Public Domain

List of Wikimania 2013 Submissions of Interest

Saturday, May 4th, 2013

Unlikely I’ll attend Wikimania 2013 in Hong Kong (I did last year in DC). In lieu of marking myself as an interested attendee of proposed sessions, my list of 32 particularly interesting-to-me proposals follows. I chose by opening the proposal page for each of the 331 submissions that looked interesting at first glance (about 50) and weeded out some of those.

I suspect many of these proposals might be interesting reading for anyone generally curious about possible futures of Wikipedia and related, similar, and complementary projects, but not following any of these things closely.

A “kill hollyweb” plan

Friday, May 3rd, 2013
May 3 is the Day Against DRM (Digital Restrictions Management). Please sign the petition against DRM in the HTML5 standard. Then come back and read this post.

Recently I wrote in Why DRM in HTML5 and what to do about it:

Long term, the only way the DRM threat is going to be put to rest is for free cultural works to become culturally relevant.

I’ve complained many a time that rearguard clicktivism against bad policy is not a winning strategy — especially when such campaigns don’t also promote free-as-in-freedom software and cultural works — because as I put it one of those times:

In a world in which most software and culture are free as in freedom there would be no constituency for attacking the Internet (apart from dictatorships and militarized law enforcement of supposed democracies)

But I’m at fault too for not laying out a specific plan for making some free works culturally relevant, let alone carrying out such a plan.

OK, here’s one plan I recently mentioned offhandedly:

‘free-as-in-freedom ~netflix’
  • crowdfund minimum number of subscriptions needed to begin
  • subscriptions used to really nicely package/stream and promote free as in freedom video
  • start with 1 feature-length video selection each month (perhaps even quarter during a beta phase)
  • mix of contemporary (of which there isn’t much yet) and older public domain movies
  • limited, promoted releases concentrate subscription audience: focused increase of cultural relevance, one work at a time
  • given enough subscriptions, start funding new free videos
  • obviously videos would be DRM-free, in free formats, all software used free software, and all ancillary material also free-as-in-freedom

Good idea? Run with it, or if you’d like to subscribe or otherwise help create it in any way, fill out this 3 question survey. Bad idea, but still care? Let me know via the survey. Or mail ml@gondwanaland.com or contact user mlinksva on some other usual channel.



“Kill Hollyweb” is in part a reference to the Y Combinator Request For Startups 9: Kill Hollywood. The plan above isn’t really a Kill Hollywood plan as it isn’t about replacing movies with some other form of entertainment.

Best Creative Commons infographic ever

Tuesday, April 16th, 2013

Best Creative Commons inforaphic ever

By Falkvinge on Infopolicy columnist Zacqary Adam Green (also creator of the excellent Your Face Is A Saxophone cartoon).

Already used in my presentation today at the Linux Collaboration Summit, (pdf, odp, slideshare).

April 1 birthday gifts

Monday, April 1st, 2013

Wish me “happy birthday” on Facebook, “endorse” me for “scalability” on LinkedIn.

More seriously, why not give a gift to all? Extrapolate a bit from notices found on individual works (examples abound, often stipulating a public license, but a see classic one, stipulating public domain):

Unless stated otherwise, everything by me, Mike Linksvayer, published anywhere, is hereby placed in the public domain.

Evocation and scalability before equivocation and specification of edge cases and mechanisms to handle them.

Other random acts of kindness, calculated acts generating positive externality, and atavistic art, all welcome.

Open Knowledge Foundation

Wednesday, February 13th, 2013

I used to privately poke fun at the Open Knowledge Foundation for what seemed like a never-ending stream of half-baked projects (and domains, websites, lists, etc). I was wrong.

(I have also criticized OKF’s creation of a database-specific copyleft license, but recognize its existence is mostly Creative Commons’ fault, just as I criticize some of Creative Commons’ licenses but recognize that their existence is mostly due to a lack of vision on the part of free software activists.)

Some of those projects have become truly impressive (eg the Public Domain Review and CKAN, the latter being a “data portal” deployed by numerous governments in direct competition with proprietary “solutions”; hopefully my local government will eventually adopt the instance OpenOakland has set up). Some projects once deemed important seem relatively stagnant, but were way ahead of their time, if only because the non-software free/open universe painfully lags software (eg, KnowledgeForge). I haven’t kept track of most OKF projects, but whichever ones haven’t succeeded wildly don’t seem to have caused overall problems.

