enjoy supremely convenient access to the best-funded libraries in the world. As a group, we do not fail to complain when we notice that copyright law impedes our own ability to access, create, and distribute cultural works. Fortunately, our legal expertise and professional experience positions us well to both recognize the legal roots of our problems, and to suggest solutions to our legislatures and courts.

But however well positioned relative to neglected language populations or the general public of wealthy countries, these complaints and suggestions always face a tremendous uphill battle, at best. The enclosure industries are much better positioned than their scholars.

We love whatever culture we grow up in, but I doubt the one driven by the maximization of rents available from cultural products (cf.), at the expense of freedom and equality, is anywhere near the best of possible worlds, even for those with access to those products. I think an analogy to the internet is appropriate: had a small number of closed electronic services continued to dominate, and a decentralized network never developed, we would now think of the AOL, CompuServe, and Prodigy of 2014 as amazing — and they would be! The much better world of the internet would be beyond the imagination of most. Culturally, that AOLternative universe is the one we live in. But we can catch some glimpses of the internet universe, e.g., in Wikipedia, in PLOS, in memories of Napster.

Perhaps appropriately, only acting in the interests of poor and neglected language populations, against copyright inequality, will we be able to leave the AOL culture scenario and into the internet culture universe.

Closing quote from Copyright and Inequality:

An often-quoted statement by John Maynard Keynes posits that “The political problem of mankind is to combine three things: economic efficiency, social justice, and individual liberty.” The perspectives of economic efficiency and individual liberty have profoundly informed our discussion of copyright law. Yet the perspective of social justice has been comparatively absent. Reckoning with the ways in which social inequality impacts the market for copyrighted work begins to supply this missing perspective. In the end, the inequality insight also leads us back to economic efficiency and individual liberty. For a system of creative production and exchange that excludes most of the world from participation is also not economically efficient. Nor does it effectively promote individual liberty for all. To promote all three of these values, copyright policy and scholarship must account for the realities of social inequality.

Read the entire paper, and share!

The framing is wrong, harmful, and anti-democratic

Tuesday, February 18th, 2014

Luis Villa’s points are so well put that I just had to copy and blog immediately. The specific context is not needed for the points are apropos to nearly all contemporary info policy discourse — recall the 2003 Benkler excerpt I emphasized a few posts ago:

Although the claim that the Internet leads to some form or another of “decentralization” is not new, the fundamental role played in this transformation by the emergence of non-market, nonproprietary production and distribution is often over-looked, if not willfully ignored.

Villa:

  1. The framing is wrong – it should be “production models”, or “sustainability models”, not “business models” – the assumption that production of copyrighted works has to happen through “business” is a harmful and anti-democratic in an age where every citizen has access to tools that can publish to the entire world.
  2. Ditto use of “the industry”, as if “the industry” is the only meaningful producer of content. (Really, these two points alone could make for a great blog post; this paper is far from the only one that makes these two mistakes but is particularly blatant in use of the framing.)
  3. In part as a result of this framing, it is sad but not surprising that no citizen/public interest groups were consulted in the creation of the material. Not sure we’d want to say that to them publicly, but if we decide not to offer informal comment I’d want to say that publicly in a blog post when this is published.
  4. If the purpose of the observatory is to study infringement, then clearly peer production should be listed as a “business model” and the infringement of peer-produced material should be treated on a par with material produced through the other production models. I’m sure this group can come up with examples of infringement of our material and of other peer-produced content.
  5. Music: no mention of tools like Soundcloud (.de-based!) that are intended to democratize music creation and publication.
  6. Video: no mention of how Youtube/Vimeo has created a vast amount of non-industry video content creation, or of regular traditional media industry infringement of citizen-created video without penalty or concern. (If we wanted to write this up formally for them, we’d want to find some examples of this.)
  7. Sports: I can’t speak to the EU, but in the US, fan-created commentary (such as sbnation.com) is now a huge source of reporting on sports news, often delivering better quality than the traditional news sources. Probably not directly relevant to this section, though (unless there have been legal threats in the EU around fan-provided live-streaming commentary).
  8. Press content: at least in the US, donor-supported/non-profit media is an increasingly important source of news; lots of detail here: http://www.journalism.org/2013/06/10/nonprofit-journalism/ Don’t know if there are EU-based examples of this.
  9. Social media: with regards to 4.7 (news/social media), it should be noted that social media probably disproportionately *helps* peer-produced media, since that historically has very few resources to use for marketing/distribution, and so must rely on word-of-mouth.
  10. Sec. 4 and 5 consider “news” and “books”; amazingly, neither consider new text-centric methods of production of copyrighted works, like wikis or blogs. Again shows how blind this is to the actual innovation happening in the content space.
  11. Books: no mention that technical protection measures have encouraged monopolization of the distribution channels, to the detriment of traditional distribution channels and to blossoming antitrust problems in the US (and presumably soon in the EU).
  12. 6.2: a mention of communities! But on cue, statement that these authors may not be being remunerated, as if remuneration was the only potential goal for creators. Youtube gets mentioned here, but not in Sec. 1 (Music) or Sec. 2 (Audiovisual), which is insane.
  13. Sec. 7, Business Software: doesn’t mention open source. Completely nuts.
  14. Sec. 8, video games: no mention that this is a golden era for independently-produced games. Not sure that fits our narrative very well, at least not without a lot of explanation.
  15. B2B Services: this feels overly focused on remuneration/commercial licensing; I suppose that is inevitable to some extent, but it seems like it would be worth noting the increased options for free, high-quality content that business can use (e.g., Flickr photos and Commons for stock photography).
  16. “The fact that the legal offers is at least as diverse as the illegal one” – ahhahahhahahhahaha. Really, it is quite amazing that they think that providing a “portal” will increase awareness of legal content. The best way to increase awareness of legal content is to provide it legally online and advertise it as such…

Near the end of the my recent post linked above:

Commons-based product competition simultaneously changes the facts on the ground, the range of policies imaginable, and potentially create a commons “industrial” interest group which is recognizably important to regulators and makes commons-based peer production favoring policy central to its demands — the likely Wikimedia response to the European Commission copyright consultation is a hopeful example.

That response has been drafted by Villa and others involved in Wikimedia movement advocacy. I highly recommend the advocacy advisors mailing list, where Villa posted the points above, to anyone interested in changing the framing.

Art of cc-community

Sunday, February 9th, 2014

The reading group (curated by Nate Aune) I mentioned as having started with Coase’s Penguin is on to its first book: The Art of Community: Building the New Age of Participation, 2nd Edition (2012) by Jono Bacon. It happens this corresponds with another delayed book review, though only by 18 months in this case, and largely motivated by the book including an interview with me (reproduced below).

This is a large tome. You can download it as a 20 megabyte PDF with 574 pages (linked from the book website along with usual purchase locations). I see substantial portions of about 5 books therein:

  • Autobiography of Jono Bacon. Less of this book is latent in the tome than those below, but tales of Bacon’s life are interspersed, and his personality comes through strong (n.b. Bacon uses “tales” to denote stories told within a community, not “tall tales”; similarly “fables” to denote stories that explain a community, not myths).
  • Inside the Ubuntu/Canonical Ltd. community: how it works, its tales and fables.
  • Tools and practices for managing an open source software community, especially one led by a for-profit company (corresponding to Ubuntu/Canonical Ltd. above).
  • Reference/workbook for community managers and their managers. Also interspersed throughout, but especially the chapter on hiring a community manager.
  • Community management casebook, heavily leaning on interviews with open source software project managers, but also many other types of community leaders and managers.

If any one of these piques your interest, it’s worth downloading the PDF and clicking in the ToC or word-searching, as is your style. If multiple seem compelling (say your company wants to hire a community manager, or you want to be hired as a community manager by a company), then reading the whole thing carefully would be a good use of your time.

(Of course it shouldn’t be your only reading, not least because “community management” is fraught, maybe especially in service of a for profit, and there exist plenty of criticisms of the Ubuntu/Canonical Ltd. community. I even agree with some of those criticisms, but my top level “complaint” about Ubuntu/Canonical Ltd. is that they haven’t been as successful in the marketplace as I’d like, i.e., they haven’t supplanted Microsoft! ☻ Bacon and company continue to work on that from a community angle.)

Interview

The interview with me in the book (numbered pages 492-495), conducted late 2011. The “cc-community” in the title of this post refers to a mailing list not mentioned in the interview.

You have been at the CC for a long time now. How did the organization look when you joined?