Also, in the past couple years, OKF has sprouted local groups around the world.

Why has the OKF succeeded, despite what seemed to me for a time chaotic behavior?

  • It knows what it is doing. Not necessarily in terms of having a solid plan for every project it starts, but in the more fundamental sense of knowing what it is trying to accomplish, grounded by its own definition of what open knowledge is (unsurprisingly it is derived from the Open Source Definition). I’ve been on the advisory council for that definition for most of its existence, and this year I’m its chair. I wrote a post for the OKF blog today reiterating the foundational nature of the definition and its importance to the success of OKF and the many “open” movements in various fields.
  • It has been a lean organization, structured to be able to easily expand and contract in terms of paid workers, allowing it to pursue on-mission projects rather than be dominated by permanent institutional fundraising.
  • It seems to have mostly brought already committed open activists/doers into the organization and its projects.
  • The network (eg local groups) seems to have grown fairly organically, rather than from a top-down vision to create an umbrella that all would attach themselves toview with great skepticism.

OKF is far from perfect (in particular I think it is too detached from free/open source software, to the detriment of open data and reducing my confidence it will continue to say on a fully Open course — through action and recruitment — one of their more ironic practices at this moment is the Google map at the top of their local groups page [Update: already fixed, see comments]). But it is an excellent organization, at this point probably the single best connection to all things Open, irrespective of field or geography.

Check them out online, join or start a local group, and if you’re interested in the minutiae of of whether particular licenses for intended-to-be-open culture/data/education/government/research works are actually open, help me out with OKF’s OpenDefinition.org project.

Public Domains Day

Tuesday, January 1st, 2013

Points 1-4 of my year-ago post, Which counterfactual public domain day? hold up well, but number 5 could be improved: it concerns optimal copyright term, which is a rather narrow issue, and viewed from an unhealthy side.

Instead, consider that in common language, and presumably to most people, “in the public domain” means something like “revealed to the public” or “not secret”, as the first definition currently presented by Google reflects:

pub·lic do·main
noun
public domains, plural

  1. The state of belonging or being available to the public as a whole
  2. Not subject to copyright
    the photograph had been in the public domain for 15 years
    public-domain software

  3. Public land
    a grazing permit on public domain

It’s not clear how Google’s computers selected those definitions, but they did a good job: “intellectual property” focused definitions seem to have largely crowded out the common usage in written down definitions.

The common “available to the public as a whole” understanding reflects why I have been more recently careful to stress that copyright policy is a small part of information policy and that reducing copyright restrictions (anti-sharing regulation), all the way to abolition, are in this broader context moderate reforms — more thoroughgoing reform would have to consider pro-sharing regulation (as I’ve said many times, broadly construed; choose the mechanisms that fit your ideological commitments) — requiring information revelation, eg of computer program source code.

People curating and promoting works not subject to copyrestriction, information preservationists, leakers, transparency activists, and many others provide various sorts of pro-public-domain regulation. But I especially want to recognize enforcers of copyleft regulation as benefiting (though problematically) the commonly understood public domain, and in the most important field (computation is suffusing everything, security through obscurity isn’t, etc).

Happy Public Domains Day. I offer a cornucopia of vague jokes, indeed.

Free as in Software Freedom Law Shows

Wednesday, July 18th, 2012

In the latest Free as in Freedom podcast Karen Sandler and Bradley Kuhn play a recording of and discuss my FOSDEM law&policy presentation from back in February. The podcast covered all but one FOSDEM law&policy talk, see the archives.

I’m very happy with how this episode turned out. I managed to at least briefly include more points in a half hour than I recall having done, and Sandler and Kuhn manage to discuss far more of them than I would’ve hoped. Listen (ogg, mp3) and refer to slides (pdf, odp).

Further notes on two issues mentioned in the discussion follow.

Equality and Freedom

I’m glad that Sandler mentioned free software’s great equality story. But, I should say what I mean by that. I don’t primarily mean equal access, though that’s important. I mean contributing to reducing inequality of income, wealth, power. I’ve done precious little to articulate this, and I don’t know anyone else who has either, but there’s a reason it is the very first of my suggested considerations for future policy. Similarly, I think free software’s grand freedom story is not the proximate freedoms to run, study, modify, share software, but their role in protecting and promoting a free society. Again, much more needs to be said, provocatively (and that, critiqued, etc). Software freedom and nearby ought be claiming space in the commanding heights of political dialogue.

Hardware design licensing

I’m glad that Kuhn stated that he sees no reason for not using GPLv3 for hardware designs, and scoffs (privately, I suppose) at people making up new licenses for the same. As far as I know there are two papers that try to make the case for new hardware design licenses, and as far as I can tell they both fail. But, as far as I know no FLOSS establishment institution has proclaimed the correctness of using GPLv3 or a compatible license for hardware designs, nor explained why, nor reached out to open hardware folk when discussing new such licenses. How can this change? Perhaps such people should be alerted to copyleft-next. Perhaps I should be happy that hardware has been long ignored; one can imagine a universe with an equally twisted late 1990s vintage GNU FHL to accompany the GNU FDL.

Joke background

CC0, passports, and (a related one from Asheesh Laroia is told on the show) credit cards.

In 2009 Sandler and Kuhn interviewed me for the previous podcast, the Software Freedom Law Show. I did not blog about it then, but much of the discussion is probably still pertinent, if you wish to listen.

Future of Copyright

Monday, April 30th, 2012

“Copyright” (henceforth, copyrestriction) is merely a current manifestation of humanity’s malgovernance of information, of commons, of information commons (the combination being the most pertinent here). Copyrestriction was born of royal censorship and monopoly grants. It has acquired an immense retinue of administrators, advocates, bureaucrats, goons, publicists, scholars, and more. Its details have changed and especially proliferated. But its concept and impact are intact: grab whatever revenue and control you can, given your power, and call your grabbing a “right” and necessary for progress. As a policy, copyrestriction is far from unique in exhibiting these qualities. It is only particularly interesting because it, or more broadly, information governance, is getting more important as everything becomes information intensive, increasingly via computation suffusing everything. Before returning to the present and future, note that copyrestriction is also not temporally unique among information policies. Restriction of information for the purposes of control and revenue has probably existed since the dawn of agriculture, if not longer, e.g., cults and guilds.

Copyrestriciton is not at all a right to copy a work, but a right to persecute others who distribute, perform, etc, a work. Although it is often said that a work is protected by copyrestriction, this is strictly not true. A work is protected through the existence of lots of copies and lots of curators. The same is true for information about a work, i.e., metadata, e.g., provenance. Copyrestriction is an attack on the safety of a work. Instead, copyrestriction protects the revenue and control of whoever holds copyrestriction on a work. In some cases, some elements of control remain with a work’s immediate author, even if they no longer hold copyrestriction: so-called moral rights.

Copyrestriction has become inexorably more restrictive. Technology has made it increasingly difficult for copyrestriction holders and their agents to actually restrict others’ copying and related activity. Neither trend has to give. Neither abolition nor police state in service of copyrestriction scenarios are likely in the near future. Nor is the strength of copyrestricition the only dimension to consider.

Free and open source software has demonstrated the ethical and practical value of the opposite of copyrestriction, which is not its absence, but regulation mandating the sharing of copies, specifically in forms suitable for inspection and improvement. This regulation most famously occurs in the form of source-requiring copyleft, e.g., the GNU General Public License (GPL), which allows copyrestriction holders to use copyrestriction to force others to share works based on GPL’d works in their preferred form for modification, e.g., source code for software. However, this regulation occurs through other means as well, e.g., communities and projects refusing to curate and distribute works not available in source form, funders mandating source release, and consumers refusing to buy works not available in source form. Pro-sharing regulation (using the term “regulation” maximally broadly to include government, market, and others; some will disbelieve in the efficacy or ethics of one or more, but realistically a mix will occur) could become part of many policies. If it does not, society will be put at great risk by relying in security through obscurity, and lose many opportunities to scrutinize, learn about, and improve society’s digital infrastructure and the computing devices individuals rely on to live their lives, and to live, period.