I joined CC in April, 2003, a few months after the first CC licenses were released. We were in the basement of the Stanford Law School, as that’s where Lawrence Lessig was. Various people had been involved over the preceding year, but essentially there were three staff just before I joined. There was a very loose community initially, based on the notoriety of Lessig and other founders and some friendly coverage in the usual (for the time) geek outlets such as Slashdot — more a variety of well-wishers than a community.

What kind of community did you set out to grow?

The other person CC hired in April, 2003 was our first international coordinator, based in Berlin. One community that we set out to grow, initially via this position, was a network of legal scholars around the world, who could collectively figure out how CC licenses work with copyright law in various jurisdictions around the world. This is the main community that CC was and is intentional about growing. We also set out to grow connections with related communities, eg open access, open education, open source, and mostly deliberately stayed away from trying to create “CC” subcommunities within these movements, and instead play a supporting role.

There always has been a mostly latent “CC community” of people who aren’t tied to a CC affiliate institution, and may or may not be involved with other nearby movements, but for whatever reason see CC as one of their primary passions — which is fantastic of course. CC the organization hasn’t ever really set out to “organize” this largely latent community, mostly due to lack of bandwidth (admittedly this could seem short sighted) and it isn’t clear how this community ought be cultivated — it is a very diverse set of people. I and some others see mobilizing this community (I’m actually more comfortable thinking about it as a movement) in some form as one of the biggest opportunities CC has in its next decade.

What approaches did you use to grow your community?

Regarding the international community of legal scholars we intentionally created, we gave them interesting, challenging, but highly delimited work — “porting” the CC license suite to their respective jurisdictions. (A “port” is usually both a linguistic translation and legal “translation” to reference local laws, drafting style, etc, where appropriate to hopefully make the ported licenses more understandable to the legal community in a given jurisdiction, but achieve the same affects to the extent possible.) This element of work made it relatively easy to determine what kind of team (usually composed of people from one or more local institutions) could be part of the formal community — they had to bring certain legal expertise, interest, and capacity — and gave community members a strong sense of ownership and contribution.

In the past 8 years CC licenses have been ported to over 50 jurisdictions via this process and community. In a sense this is just another instance of work occurring in chunks amenable to work being done by lots of different people, but I think the subject matter and large size and duration of the chunks makes it fairly interesting. Although many of the affiliate projects have formed their own local communities that have given feedback on license drafts, the overall process is highly controlled by experts, and openness to attracting and up-leveling drive-by contributors not much of a factor. This arrangement has been shown to not be competitive for building an encyclopedia, nor for most software and cultural projects, but perhaps should be evaluated if one thinks their project requires long-term commitment from a community with narrow and rare expertise.

Among the community involved in license porting, there has always been desire to also do advocacy and outreach, and sometimes art projects and software development. This has occurred organically, but over the last year or so we’ve also formally recognized those activities as potential responsibilities of a CC affiliate. While producing interesting work, a community that only really needs a few lawyers in each country is self-limiting. The aforementioned activities need unlimited resources, including the involvement of many more lawyers, who are crucial in persuading institutions and governments to adopt CC tools as policy, for example. Probably over the next few years there will be many more institutions and people officially involved in the CC community, with impressive outreach and projects around the world as a result.

The CC philosophy, particularly a few years ago, was fairly alien to the normal culture of content licensing and distribution practised by large record labels and studios. How did you communicate this message to your community?

Building a commons is still completely alien to “big content”; not even relevant really. Giving up the ability to legally persecute fans and users is a bridge too far for those whose dominant interest is protecting and milking existing revenue streams for however many quarters their horizon is. If it takes destroying the Internet to do that, so be it. This has to change, but the change won’t come from big content adopting CC licenses wholesale (though of course we appreciate when a progressive element does so for a project, and I’d be happy to be wrong), but through policy change that removes their ability to persecute fans. Have we reached “peak copyright” yet?

Communicating this to the CC community is not a challenge — they already knew how poorly aligned the interest and practice of big content and society are, and for many people this was a motivating factor for getting involved in CC.