Information sharing, and regulation promoting and protecting the same, also ought play a large role in the future of science. Science, as well as required information disclosure in many contexts, long precedes free and open source software. The last has only put a finer point on pro-sharing regulation in relation to copyrestriction, since the most relevant works (mainly software) are directly subject to both. But the extent to which pro-sharing regulation becomes a prominent feature of information governance, and more narrowly, the extent to which people have software freedom, will depend mostly on the competitive success of projects that reveal or mandate revelation of source, the success of pro-sharing advocates in making the case that pro-sharing regulation is socially desirable, and their success in getting pro-sharing regulation enacted and enforced (again, whether in customer and funding agreements, government regulation, community constitutions, or other) much more so than copyrestriction-based enforcement of the GPL and similar. But it is possible that the GPL is setting an important precedent for pro-sharing regulation, even though the pro-sharing outcome is conceptually orthogonal to copyrestriction.

Returning to copyrestriction itself, if neither abolition nor totalism are imminent, will humanity muddle through? How? What might be done to reduce the harm of copyrestriction? This requires a brief review of the forces that have resulted in the current muddle, and whether we should expect any to change significantly, or foresee any new forces that will significantly impact copyrestriction.

Technology (itself, not the industry as an iterest group) is often assumed to be making copyrestriction enforcement harder and driving demands for for harsher restrictions. In detail, that’s certainly true, but for centuries copyrestriciton has been resilient to technical changes that make copying ever easier. Copying will continue to get easier. In particular the “all culture on a thumb drive” (for some very limited definition of “all”) approaches, or is here if you only care about a few hundred feature length films, or are willing to use portable hard drive and only care about a few thousand films (or much larger numbers of books and songs). But steadily more efficient copying isn’t going to destroy copyrestriction sector revenue. More efficient copying may be necessary to maintain current levels of unauthorized sharing, given steady improvement in authorized availability of content industry controlled works, and little effort to make unauthorized sharing easy and worthwhile for most people (thanks largely to suppression of anyone who tries, and media management not being an easy problem). Also, most collection from businesses and other organizations has not and will probably not become much more difficult due to easier copying.

National governments are the most powerful entities in this list, and the biggest wildcards. Although most of the time they act roughly as administrators or follow the cue of more powerful national governments, copyrestriction laws and enforcement are ultimately in their courts. As industries that could gain from copyrestriction grow in developing nations, those national governments could take on leadership of increasing restriction and enforcement, and with less concern for civil liberties, could have few barriers. At the same time, some developing nations could decide they’ve had enough of copyrestriction’s inequality promotion. Wealthy national governments could react to these developments in any number of ways. Trade wars seem very plausible, actual war prompted by a copyrestriction or related dispute not unimaginable. Nations have fought stupid wars over many perceived economic threats.

The traditional copyrestriction industry is tiny relative to the global economy, and even the U.S. economy, but its concentration and cachet make it a very powerful lobbyist. It will grab all of the revenue and control it possibly can, and it isn’t fading away. As alluded to above, it could become much more powerful in currently developing nations. Generational change within the content industry should lead to companies in that industry better serving customers in a digital environment, including conceivably attenuating persecution of fans. But it is hard to see any internal change resulting in support for positive legal changes.

Artists have always served as exhibit one for the content industry, and have mostly served as willing exhibitions. This has been highly effective, and every category genuflects to the need for artists to be paid, and generally assumes that copyrestriction is mandatory to achieve this. Artists could cause problems for copyrestriction-based businesses and other organizations by demanding better treatment under the current system, but that would only effect the details of copyrestriction. Artists could significantly help reform if more were convinced of the goodness of reform and usefulness of speaking up. Neither seems very likely.

Other businesses, web companies most recently, oppose copyrestriction directions that would negatively impact their businesses in the short term. Their goal is not fundamental reform, but continuing whatever their current business is, preferably with increasing profits. Just the same as content industries. A fundamental feature of muddling through will be tests of various industries and companies to carve out and protect exceptions. And exploit copyrestriction whenever it suits them.

Administrators, ranging from lawyers to WIPO, though they work constantly to improve or exploit copyrestriciton, will not be the source of significant change.

Free and open source software and other constructed commons have already disrupted a number of categories, including server software and encyclopedias. This is highly significant for the future of copyrestriction, and more broadly, information governance, and a wildcard. Successful commons demonstrate feasibility and desirability of policy other than copyrestriction, help create a constituency for reducing copyrestriction and increasing pro-sharing policies, and diminish the constituency for copyrestriction by reducing the revenues and cultural centrality of restricted works and their controlling entities. How many additional sectors will opt-in freedom disrupt? How much and for how long will the cultural centrality of existing restricted works retard policy changes flowing from such disruptions?

Cultural change will affect the future of copyrestriction, but probably in detail only. As with technology change, copyrestriction has been incredibly resilient to tremendous cultural change over the last centuries.

Copyrestriction reformers (which includes people who would merely prevent additional restrictions, abolitionists, and those between and beyond, with a huge range of motivations and strategies among them) will certainly affect the future of copyrestriction. Will they only mitigate dystopian scenarios, or cause positive change? So far they have mostly failed, as the political economy of diffuse versus concentrated interests would predict. Whether reformers succeed going forward will depend on how central and compelling they can make their socio-political cause, and thus swell their numbers and change society’s narrative around information governance — a wildcard.

Scholars contribute powerfully to society’s narrative over the long term, and constitute a separate wildcard. Much scholarship has moved from a property- and rights-based frame to a public policy frame, but this shift as yet is very shallow, and will remain so until a property- and rights-basis assumption is cut out from under today’s public policy veneer, and social scientists rather than lawyers dominate the conversation. This has occurred before. Over a century ago economists were deeply engaged in similar policy debates (mostly regarding patents, mostly contra). Battles were lost, and tragically economists lost interest, leaving the last century’s policy to be dominated by grabbers exploiting a narrative of rights, property, and intuitive theory about incentives as cover, with little exploration and explanation of public welfare to pierce that cover.

Each of the above determinants of the future of copyrestriction largely hinge on changing (beginning with engaging, in many cases) people’s minds, with partial exceptions for disruptive constructed commons and largely exogenous technology and culture change (partial as how these develop will be affected by copyrestriction policy and debate to some extent). Even those who cannot be expected to effect more than details as a class are worth engaging — much social welfare will be determined by details, under the safe assumption that society will muddle through rather than make fundamental changes.

I don’t know how to change or engage anyone’s mind, but close with considerations for those who might want to try:

  • Make copyrestriction’s effect on wealth, income, and power inequality, across and within geographies, a central part of the debate.
  • Investigate assumptions of beneficent origins of copyrestriction.
  • Tolerate no infringement of intellectual freedom, nor that of any civil liberty, for the sake of copyrestriction.
  • Do not assume optimality means “balance” nor that copyrestriction maximalism and public domain maximalism are the poles.
  • Make pro-sharing, pro-transparency, pro-competition and anti-monopoly policies orthogonal to above dimension part of the debate.
  • Investigate and celebrate the long-term policy impact of constructed commons such as free and open source software.
  • Take into account market size, oversupply, network effects, non-pecuniary motivations, and the harmful effects of pecuniary motivations on creative work, when considering supply and quality of works.
  • Do not grant that copyrestriction-based revenues are or have ever been the primary means of supporting creative work.
  • Do not grant big budget movies as failsafe argument for copyrestriction; wonderful films will be produced without, and even if not, we will love whatever cultural forms exist and should be ashamed to accept any reduction of freedom for want of spectacle.
  • Words are interesting and important but trivial next to substance. Replace all occurrences of “copyrestriction” with “copyright” as you see fit. There is no illusion concerning our referent.

This work takes part in the and is published under the CC BY-SA 3.0 license.

dsc02482.jpg

no copyright law in the universe is going to stop me [from demanding compliance with various UN human rights and cultural diversity declarations]

Saturday, March 3rd, 2012

Currently the first autocompletion result upon typing “no copyright” into YouTube’s search is “no copyright law in the universe is going to stop me”, which is apparently a string used in the description of 108 videos on YouTube, and the title of at least one. It seems this phrase is primarily an anti-SOPA expression rather than an admonition to not take down whatever video is described.