The challenge has been figuring out where the commons can make a big difference, given the indifference-to-hostility of big content. The answer has arrived at fairly organically, learning both from the broader community (e.g., FLOSS, Wikipedians, the Open Access movement) and from the CC affiliate community’s work on institutional and government policy. The summary is that CC’s sweet spots are community and mass collaboration projects, where legal freedoms are necessary for a project to scale, just like in FLOSS, and in publicly interested policy, where the policymaker might be a funder, and institution, or a government. In both of these cases, the appropriate CC license or public domain tool is a standard, well understood and recognized instrument that can be made the legal basis of a project, or slotted into a broader policy intended to benefit the public, instead of engaging in expensive debate and reinvention — and there’s a big community of experts eager to help, wherever one is in the world.

There is a passionate CC community out there. How did you build a community that takes the CC ethos and spreads it further and advocating it to others?

Sharing, giving credit where due, valuing the common good, using technology to encourage such, not persecuting people who do those very natural things — things that one might recognized as “the CC ethos” — all precede CC. They’re essentially human. CC created some practical tools that one can use to further those ends and a brand that denotes such an ethos at our particular juncture in history. People would’ve been spreading that ethos in the same contexts CC is now — one can see an explosion of experiments in open content licensing in the years just before CC launched. Hopefully overall CC has made those people more effective than they would’ve been without a fairly high profile and well resourced (but tiny in the scheme of things) license steward, i.e., CC.

We did make an attempt approximately 2005-2008 to provide a nexus for open movements to meet and collaborate, a subsidiary called iCommons (now a small independent charity) that ran a series of “iSummits”. These turned out to be mostly useful for bringing the CC community together, so our next global gathering, which did not occur until September, 2011, made no pretense of being anything other than a CC summit. There remains huge opportunity to at appropriate times work together with other communities and movements with an overlapping ethos — more of that is happening, but slowly, and not under an umbrella brand.

CC is a now well established organization and community. How do you keep your community passionate about the CC and Free Culture?

Regarding the CC affiliate community (copyright and other experts mentioned above), carefully and collaboratively. Some of the core work by that community is changing — we’re working on version 4.0 of the CC license suite now, which has the aim of being unambiguously global — porting as it has been done so far may end, or at least will be a special case. We have to move and diversity the work of this community, and it has to be even more vital and challenging work, e.g. CC adoption as policy, leveraging CC’s reputation in nearby policy debates impactful to the commons, CC as a subject of legal, economic, and other research, and interfacing with WIPO and other international institutions. We have to strive to make CC a truly international organization itself. What this means for governance, staffing, fundraising, the structure of relationships with affiliates and other organizations — we don’t know yet, and will probably always be evolving.

Regarding the broader community and potential movement, the flip answer is that we don’t have to do anything. The passion is there, and free culture, open access, open education, etc, provide endless good news and opportunity for all interested — and occasionally we get a gift in the form of a ridiculously incorrect attack on CC from a big content executive — that fires everyone up. However, there’s a lot that we do, the single most important one being serving as a great license steward, which includes everything from explaining and answering questions to advocacy to actually getting the licenses “right” so that they’re the best tools for growing the commons. If our explanations of the licenses are confusing, or we have licenses that don’t serve to build the commons, it puts a real damper on the ability of the community to advocate and spread CC, and their passion for doing so.

The 4.0 process is also going to be crucial for engaging the broader community, and be a determinant of how much passion and energy we see from them over the next decade. My highest aspiration would be for the 4.0 licenses to have received overwhelming input and buy-in from both the broadest set of “netizens” (if I may use a 1990s term) interested in the common good and policymakers, forming a standard for info- and innovation-policy and norms for a generation. Coming anywhere near that goal will require lots of community organizing!

CC is a funded by donations. What approaches have you used to gather these donations?

So far the vast majority of our funding has come from U.S.-based private foundations. Our main effort for community support (which I consider the most healthy form of funding, and should over time become the most important pillar) has consisted of an annual fall campaign, mostly conducted online — think a micro version of the Wikimedia fundraising campaigns that most readers should have seen. CC has a lot of learning and growth to do here. The main reason to cultivate the CC community is that doing will be instrumental for accomplishing our mission — but it is true that we hope that a portion of the community has the means and feels our work is important enough to donate each year.

If you enjoyed that, check out the other community case book interviews: Linus Torvalds, Linux; Mike Shinoda, Linkin Park; Mårten Mickos, MySQL and Eucalyptus; Tim O’Reilly, O’Reilly Media; Carolyn Mellor, X.commerce, PayPal, and eBay; Ilan Rabinovitch, Southern California Linux Expo; Richard Esguerra, Humble Indie Bundle; Mark Bussler, Classic Game Room; Mary Colvig, Mozilla; Dries Buytaert, Drupal and Acquia; and James Spafford, Media Molecule.

If you enjoyed the book, Bacon also runs community leadership conferences.

Sleepwalking past Freedom’s Commons, or how peer production could increase democracy, equality, freedom, and innovation, all of them!

Sunday, February 9th, 2014

2007:

The most interesting parts of ‘s The Wealth of Networks concern how peer production facilitates liberal values. I’ll blog a review in the fullness of time.

In lieu of that which may never come, some motivated notes on Coase’s Penguin, or Linux and the Nature of the Firm (2002, 78 pages) and Freedom in the Commons: Towards a Political Economy of Information (2003, 32 pages; based on a 2002 lecture). A friend wanted to trial a book group with the former. Re-reading that led me to the latter, which I hadn’t read before. Reading them together, or even just the latter, might be a good alternative to reading The Wealth of Networks: How Social Production Transforms Markets and Freedom (2006, 473 pages).

As might be expected from decade plus old internet research, some of the examples in the papers and book are a bit stale, but sadly their fundamental challenge remains largely unacknowledged, and only taken as a byproduct. I would love to be convinced otherwise. Is the challenge (or my extrapolation) wrong, unimportant, or being met satisfactorily?

Excerpts from Freedom in the Commons (emphasis added by me in all quotes that follow):

[Commons-based peer production] opens a range of new opportunities for pursuing core political values of liberal societies—democracy, individual freedom, and social justice. These values provide three vectors of political morality along which the shape and dimensions of any liberal society can be plotted. Because, however, they are often contradictory rather than complementary, the pursuit of each of these values places certain limits on how we conceive of and pursue the others, leading different liberal societies to respect them in different patterns.

An underlying efficient limit on how we can pursue any mix of arrangements to implement our commitments to democracy, autonomy, and equality, however, has been the pursuit of productivity and growth.

[Commons-based peer production] can move the boundaries of liberty along all three vectors of liberal political morality.

There is no benevolent historical force, however, that will inexorably lead the technological-economic moment to develop towards an open, diverse, liberal equilibrium. If the transformation occurs, it will lead to substantial redistribution of power and money from the twentieth-century, industrial producers of information, culture, and communications—like Hollywood, the recording industry, and the telecommunications giants—to a widely diffuse population around the globe. None of the industrial giants of yore are going to take this redistribution lying down. Technology will not overcome their resistance through some insurmountable progressive impulse. The reorganization of production, and the advances it can bring in democracy, autonomy, and social justice will emerge, if it emerges, only as a result of social and political action. To make it possible, it is crucial that we develop an understanding of what is at stake and what are the possible avenues for social and political action. But I have no illusions, and offer no reassurances, that any of this will in fact come to pass. I can only say that without an effort to focus our attention on what matters, the smoke and mirrors of flashy toys and more convenient shopping will be as enlightening as Aldous Huxley’s soma and feelies, and as socially constructive as his orgy porgy.

Let us think, then, of our being thrust into this moment as a challenge. We are in the midst of a technological, economic, and organizational transformation that allows us to renegotiate the terms of freedom, justice, and productivity in the information society. How we shall live in this new environment will largely depend on policy choices that we will make over the next decade or two. To be able to understand these choices, to be able to make them well, we must understand that they are part of a social and political choice—a choice about how to be free, equal, and productive human beings under anew set of technological and economic conditions. As economic policy, letting yesterday’s winners dictate the terms of economic competition tomorrow is disastrous. As social policy, missing an opportunity to enrich democracy, freedom, and equality in our society, while maintaining or even enhancing our productivity, is unforgivable.

Although the claim that the Internet leads to some form or another of “decentralization” is not new, the fundamental role played in this transformation by the emergence of non-market, nonproprietary production and distribution is often over-looked, if not willfully ignored.

First, if the networked information economy is permitted to emerge from the institutional battle, it will enable an outward shift of the limits that productivity places on the political imagination. Second, a society committed to any positive combination of the three values needs to adopt robust policies to facilitate these modes of production,because facilitating these modes of production does not represent a choice between productivity and liberal values, but rather an opportunity actually to relax the efficient limit on the plausible set of political arrangements available given the constraints of productivity.