Andy Baio pointed out late last year that disclaimers of intent to infringe others’ copyrights and claims of fair use frequently appear in the descriptions of videos on YouTube. He noted 489,000 and 664,000 results for the queries "no copyright" and "copyright" "section 107". Those numbers may have grown significantly in the last nearly 3 months, but should be taken with a huge grain of salt. Yesterday for me, “no copyright” obtained 906,000, while today YouTube has said both 972,000 and 3,850,000 to the same query. For “copyright” “section 107″, yesterday 771,000, today 418,000. I don’t know how many videos were on YouTube 3 months ago, but yesterday an empty query claimed 567,000,000; today I’ve seen 537,000,000 and 550,000,000 — maybe on the order of 1% of videos have some sort of copyright disclaimer. But there are variations that might not be picked up by the queries Baio used, including for example two of the descriptions I posted a few days ago.

Although they’re probably completely useless in preventing automated takedowns and in court (though it’s not entirely clear they ought be useless in either case), as expression they’re at the very least interesting, and perhaps more. Though they can be seen as “voodoo charms”, so can the ubiquitous “all rights reserved”, and even meaningful public copyright licenses can be seen as such to the extent they are misunderstood or totemic. My main objection to the disclaimers Baio brought attention to is that they’re clutter to the extent they crowd out writing or reading other information about works; and just about anything else is more useful, from provenance to expressions of appreciation, eg “In my opinion, one of the greatest songs of the ’80s.”

But my first reaction to such disclaimers is the wish that they would be more expressive, even substantial. Regarding the latter, in many cases the uploader has added something to or rearranged the work in question — e.g., where the work is a song, the addition of images, or the performance of a cover. How often does the uploader grant permissions to use whatever expression they’ve added? (I don’t know; one aggregate tool for exploring such might be the addition of &creativecommons=1 to the aforementioned queries, which will limit results to those marked as CC-BY.) One fairly well known case of something like this is Girl Talk’s All Day:

All Day by Girl Talk is licensed under a Creative Commons Attribution-Noncommercial license. The CC license does not interfere with the rights you have under the fair use doctrine, which gives you permission to make certain uses of the work even for commercial purposes. Also, the CC license does not grant rights to non-transformative use of the source material Girl Talk used to make the album.

Too bad with the NonCommercial condition, and I really don’t like Girl Talk’s music (for something kind of similar that I prefer aesthetically and in terms of permissions granted, check out xmarx), but otherwise that’s a great statement.

Over the past few months someone or some people have made me aware of another example, one that replaces disclaimers with demands. You can see some of this on my English Wikipedia user talk page (start at “Common IP” — unfortunately webcitation.org doesn’t pass through internal links, so you’ll have to scroll down). It may appear that my correspondent is religious and communicating poorly through automated translation between Russian and English, but there’s a kernel of something interesting there. If I understand correctly, they think that without listening to the Beatles, one cannot develop morally (that comes from elsewhere, not on my talk page) and that per a variety of United Nations declarations concerning human rights and especially cultural diversity, anyone has the legal right and moral duty to share Beatles material. As far as I know they started this campaign at beatles1.ru and moved on to other sites, including Wikipedia. It is pretty clear that they’re not looking for links to beatles1.ru or some other site they control — I think they’re sincerely promoting something they believe in, not a money-making scam.

The flaws in their campaign are legion, not least of which is that there could hardly be a worse body of work than that of the Beatles around which to plead for rights to share in the name of cultural diversity. As the Beatles are one of if not the most popular acts ever, the most obvious conclusion is that more Beatles exposure must lower global cultural diversity. On the related issue of cultural preservation, super-famous material like that of the Beatles is going to survive for a long time in spite of copyright restrictions, even vigorously enforced (see James Joyce).

As to their persistent requests for some kind of permission from me to proceed with their campaign, I say two things:

  1. As far as the copyright regime is concerned, the permissions I have to grant to you are nil.
  2. As far as demands made in the name of human rights, no human requires permission from any other to pursue those. Godspeed to you, or perhaps I should say, Beatlespeed!