We are at a moment in our history at which the terms of freedom and justice are up for grabs. We have an opportunity to improve the way we govern ourselves—both as members of communities and as autonomous individuals. We have an opportunity to be more just at the very core of our economic system. The practical steps we must take to reshape the boundaries of the possible in political morality and to improve the pattern of liberal society will likely improve productivity and growth through greater innovation and creativity. Instead of seizing these opportunities, however, we are sleepwalking.

What arrangements favor reorganization towards commons-based peer production? From Coase’s Penguin:

This suggests that peer production will thrive where projects have three characteristics. First, they must be modular. That is, they must be divisible into components, or modules, each of which can be produced of the production of the others. This enables production to be incremental and asynchronous, pooling the efforts of different people, with different capabilities, who are available at different times. Second, the granularity of the modules is important and refers to the sizes of the project’s modules. For a peer production process to pool successfully a relatively large number of contributors, the modules should be predominately fine-grained, or small in size. This allows the project to capture contributions from large numbers of contributors whose motivation levels will not sustain anything more than small efforts toward the project. Novels, for example, at least those that look like our current conception of a novel, are likely to prove resistant to peer production. In addition, a project will likely be more efficient if it can accommodate variously sized contributions. Heterogeneous granularity will allow people with different levels of motivation to collaborate by making smaller- or larger-grained contributions, consistent with their levels of motivation. Third, and finally, a successful peer production enterprise must have low-cost integration, which includes both quality control over the modules and a mechanism for integrating the contributions into the finished product.

Regulators concerned with fostering innovation may better direct their efforts toward providing the institutional tools that would help thousands of people to collaborate without appropriating their joint product, making the information they produce freely available rather than spending their efforts to increase the scope and sophistication of the mechanisms for private appropriation of this public good as they now do.

That we cannot fully understand a phenomenon does not mean that it does not exist. That a seemingly growing phenomenon refuses to fit our longstanding perceptions of how people behave and how economic growth occurs counsels closer attention, not studied indifference and ignorance.  Commons-based peer production presents a fascinating phenomenon that could allow us to tap substantially underutilized reserves of human creative effort. It is of central importance that we not squelch peer production, but that we create the institutional conditions needed for it to flourish.

There’s been some progress on institutional tools (i.e., policy arrangements writ large, the result of “political action” above) in the 11 or so years since (e.g., Open Access mandates), but not nearly enough to outweigh global ratcheting of intellectual freedom infringing regimes, despite the occasional success of rearguard actions against such ratcheting. Neither these rearguard actions, nor mainstream (nor reformist) discussion of “reform” put commons at the center of their concerns. The best we can expect from this sleepwalking is to muddle through, with policy protecting and promoting commons where such is coincidentally aligned with some industrial interest (often simplified to “Google” in the past several years, but that won’t last forever).

My extrapolation (again, tell me if facile or wrong): shifting production arrangements so as to favor commons-based peer production is as important as, complementary to, and almost necessary for positive policy change. Commons-based product competition simultaneously changes the facts on the ground, the range of policies imaginable, and potentially create a commons “industrial” interest group which is recognizably important to regulators and makes commons-based peer production favoring policy central to its demands — the likely Wikimedia response to the European Commission copyright consultation is a hopeful example.

There has been lots of progress on improving commons-based peer production (e.g., some trends), but also not nearly enough to keep up with proprietary innovation, particularly lacking and missing huge opportunities where proprietary incumbents real advantages sit — not production per se, but funding and distribution/marketing/cultural relevance making. Improving commons-based peer production, shifting the commanding heights (i.e., Hollywood premium video and massively expensive and captured pharma regulatory apparatus) to forms more amenable to commons-based peer production, and expanding the scope of commons-based peer production to include funding and relevance making are among the most potent political projects of our time.

Wake up. ^_^

Technology and wealth Inequality Promotion

Thursday, January 30th, 2014

Sam Altman, Technology and wealth inequality:

Without intervention, technology will probably lead to an untenable disparity—so we probably need some amount of intervention. Technology also increases the total wealth in a way that mostly benefits everyone, but at some point the disparity just feels so unfair it doesn’t matter.

This widening wealth divide is happening at all levels—people, companies, and countries. And either it will keep going, or innovation will stop.

The very first intervention ought be in our innovation policy, which presently is tuned to maximize concentration of wealth and minimize the access of everyone to the benefits of innovation — because our innovation policy is a property/rent seeking regime. A few data points.

Such an intervention won’t stop innovation, but might change it, and we should want that. Beautiful progress is that which is produced by a freedom and equality respecting regime. We ought be suspicious and ashamed of progress which depends on infringing freedom and promoting inequality. If mass spectacle ends when the regime falls, all the better. We’ll love whatever culture we have and create, will be amazed by its innovation, in part encouraged through non-enclosing innovation policy.

If innovation-driven inequality is a big problem, we ought be more highly valuing (including figuring out how to characterize that value) and promoting existing systems which depend on and promote freedom and equality, i.e., commons-based ones such as free/open source software and the Wikimedia movement (and recursively working on equality and diversity within those systems).

Innovation could tend to increase inequality independent of wealth concentrating, property/rent-seeking based innovation policies and other political factors. If this is the case (or honestly even if it is not), I’m always disappointed that progressivity of tax systems isn’t central to the debate — and I don’t mean marginal income tax rates. Basically property > income > sales. Further, property property can’t be moved and taxing it doesn’t require extensive privacy invasions. In theory I’d expect the strongest states and most free and equal societies of the future to strongly prefer real property taxation over other systems. But perhaps path dependencies and other factors will swamp this (and innovation policy as well).

Public domain wins copyright week!

Sunday, January 19th, 2014

public domain wins copyright weekEFF coordinated a six day copyright week, with suggested readings and actions in support of six principles, below with readings + actions count:

  • Transparency: 10 + 1 = 11
  • Building and Defending a Robust Public Domain: 16 + 0 = 16
  • Open Access: 9 + 2 = 11
  • You Bought it, You Own It: 8 + 3 = 11
  • Fair Use Rights: 14 + 1 = 15
  • Getting Copyright Right: 7 + 1 = 8

I couldn’t help but notice that the public domain “wins” by the metric of total readings + actions, perhaps indicative of relative enthusiasm and evaluation of importance by the communities EFF reaches. Good.

The apparent “loser” is getting copyright right, which I’ll also take undue satisfaction in: it’s an impoverished objective, relative to expanding and protecting intellectual freedom. Alternatively, public domain maximalism (second alternative, corresponding to the runner-up: fair use maximalism) is getting copyright right. But I acknowledge advocating “getting copyright right” (and the entire exercise of copyright week) is a fine thing to do given constraints, and its “loss” is likely due to being a more difficult writing assignment, and falling on the last day.

The latent “loser” though is the role of commons initiatives in changing the knowledge economy, thus the range of policies which can be imagined, and the resources available to support various policies. Some initiatives are mentioned, but almost exclusively as victims of costs imposed by bad policy. Daniel Mietchen’s Wikimedia and Open Access might be the reading closest to what I’d like to see a whole day dedicated to (on the seventh day of copyright week, commoners made their own freedom). Though starting with copyright-imposed costs to the project, Mietchen proceeds to describe collaboration among Wikimedians and the Open Access movement, and ends with (implied) competition:

wider exposure of Open Access materials through Wikimedia platforms may perhaps serve as an incentive for researchers to reconsider whether putting their articles behind access and reuse barriers is an appropriate approach to publishing them.

Related, because it is the domain of the most robust commons initiatives, it is too bad software was not the primary topic of several copyright week readings and actions. But even ignoring the seventh day angle, it is incredibly short-sighted to treat software as a separate category, whether for purposes of study or policy (e.g., copyright). All of the traditional subjects of copyright are now largely made with and mediated by software, but that’s just the beginning. Soon enough, they’ll all be software, or be obsolete. (In hindsight I should have noticed copyright week approaching, and urged various free/open source software initiatives to participate, and explain their policy relevance and potency.)

Back to cheering, I highly recommend at least skimming a few of the readings in each category, linked on the EFF copyright week page. Unless you follow knowledge policy writ large really closely, you’re almost certain to learn something new about policy battles that will play a large role in shaping the future of society.

To make up for the lack of copyright week “actions” recommended for building and defending a robust public domain: sign the public domain manifesto, upgrade your work to the public domain, and enjoy and share the greatest public domain film to date.