I want to thank my correspondent for causing me to look at the and subsequent documents. The way they address “intellectual property”, to the extent that they do, is more curious than I would’ve thought. I leave that to a future post.

p.s. My favorite Beatles.

Permissions are job 0 for public licenses

Saturday, February 25th, 2012

Copyright permission is the only mechanism that almost unambiguously is required to maximize social value realized from sharing and collaboration around intangible goods (given that copyright exists):

  • Some people think the addition of conditions that are in effect non-copyright regulation are also required, but others disagree, and given widespread ignorance about and noncompliance with copyleft regulation, I put in the class of probably important (is there anyone conducting serious research around this question?) rather than that of unambiguously required. In any case, current copyleft conditions would be nonsensical if not layered on top of permissions.
  • I’ve heard the argument made that no mechanism is needed: culture aided by the net will route around copyright and other restrictions, just ignore them. I can’t find a good example, but some exhortations and the like of copyheart and kopimi are a subset of the genre. But unless one can make the case that the participation of wealthy litigation targets (any significant organization, from IBM to Wikimedia) is a net negative (and that’s only the first hurdle for such an argument to clear), a mechanism for permissions that appear legally sound to the copyright regime seem unambiguously necessary.
  • There are lots of other real and potential restrictions that permission can and may be possible to grant around, but so much progress has been made with only copyright permissions explicitly granted, and how other restrictions will play out largely a matter of speculation, that I put other permissions also in the class of probably important rather than unambiguously required.

Each of these merit much more experimentation and critique, but while any progress on the first two will inevitably be controversial, progress on the third ought be celebrated and demanded. (For completeness sake, progressive changes in social policy must also be celebrated and demanded, but out of scope for this post.) I see few excuses for new licenses and dedications to not aggressively grant every permission that might be possible or needed, nor for new projects to use instruments that are not so aggressive (with the gigantic constraints that use of existing works and the non-existence of perfect instruments impose), nor for communities that vet instruments to give a stamp of approval to such instruments — indeed if politics and path dependencies were not an issues, such communities ought to push non-aggressive instruments to some kind of legacy status.

In this context I am happy with the outcome of the submission of CC0 to the Open Source Initiative for approval: due to not only lack of, but explicit exclusion of patent permissions, Creative Commons has withdrawn the submission. Richard Fontana’s and Bruce Perens’ contributions to the thread are instructive.

I still think that CC0 is the best thing Creative Commons has ever done — indeed I think that largely because of the above considerations; I don’t know of an instrument that makes as thorough attempt to grant permission around all copyright, related, and neighboring restrictions (patents aren’t in any of those classes) — and remain very happy that the Free Software Foundation considers CC0 to be GPL-compatible (I put GPL-incompatibility in a class of avoidable failure separate from but not wholly unlike not granting all permissions that may be possible, unless one is experimenting with some really novel copyleft regulation).

From the OSI submission thread, I also highly recommend Carl Boettiger’s plea for a public domain instrument appropriate for heterogeneous (code/data/other) products. It will (and ought to) take Creative Commons a long time to vet any potential new version of CC0, but fortunately as I’ve pointed out before, there is plenty of room for experimentation with public domain mechanisms, especially around branding (as incompatibility is less of an issue; compare with copyleft (although if one made explicit compatibility a requirement, there is plenty of potentially beneficial exploration to be done there, too)). An example of such that attempts to include a patent waiver is the Ampify Unlicense (background post).

I hope that the CC0/OSI discussion prompts a race to the bottom for public domain instruments, as new ones attempt to carve out every possible permission. This also ought beneficially affect future permissive and copyleft licenses, which also ought grant every permission possible, whatever conditions they layer on top. Note that adding one such permission — around sui generis database restrictions, is probably the most pressing reason for Creative Commons to have started working on version 4.0 of its licenses. I also hope that the discussion leads to increased collaboration and knowledge sharing (at the very least) across domains in which public licenses are used, taking into account Boettiger’s plea and the realities that such licenses are very often used across several domains (a major point of my recent FOSDEM talk, see especially slides 8-11) and that knowledge concerning commons governance is very thin in every domain.

But keep in mind that most of this post concerns very small potential gains relative to merely granting copyright permission (assuming no non-free conditions are present) and even those are quite a niche subject.☻